354 免版税 音轨，用于"筛选"

A 2 note sequence i recorded from behringers crave (sequence is programmed on the crave) inot logic. I played with the filter cutoff manually while recording. Just recorded not edited.

This is some small patterns i made and mixed basic filters time pitch all accross and finally put some bells with a very very short programmed arpeggiator. You will not hear the arpeggiator over all the other effects ;).

This is a recording of a vitamin c tablet dissolving in a cup of water. Recorded with an edirol r-o9 and a nice hydrophone. By lifting the hydrophone in and out of the water some very nice filtering effects where created. This sound has many applications for sound design!.

A simple, soft whitenoise crash made with reason's thor synthesizer. Very easy to make.

Friday. Random. Why this madness? answer: i have patched s/h (sample and hold) random to doepfer a-160 clock divider and that affects the a-161. For the sake of it i patched one of the gates to the ladik r-110 rnd t/g (random trigger and gate). Result much more randomness than i can use. I can tell you that there is a lot of blinking diodes :-) sounds from doepfer a-110 and 2hp osc and sampler soundmachines ul1uloop.

Nice trick working with doepfer a-101-1 vactrol vcf. Noise to lp in. Gate to cvf in 1 out straight to mixer. Low frequency. High emph. Lp 0, bp about 5 and hp 0. Added a bass and my sampled voice. . .

Synthesizer sound with very slow attack.

Electronic minute no 30 - 8 tones and tempo change. A patch centered around intellijel quadra + expanderim using the quadra modea sloth lfo is affecting the rise on one envelope generatorjoined eoc triggers sequencera slew, filter and some fm-generated vibratoand i patch up a pan fuctionyou know lfo + two vcas + and inverter. . . I want a vc pan moduleits on my lista little spring reverb as always. Evaluation of patch/soundone cycle is - there are many cycles to consideronly short sounds - no, goodamplitude variation - yep goodpitch variation - controlled by sequencertimbre variation - some, via filtermusical value - maybeentertaining - hmm. . . Interesting.

Heavily processed vst synth sounds using various filters, distortion, phasers and reverbs.

A re-edit of this::. Https://freesound. Org/s/145592/. Filtered it a few times and added a few reverbs. All done in cool edit. . . I mean adobe audition.

A bass a made using the monophonic synth in logic x. My soundclouds:https://soundcloud. Com/theberrihttps://soundcloud. Com/rebir.

While outputting a file of sound effects, i ended up with a severely corrupted file. Playback results include incessant shrieking and slight pitch alterations. To create more variety, i used a lowpass filter and long reverb.

A recording of my mini-fridge that i split into two components - the hum (this) and the evaporator thing that makes all the drippy sounds. I separated them so people can change the volume of each element, since i noticed with my fridge that you can only really hear the hum if you're really close, but hear the drippy sounds from quite a distance away, even if they're really quiet. Recorded with a zoom h4n pro, used rx7 to separate the elements. As always, i've got the un-modified loop in my "raw recordings" pack.

Electric guitar with a gliding time stretch.

Created using lmms and the zynaddsubfx plugin with loads of automation on the filters.

Bass sound processed in abelton live. Overdirive @ 91%, auto-filter set a certain way, then a nice erosion modulating up and down. Hope you like, enjoy.

A loop. A dirty loop colored by dirt. This time edited i audacity. . . Compressor and limiter.

This sound was created using "the legend" synthesizerbpm: 134key: a minorcheck it out: https://presetshare. Com/preset/view?id=1710.

Gently dipping below water. Filter added at the end. Foley.

Gently dipping below water, a bit fuller than the first one. Filter added at the end. Foley.

Bubbly sounds from modular synth :-).

Or some acid sounds… and drone. All in oneused filters are> doepfer a-124 special edition, the wasp filter> uoki-toki polivoks vcf> intellijel μvcfdidnt plan to upload this to freesound, but read this. Okay filter freaks. . . The frequency analysis reveals a peak around 20khz. Through all of the track? almost. What is that? (when i converted the file to mp3 the peak disappears. . . ) one clue could be that i use the filter as vcas too?i have applied normalisation, compression and limiter in audacity. A "documentary" at https://www. Youtube. Com/watch?v=wtzfkg3mxcgin the film i use the mp3-file.

From my personal library, a packet of kick samples processed with tube input and triton extreme filters. All samples are normalized to 0 db and ready to use.

That's the security instructions you get when you enter the greyhound bus from new york to montrealrecorded 16bit 44,100 with h4n.

