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Taken from a smartphone lav test i did a while back. Includes a few seconds of buzz and a very sarcastic "uh-oh" while distortion was still present in the recording.

A small kick with reverb and a lot of delay feedback.

The clip was created using a synsonics "terminator" guitar with a built-in amp by running the output to my sound card and sound card's output going into to a secondary jack intended for headphones on the guitar. It created an interesting metallic noise, almost like a ring mod. . . There is a segment where i was poking the guitar's amp circuit board with my fingers which creates lots of grumbling/squelchy noises. . . The guitar is kind of crappy, but it makes a pretty neat noise synth! :b.

Working with my spring reverb.

A feedback effect, i accidentally created while messing around sounds.

Two small connected feedback systems playing for you.

Feedback loop involving jupiter storm, a-147-2vcdlfo and a-101-1 vactrol vcfcv injected from 2 x sloth and intellijel quadra expander in quadra moodsome spring reverb. After ~1min i switch "noise core disruptor" (jupiter storm) off. Evaluation of patch/soundone cycle is about 28 sec - goodonly short sounds - badamplitude variation - goodpitch variation - goodtimbre variation - goodmusical value - low to mediumentertaining - high, or what?. Merry christmas! :-).

This is one of many build ups from my personal effects library. I used a time-stretch,and added a heavy eq over it for an added bass effect. It builds from in fade to original volume with re-verb. Enjoy. .

I recorded this quick improvisation with my built-in laptop microphone and track monitoring on in reaper, which resulted in it sounding washed-out, warped, and screechy in the high end. At the beginning you hear the distorted wail of a left click initiating the recording. Somebody walks into the living room at the end and we share an exchange. I didn't add any effects or edit this audio in any way, it's just a fun experiment. Let me know if you use this for something!!!!!.

Bass-heavy feedback of some sort.

A trailer-like impact that you would probably find in a horror/action movie trailer, recorded and edited using audacity.

Working with feedback. This is just "work in progress". But cool. When this "neuron" doesent have contact it gets upset.

A sequence in a minor. Spring reverb feedback. Filter sweeps controlled by nlc sloth. I'm not using a sequencer. There are other was to obtain a sequence on a modular synth.

Analog delay on fender strat through fender blues deluxe in bm.

Another piece of feedback recorded using a mobile phone, thats why the quality aint all that, pedal used is a electroharmonix polychorus.

Using an cvlfo in a feedbackloop creating very "chaotic" cv!.

Chorus, flanger, phaser in feedback playing 1 note.

While recording with paw 120 digital recorder the autogain started to earohones caused a feedback sound.

Feedback texture created using soundtoys echoboy delay unit.

A weird ambient loop i made with echoes and feedback through a mixing desk.

A bell.

Freaky resonant feedback atmosphere created with an excellent sound generator.

A massive feedback sound by putting tons of delay, reverb, distortion and more weirdness on some sample. Made in ableton live 7, with freeware vst plug-ins: crazyivan and ambience.

Atonal modular synth melody.

Yeah #300.

More sounds made with my analog modular synthincludes spring reverb feedback :-)more ring modulation noise.

Recorded with smartphone, november 24, 2017.

Trying to restrict feedback. . .

Some generative music-ish. . . Inspired by david tudor. . . Hard to understand but true - for me. . .

De-tuned electric guitar noise played through a heavy metal pedal and a small practice amp , recorded with a cheap condenser mic and fussed with a bit.

This is a recording i made for one of my songs. I found it nice to run the group's output through the ohmforce ohmicide and have some fun with the separate bands. The original loop consists of me, drumming on my metal kitchen-sink with drum-brushes. The snary accents are the brushes on the back of my acoustic guitar. All recorded with a neumann u87 and mangled through a ua solo610 with tube-gain cranked up. The bassdrumsound is also an handplayed sound from my nord lead. All recorded in 48/16.

