Dybby am chord made on modular synth. The 3 voice oscillator mfb osc-03 is tuned to an am chord (saw tooth wave) (tuned by ear. . . ). The sound is going to an uoki-toki polivoks filter in band pass mode and to a vca. From vca to zoom ms-70cdr tape echo effect and back to modular and into the ladik r-330 reverb. From reverb to mixer and out module to computer and audacity. And to you :-).
Sinus wave connected to the filter cv1 in sweeps sound from mfb osc-03some reverb from ladik d-330(i have modified my wasp filter to achieve more self resonance. ).
A third version of https://www. Freesound. Org/people/gis_sweden/sounds/352940/. Now i let the alm pip slope affect a filter. I play a little sequence made with cvlfo , clock divider, attenuverter, quantiziser. The way i usually do…. But the interesting thing is the cvad (?) voltage controllable envelope generator. But in the case of alm pip slope you just control attack and decay. Seems to be enough. As in the other versions of this sound i connect one lfo to attack and a second lfo to decay. But this time i connect the vcad to control the frequency of a filter. Interesting. I wish i had two more cvlfos… should open up for rhythmical usage. I use no vca or adsr. I have connected the vco straight to the vcf and the vcf to mixer. In the beginning i have the frequency pot at 2 a clock then i gradually move it clock wise and let the vcad take control. 1 minute in the pot is fully clock wise. The vco is playing a sawtooth wave. If you dl and inspect the wave you can see that in the beginning and the end it is a sawtooth wave, but in the middle part the filter affects the wave form.
This sound was made with 3 lfos, 1 vco and 1 vca. It was decided that the sound should be 30s. It took some tries for me to set the lfo that controlled the vca. The vca controls the output amplitude of the sound.
Diy gate connector techno. My home made gate connector is fun to use for more then modular gate signals. Here we have a beat-ish in stereo. I use the gate connector as a poor mans stereo mixer. The sound is straight out from the modular.
Yep, analog filters. . . Everything is analog!no, wait the reverb is digital. And this recording. But the noise that reaches your ears is analog. My little modular synth is playing a patch just for you. Or world is a big ad/da converter!!!. I failed at the fade out. . . Sorry for that.
Starting into the modular-world of eurorack. Fascinating electronics!. Feel free to use it and send me a link of what you did with it, if you want. Thanks!.
Starting into the modular-world of eurorack. Fascinating electronics!. Feel free to use it and send me a link of what you did with it, if you want. Thanks!.
Starting into the modular-world of eurorack. Fascinating electronics!. Feel free to use it and send me a link of what you did with it, if you want. Thanks!.
Cptnal's comment on muffwiggler was an big aha moment. He wrote "you could patch the output of one s&h into the input of the next and get yourself a 12-step shift register. " well i don't have 12 s/h. I have 10. . . I would need a lot of sequenced gates to build that shift register. . . In this patch i use 4 s/h. (s/h or s&h is sample and hold. ).
Bartonmusicalcircuits decaying analog noise (bmc23) recorded raw. Manual wiggling. Pure analog high-hat drum module. At the end you hear the pure noise. Germanium diode based noise!.
Time for electronic minute no 301. A relatively structured sound and patch. It's not exact, not exactly repeating. Sometimes an electronic high-hat sound i heard.
Machine composed electronic music. The result made me think of a pedestrian crossing. I desired to mix my sound with a field recording of a swedish crossing. A recording madeby dobroide. Thanks. Stockholm » 20100806. Stockholm. Traffic. Light. Flachttps://freesound. Org/people/dobroide/sounds/102873/machine composed electronic music - or experimental generative atonal electronic music made with an analog modular synth. I give my synth the prerequisites to create music - and it does - endlessly. I record and pick out some created songs.
Machine composed electronic music. Searched for a sound to mix it with. Found this lovely sound recorded by unfa. Noise » intel got crazy - psychedelic soundcard buzzing noiseshttps://freesound. Org/people/unfa/sounds/274221/machine composed electronic music - or experimental generative atonal electronic music made with an analog modular synth. I give my synth the prerequisites to create music - and it does - endlessly. I record and pick out some created songs.
This is a file prepared for being used with makenoise's morphagene eurorack module. It is a pierre schaeffer interview cut with markers in files directly. It is a nice mise en abîme if you use it for musique concrète works as it is an interview about musique concrète.
Modular synth generative feedback patch driven by feedback between flip-flop chaos (nlc), a vclfo and logistische gleichung (klangbau köln). Two simple voices and filtered noise. Some reverb from spring reverb.
5 quantussy cells controlling 2 oscillators, 1 wave folder, 1 filter and 1 drum module (bmc analog drum). Even the pitch of the drum is controlled by one of the quantussy cells. The drum sound to fed to the feedback in on doepfer a-199 spring reverb.
A synth riff i'm making for a goa song i'm working on. This is at 135 bpm and the notes are f, c#, c, b, g#, used the poizone in fl studio, pulse wave with pw modulating, and with a nic portamento. Enjoy and spread ohm through goa.
Using a bass drum module to get not that bassdrummy sounds. . . Combining this with different types of feedback. I didn't know how to end the recording, as you will notice. I'm using an analog delay and spring reverb. Maybe the ending in it self is interesting? i find it hard to "tag" this sound :-)how useless is this sound on a scale from 1 to 5? 5 is totally useless. . .
I want you to compare this sound with:"electronic minute no 18 - vcv rack sqr sequencing"https://freesound. Org/people/gis_sweden/sounds/413520/in this sound, no 19, i use my modular synth. The sound is not as clean as in the virtual one. To some extent i blame my method of recording. . . Different oscillators sound different. Here i use a self oscillating filter. That produces a clean sinus wave. The cleanest sinus in my rack. But i guess the real thing is not perfect and that is what you are hearing? in neither of the patches i use a quantizer. . . (that's art :-)and, i almost forgot, i use a cheap analog delay pedal. Noisy. . .