Filter sweep with modded dirt filter.

I filtered the flowing of the river and made it sound like a distant rumble like the storm is coming.

Cliche space-like sound, made by accident :).

A beat with filter and fx.

A cryptic message from outerspace.

Doepfer a-118 white noise through an a-108 vcf8 using the band-pass out. Audio level: 4. 5emphasis/resonance: 9frequency: around 12khz. Recorded using a rme babyface and cubase 6. 5. I tried to cut seemless loops. It's always nice to hear what projects you use these sounds for. Let me know. ;-).

I tested ho effective the idea in http://www. Freesound. Org/forum/viewtopic. Php?p=24663#24663 is and used a splatter guard to keep the wshwshwshwhshwww away from my zoom h2public domain/cc0 like most of my sounds.

Original sound captured using a zoom h5 recorder and a rode nt5 microphone. Cut and reversed in ocenaudio. Timestretching and filtering (pro-filter, talk wah) applied using reaper. It started here:http://freesound. Org/people/cabled_mess/sounds/352069/http://freesound. Org/people/cabled_mess/sounds/360734/. It's always nice to hear what projects you use these sounds for. Let me know. One more thing. Maybe check out my links, perhaps you'll find something you like. :o).

Created for suspense and tension.

Crickets recorded at night, in my garden, in summer. Recorded with a tascam dr-05. The sound was post-processed with audacity to remove the background noise (it was a stormy weather). If you want the raw sound without post-process, find "crickets at night - raw sound". I recorded this sound intended to use it in the video game i'm currently developing : the elven decline.

Sfx conversion edited: adobe + fxs + mastered.

I have created this bass out of my voice, it is pretty rough for ears if you have got a good headphones or repro. I had to widen it and make it sound more dynamically. Enjoy!.

A sample i made years ago. Pitched way down to create a seamless loop of ambience with two automated notch filters and an automated bandpass filter on flstudio's pmeq2. If required, i can process this sound again with different filters for those who request it. This is not the fully opened sound. Hope you enjoy ^_^~byngsies.

I only use a triple osc and i took an advantage of the several asio bugs of my soundcard. I don't mix the sound. I've re-recorded that shape 17 times, after that, i applied massive echo and reverb filters. 3 osc, echo, reverb, compressor. For this record, i've deleted the major part of the notes. Some new settings of the echo filter, are applied.

This was a pretty hard work. I only use a triple osc and i took an advantage of the several asio bugs of my soundcard. I don't mix the sound. I've re-recorded that shape 15 times, after that, i applied massive echo and reverb filters. 3 osc, echo, reverb, compressor.

More creepy sounds! now in uncompressed. Wav form.

Roland jx8p my own sound patch.

Synthetically made sound with reverbs and filtered. Enjoy!.

Sounds generated by assigning the "wave out" or "line out" signal of the soundcard to a track in fl, and turnin it up. This acts as a digital delay effect with infinite feedback and a very high cycle rate. Basically the noise (similar to pink noise) is produced by the soundcard and the resonance is produced by the low pass filter and the convolution reverb mapping of the waldassen cathedral.

This is a processed waveform of an engine. I made it with fruity loops granulizer. Enjoy :).

Just joined. Here's my first submission :). Recorded a few samples of "voice horror", a friend and i were going to make a short film but it never panned out. Basically the sound is a "disembodied voice" recorded on some tech that the entity damaged the quality or something. Used several filters and a vocoder. The idea was to vocalize the first parts in a way that it would be hard to understand, having the viewer listen more closely, and build the fear with the audible phrase ". . . And now there's somebody living on the other side of the wall and i think he can see usssss".

Engine control unit ecu utv atv trail path channel battery jitter solar wave electric load wideband broadband fraser lens beam symmetry iso synchronous mirror linear scalar curve hysteresis spectrum filter.

Engine control unit ecu utv atv trail path channel battery jitter solar wave electric load wideband broadband fraser lens beam symmetry iso synchronous mirror linear scalar curve hysteresis spectrum filter.

Ecu utv atv engine control unit iso synchronous fraser beam battery jitter triphase power load optical trail path channel symmetry mirror field minimum maximum solar module cox nox sox filter.

Ecu utv atv engine control unit iso synchronous fraser beam battery jitter triphase power load optical trail path channel symmetry mirror field minimum maximum solar module cox nox sox filter.

Banging on some bowls through a nice tape recorder then processed through ableton live.