945 免版税 音轨，用于"模块"

Atonal modular synth melody.

Yeah #300.

I'm bubbling away with my modular.

Rumble made with wave rectifier, vactrolfilter etc. . . But a full spectrum rumble!.

Machine composed electronic music - or experimental generative atonal electronic music made with an analog modular synth. I give my synth the prerequisites to create music - and it does - endlessly. I record and pick out some created songs.

Machine composed electronic music - or experimental generative atonal electronic music made with an analog modular synth. I give my synth the prerequisites to create music - and it does - endlessly. I record and pick out some created songs.

Modular synth bleeps and bloops controlled by chaos modules. Does that makes it better?no!.

I thought i had a diy contact mic somewhere, but i did not find it. But i found another thing. A contact mic for an instrument tuner. But (again) it had a 1/4 inch mono plug. That meant i could not connect it to my computer mic in. But (i know) what if i plug it in to my modular synth. Surprise. . . Then i could add a little filter, pan and spring reverb. So clamped the mic on to my external 3,5 inch disc drive and recorded. This is my submission to dare 51.

Suddenly you realize that you have made a patch that sounds strange. . . But that okay!.

Sample of the doepfer a-110-1 sine output. Here's a link to the module: http://www. Doepfer. De/a110. Htm. Captured using a rme babyface and cubase.

Noise beat made with modular.

While i'm at it. Another electronic minute. Made this patch really fast. No random! i use chaos. You can loop this sound. A modular is like sound lego. I like that. Relaxing. Well, not the sounds. . . Totally unedited sound.

More sounds made with my analog modular synthincludes spring reverb feedback :-)more ring modulation noise.

A chord progression loop i pulled from one of my remixes. Made with stacked synth pad and bass layers, and compiled in reaper.

I'm trying hard to learn/understand nlc genie. Bought the module 3rd hand. . . At least. Trying to replicate the sounds from andrews demo videos are to learn. 2 tri lfos to in1/2 and in2/3. Out- to wave folder and out+ to cv in on vco. The bass drum like sound is another story. But modulated by a nlc sloth. . .

I'm trying hard to learn/understand nlc genie. Bought the module 3rd hand. . . At least. Some techno-like sounds. Genie and drum sound are modulated by nlc jerkoff. Genie is modulating vco and vcf.

I'm trying hard to learn/understand nlc genie. Bought the module 3rd hand. . . At least. Some tribal sounds. Modulating genie w nlc sloth. Genie is modulating vco and vcf.

It does not sound electronic in the way i like, but. . . Sequencing modular etc with fl studio. Totally noob!.

Trying to restrict feedback. . .

Testing złob diode chaos.

A bass made with one oscillator and drums from yamaha qy-10. Mixed in a noisy mixer. The qy-10 is also acting as sequencer. The bass sound is made on my modular. 101% analog. Including reverb and delay. Yep, now i have got a midi to cv module.

Today i put together a new lunchbox modular synth. This is the first test. Module list:nonlinearcircuits geniebarton musical circuits 2lfoshzłob diode chaosdoepfer a-101-2.

Drone made with 32hp modular. No effects. Modules:nonlinearcircuits geniebarton musical circuits 2lfoshzłob diode chaosdoepfer a-101-2.

Drone made with 32hp modular. No effects. Modules:nonlinearcircuits geniebarton musical circuits 2lfoshzłob diode chaosdoepfer a-101-2.

Drone made with 32hp modular. No effects. Modules:nonlinearcircuits geniebarton musical circuits 2lfoshzłob diode chaosdoepfer a-101-2.

Techno if you play it fast. . . Or?.

Some generative music-ish. . . Inspired by david tudor. . . Hard to understand but true - for me. . .

Music made to a graphic score.

Using a frozen wasteland quantussy module.

A fairly simple patch in vcv-rack. Reuse/feedback of cv makes the patch change in a nice way.

A little modular patch generating dark drums.

It's monday and the krell is angry. This is a version of the krell patch. Analog modular synth doing it's thing.

Not just a patch! i'm actually wiggling during the recording. New for me. . . Very electronic. Minimalism. Unedited recording.

Three partsfirst part 11 tones and 4ssecond part 4 tones and 3s (a little unstable sequence. . . )third part 8 tones and 12s. Question. Do i need a modular synth for making meanless things as this. . . Well, yes and no. The parts are related in different ways and theunstableness is nice. Or?all three sequences are made in different ways.