Sample is a clip from another song i just recorded. Created with effects pedals feeding back into each other. Effects used: behringer micro-mixer (used here as a "clean boost/volume effect), sirkut electronics gnarler, danelectro eq, boss xtortion, and boss metal zone, with various other fx sprinkled throughout. This is another "sounds kind of like screaming" sample.

This sound was from a live video feed on a social media broadcast. At some point the audio just got caught into a feedback loop that lasted for a bit. I thought it sounded interesting and saved it. Has kind of a laser or phaser cannon kind of thing going on. Perhaps an alert sound of some sort. Probably many possibilities for usage.

Sound of feedbacks. Sound recorded with a zoom h4n pro. Son de larsens. Son enregistré avec un zoom h4n pro. My sounds are licensed under the creative commons 0 license but it would be a pleasure for me to hear your work so doesn’t hesitate to comment or to send me a message with your work :).

Sound of feedbacks. Sound recorded with a zoom h4n pro. Son de larsens. Son enregistré avec un zoom h4n pro. My sounds are licensed under the creative commons 0 license but it would be a pleasure for me to hear your work so doesn’t hesitate to comment or to send me a message with your work :).

Sound of feedbacks. Sound recorded with a zoom h4n pro. Son de larsens. Son enregistré avec un zoom h4n pro. My sounds are licensed under the creative commons 0 license but it would be a pleasure for me to hear your work so doesn’t hesitate to comment or to send me a message with your work :).

Recorded at ableton live, using old tx81z synth from yamaha + boss digital delay dd7 messing around with feedbacks and time creating tape like fx.

Had a short relaxing session with my modular. I wanted to use the "divide by 64" patch and make some generative sounds/music. I added some mixer feedback. This is a patch for 2 voices.

Made sometime during 2017. Excerpts from my experiments with sinusoidal waves, homemade distortion effects, digital reverb, room reverb, and speaker->mic->pc feedback. Several effect parameters are controlled via an ekg setup called the "infernal gadget" which i constructed between 2010-2011 and used for several improvised music sessions.

Harsh microphone feedback. (sounds different after download).

Adaption of my "backwards swoosh" sound effect, fed through a delay vst with the feedback quickly increased to a very high level and then dropped down. Reminded me of a suitable effect for a warphole or something like that, hence the name. Yet another attempt at making an "astroboy" style effect.

Beep. Failed attempt at creating a better batter pick-up sound for nikki.

A sample i made in cubase. A man saying get me out heavily reverberated. W/ added feedback that i pitch shifted and reverberated. And lots of whispering voices in different pitches.

Electronic Noise or some sort of electronic interference sound effect.

Heavily processed vst synth sound using various reverbs, phasers and distortion.

Screebly kinda noise - abrupt random panning version.

Some feedback with shure sm58 and the jamvox monitor. ______. Acoples generados con un shure sm58 y el monitor de jamvox.

Start with chaos. In this sound/patch you have the possibility to enjoy chaos and feedbacki use my sloth lfos and jerkoff - another chaos moduleim possible sick i like this - thou its simple. Sloth modulate vco and filter cut of frequencyfeedback from vco to the filter via a vca controlled by a looping envpan fx also controlled by sloth - same env that controls the frequency. The "prassel" rustle sound is great in my earsjerkoff, exp vca, function and another sloth. Evaluation of patch/soundone cycle is - there are many cycles to consideronly short sounds - no, goodamplitude variation - yep goodpitch variation - mediumtimbre variation - some, via filter/two soundsmusical value - i think so!entertaining - yes?!.

5 min recording. Question. Do you hear any form of repetitiv pattern?the "engine" for this. . . Is a feedback patch. Chaotic? maybe. The colors the soundfile get here on freesound reveals patterns. I use this feedback patch to derive timing and pitch. I restrain the pitch. It's bad enough as it is. The feedback patch is made with 2 lfos, 1 vclfo and a vcad.

A compilation of effects from this site merged together with effects added. Noisy, nasty and quite cool.