This is my baritone guitar, with a mute under the strings at the bridge, to give it a percussive distorted sound. I've played a scale so it can be used as a samplepack.
20 approximate over tones of a 440hz sounded by fading in and out them one by one; they ovelap. At first it resembles overtone singing, but the a, fundamental tone fades out very quickly. May sound annoying.
Jazz solo improvisation performance on 'rhythm changes' harmony / chord progression. Recorded with zoom-h6. Instruments in the recording: trumpet, drums, double bass, electric guitar.
Making a scale of multiple instruments be hmm. . . Should i say "dazed and confused". The "dazed and confused" part has nothing to do with the audio, it is just a reference.
Jazz solo improvisation performance on 'rhythm changes' harmony / chord progression. Recorded with zoom-h6. Instruments in the recording: tenor saxophone, drums, double bass, electric guitar.
Recently we purchased a scale from ikea, when we finally got around to using it we realized that it must be off, as i do not weigh 240 lbs. As we did not have a receipt, or the desire to drive 2 hours to return a $10 scale the only course of action left to me was to take the damn thing apart and record its insides. (what else?). I recorded and edited together around 7 and a half minutes of various configurations and performances of me making some sort of repetitive, engine-like sound. I can foresee myself using these sounds for an old-timey engine or car. Recorded with a rode ntg-3 at 96/24.
A seven note scale (c c# d# f f# g# a#) over separate octaves. Some notes repeat in the same octave, but are slightly different samples. Each note starts on the grid of 100bpm. Recorded the samples a few years ago. From memory the original sounds are sections of acoustic guitar notes, manipulated, pitched and fx added.
Multiple alternating square waves scaling up in pitch, designed inmilkytracker. -----------------------------------------------------------------------. This sound, as well as everything else i have upload here,is completely free for anyone to use. |you may use this in any project, whether it becommercial, or not. You aren't even required to credit me,although that would be appreciated. |you may use any of my sounds however you please. I hope they are useful. 🎶.
This is a sample of a metal kitchen mixing bowl. The first note (b, not perfect b) is unpitched and recorded as is. The following notes are the original note pitched up 1 semitone each time to achieve a 13 note scale b to b.
This is a sample of a metal kitchen mixing bowl. The first note (c#, not perfect c#) is unpitched and recorded as is. The following notes are the original note pitched up 1 semitone each time to achieve a 13 note scale c# to c#.
I forgot what i used for this specifically. Listening to it it kind of sounds like a ball hitting the ground, although that wasn't what i used to create it.
I was trying over and over again to open a file with my mouse but it kept on buffering! then i thought if i was going to click so many times i may as well make music with it.
Composed on the sigil scale c, c♯, e, f, g♯, a at 130 bpm. Wav. The sigil scale has 4 transpositions:. 1. C, c♯, e, f, g♯, a2. C♯, d, f, f♯, a, a♯3. D, d♯, f♯, g, a♯, b4. D♯, e, g, g♯, b, c. Left delay (phased) 25 ms.
En aquest audio s'escolta l'aigua de l'estany del parc de la solidaritat(recording done by students of ies baldiri (el prat de llobregat - barcelona) during the workshops of field recording at different urban spaces of the city. Recording device: zoom h1).
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