Sound made on modular synth.

Semi-generative analog synth sequence (with delay) in random keys. One of a set (a - h). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Patch notes:matriarch self-patched & sequenced by noodleboxminimal post-processing in live.

Sound experiment made with modular synth.

Modular experiment.

Straight out of my modular. Can you find use for this? suggestions. . .

Actually a quite simple patch with not many modules involved. A rewarding patch! have to take some notes. Fm-modulation off-course. Self oscillating filters. Lfos. Sample and hold. Modular fun! well. . . I think its fun.

the krell patch was conceived by fab wiggler vgermuse, who can be found in the buchla forum!(dcramer, muffwiggler. Org). This is some sort of krell-ish patch. But i don't have an envelope generator with eoc function. . .

A patch generating triggers not that random. . . The triggers are triggering an envelope generator and a sample and hold. The sample and hold cv is quantized following a minor 7th chord rules. Hope you understand. . . Pardon my english. Why this. Answer. I have to start adding something like this to my patches. But i use 3 lfos for this :-/ thats about all i got - right now. The alm pip slope works fine as an lfo too. Square wave this time. Take a close look.

Patch with dynamics and variation - or should i call it variations? anyway,working on how to create variations and dynamics in a generative modular patch. I like the silence. . . It sounds like the electronic music of the 60th. I use the same kind of tools. An analog modular synth.

I have built a nonlinearcircuits sloth lfo, the regular version. Sloth is a chaotic lfo. The output is based on the lorenz system. It is a system of ordinary differential equations. It is notable for having chaotic solutions for certain parameter values and initial conditions. In particular, the lorenz attractor is a set of chaotic solutions of the lorenz system which, when plotted, resemble a butterfly or figure eight (very much from wikipedia). The sloth has two outputs x and y. Think of them as coordinate pairs. The output will probably never repeat itself but there is a pattern. I have built the regular sloth it usually takes approx 15 seconds to make a rough figure 8, one cycle in the “butterly”. Now i’m testing the module in different ways. In this sound i have connected white noise to a filter. The filter frequency is controlled by sloth (x output). In this patch i have set the initial frequency low. That’s why there is a low humming wind noise between the “tops”. The output sound from filter goes to reverb. The sound is more a study of sloth behavior than an attempt to create a great wind sound.

Privatedareno2 - 3patches - 3min. A challenge kindly started by alienxxx \(^_^)/. Patch 1: the patch that was… a patch i did yesterday. Got that one for free, so to speak. Patch 2: inspired by distant airplanes. Had this in mind. Now i patched up my idea. The wind (or what you decide to call it) is controlled by alm pip slope. New module – for me. Used an external effect, the zoom ms-70cdr. Patch 3: read about feedback. I decided to do a feedback patch. First i made one using oscillators, but i did not manage to do something nice. So i used filters. The first filters feedback is generating triggers. Oh, yes, and i used my sampler (soundmachines ul1uloop). So three patches. I merged/mixed them together in audacity. All sound unedited. Just normalized and i have applied fade in/out – and mixed them together - as written.

Version 2. . . Of https://www. Freesound. Org/people/gis_sweden/sounds/352940/. . . Or maybe version 34. . . . It's not better but a little different. More dynamics. Softer. But still i have the clicks :-/have to work on that. It becomes clear when i record with audacity and can actually see the attack and decay. I’m playing with alm pip slope. With this module you can cv control the attack and decay. As oscillator i use intellijel μvcf in self-oscillation mode. I fm-modulate this filter/oscillator with a tone from uoki-toki polivoks vcf. The semi random trigger is really two triggers connected to an or gate. Pitch is from analogue systems rs-40 (sample/hold and noise). I can listen to this for a looong time. Retro sound.

Doepfer a-100 modular system recorded with a zoom h-5. Cut and transcoded with audacity.

It is what the title says "modified doepfer a-124 vcf5 wasp filter"listen and you will understand ;-)i the middle of the sound/beat i turn up resonance. I have connected cv2 to the bass pitch signal. Funny effect.

Expect some sick sounds from me!i have built the eurorack module jupiter storm. It's described as a "cosmic noise oscillator". Now i will learn how to tame it. . . So easy to generate totally sick sounds.

Another of my dubstep-basslines. Have fun ;) this one is a bit crazy.