1,192 免版税 音轨，用于"数字"

Coke bubbles created in mcdonald.

This kind of noise consists of a certain number of random values per second. This number is the density. In this example there are 10 random values per second. The algorithm for this noise was created two years ago by myself in c++, as an imitation of noise generators in supercollider 2.

The click amplified in the analogue signal when a cd skips.

I needed some new synthetic drum samples, this is done with a variety of free drum synthesis plugins, a bit of effects and randomization.

Sound effect created with bfxr. Suggested use - status effect.

An mp3 recording of a digital watch being set. Includes many beeps of two different pitches. Recorded with a black digital ic sony voice recorder.

Ticking of digital kitchen wall clock.

A little loop i accidentally made while making sounds for a game :p. Bps: 165. App used: fl studio 12extensions used: harmor, edison.

50 claps made in blok modular from scratch. Supposed to sound very unrealistic/dry/drum machine-like as possible so you don't have to sample the real thing. Some of these use asymmetric waveshaping which adds dc offset (0 hz noise) so you may want to highpass the crustier ones. I would've uploaded a zip of the individual hits but because of the way freesound works you'll have to chop it up yourself.

Just stretched and re reverbed this sound:. Http://freesound. Org/people/matvey/sounds/14390/#comments. Use, re-edit, abuse, freak, tweak out, and re post.

Just a basic single wave form sample from a real roland jp-8080 saw wave in the key of g. Used in making an epic super saw and super arp for these youtube tutorials and project:. Part 1: https://www. Youtube. Com/watch?v=byd_yirefiipart 2: https://www. Youtube. Com/watch?v=wruzgwtmvuqfull ableton project here: http://blnd. Io/1aodggb. The sample is tuned to the key of g, you will have to make sure that the sample is set to the key of c or transpose up 5 semitones. I correct this in the new template update; so that all chords and arps are in sync w/ the correct key.

A self generated cue for a musical. Used xpand2 plug-in in pro tools 10. Features a medium attack gust with a long decay. Leaves can be heard underneath the whistle of the wind.

Synth drums made in blok modular within jeskola buzz. 88 bpm.

This is the ambient sound of a space port or something similar.

A free call to a random free number containing only beeps. Skype phone-call recording.

A quirky digital noise type sound. The sound is played in different frequences and can be cut with ease. Can be used for all types of movie effects and in music. Enjoy!.

A digital noise sound. Synthesized using a free vsti instrument. Can be used for horror/sci-fi movies and other media.

Sound from figure app.

A fm riser sound created with logic pro's efm1 synth. I just hit the randomize button a bunch of times until something cool came out, and have no idea what the settings were.

I tried to remake this sound:. Https://freesound. Org/s/135110/. This time in caustic using modular synth, hpf of course, phaser & flanger. I'll probably try to make it again in 8 years. Very different but still similar.

A digitally created thunderstorm using a yamaha keyboard. The clip last for about 2 minutes. The rain isn't heard until the end and doesn't start until like a minute and thirty seconds in or so and lasts for only about 30 seconds. Recorded with a yamaha keyboard and audacity. My fourth recording.

At a tv game show was a question about numbers station. Because i've never heard of that i did some research. After i was kind of fascinated. So i decided trying to make my own sequence of a fake station. I used audacity, musescore2 and some public domain sounds.

A digital telephone ringing.

Time for a quantussy!.

Failed attempt at creating a sawtooth wave in the fourier domain using only c code.

Just synthie pad, recorded with fl studio 10.

This is a recording of a violin playing c4, with digital fx added onto it.

A simple "beep beep" sound which could be some sort of alert sound. Made with audacity and flstudio.

Free.

Piece based on the lucas numbers. I have used the frequencies 123, 199, 322, 521, 843, 1364hz. I made a small python program that played these tones randomly. I run my program 3 times and recorded. Joined, panned and added reverb. Https://en. Wikipedia. Org/wiki/lucas_number.

Sampling the afm (advanced fm) operators of yamaha sy99 synthesizer. My purpose was to recreate the waveform shapes mathematically in serum formula parser.

A morphagene reel culled from an improvisation i made on a eurorack modular synth. Qu-bit electronix scanned is the sole voice here. Splices in the reel are ordered from somewhat delicate (taps, pulses, etc. ) to pretty chaotic noise. All recorded into a zoom h6.

A simple melody using fl studios harmor vst plugin. Recorded and processed in audacity.

Quirky 8bar loop pad sound good for chopping and sampling.

Scratch synthesized in tone2 vst saurus. One of saurus presets. Edited a bit - added end note and removed loop. 150bpm.

Can be used in any of your video games. Enjoy it. Made with lmms.

Sound of virtual typing.

Electrick shock hit effect effect.

Part of me saying banjo in reverse with some filters, pitching, and room.

Digital clock error through s/pdif port of m-audio 1814 sound card. Very common.

Used the super awesome vst plug called the delay lama. The greatest simple synht ever. Just put some bit crush on and started messing around. Enjoy.

Dual tone multi-frequency (dtmf) dialing 1-2-3-a-4-5-6-b-7-8-9-c-*-0-#-d in this order. Made with audacity.

This is a digital swoosh sound that i made for a track because i couldn't find one so i made it my self using a synth and an fx vst, it sounds like a cross between a sea wave and a jet pass.

A decade later from not using reason. . . Made this sinthe first thing : ) this diddy is at 115 bpm somewhat in the key of c. Please destroy. . . I mean enjoy. O. O.

It's a click i've got from my music render.

I made this using two oscillators in native instrument's fm8 synth. There is nothing too fancy, just two sine waves played out the same output, but one has an offset of 440hz, and the second oscillator has an offset of 330hz. I then just played two notes that didn't sound too dissonant, and then ran it through some low-fi processing.

Digital manipulation of a sampled bass synth with pitch lfo. Sampling, multiband processing middle frequencies, saturation of low frequencing, filtering and compressing.

The kind of sound you get when you set your noise removal decently high.

A pulsing sound effect made in metasynth.

I've been waiting for a month with presonus support to get an simple ra number. I thought in the meantime, i'd post the sound this dead studiolive 16. 4. 2 mixer makes.