2,862 免版税 音轨，用于"阿茲特克"

Amen crash with sub.

Amen open hat with sub.

Amen snare with sub.

Amen kick with sub.

A synth i made for the trance beat i just uploaded 😃😢😲.

Acid patch made on synth1. Good for an climaxing point of a track.

Recorded mobile phone radio signal, which can be heard with a very simple antenna & amplifier. Creative commons zero. From this example, it may look like goa-trance-x is based on radio science. But i assure that it is only the coincidence (or scientists of gsm are secret goa-trance-x fans).

Sound made in serum for a psytrance project.

An acidic psy trance melody that i created =). I used synth1 to make the lead.

145 bpm, 8 bars of psy trance lead made in harmless vst.

The basic synthesis engine which produced this sound is poizone 2. This sound uses automated automation and the rootnote of f5. Bpm= 148length= 3,648frequency= 698,456 hz.

The 183 bpm boosted amen break with glitches. Simply made in fl studio 20.

Psychedelic riff made by myself with fl studio 12 as the daw and hive as the vsti. Bionic delay. Comments is greatly appreciated!.

Made in fl studio 20 with harmor and some additional fx at 142 bpm.

A darkpsy riff @ 155 bpm. Done in caustic on the subsynth. Used the fm function obviously. Put a flange & phaser & distortion, 2 delays & a reverb. ۋاقىت ساياھىتى.

Sound made in serum for a psytrance project.

Made with amen drums.

A glitchy hi-hat line at 140 bpm with open/closed hi hateffects:open hat: delayclosed hat: flanger.

Different amen break but 200bpm.

Made with fl studio 20. Feel free to use in your songs. Credit is optional.

Starting and revving a 1974 corvette. A zoom h2n handy recorder was used to capture the sound and basic editing was completed in garageband. (created by mark j and chad c. In digital production 120).

4 layers of coins being dropped into palms, blended and panned forming a continuous clinking sound. Feel free to use in whichever way you like. No need for attribution of any kind. Always fun to see what people get up to though, so post a link here with your work if you want to :).

Bike ride through amsterdam center / west. Recorded with rode i-xy.

Bus line to schiphol airport. Recorded with a zoom h1.

Binaural field recording at amsterdam city (dam square) in september. Recorded with ohrwurm mk2 and tascam recorder. Rate this item and tell me how you've used it.

Stochastic component obtained from the analysis of a sound of erhu : http://freesound. Org/people/ricemutt/sounds/23933/. This was done using the harmonic plus stochastic model implemented in the sms tools: http://mtg. Upf. Edu/technologies/sms. The parameters used for the analysis were:. - window: blackman- window size: 1601- fft size: 2048- magnitude threshold: -90- minimum duration of sinusoidal tracks: 0. 1- maximum number of harmonics: 20- minimum fundamental frequency: 100- maximum fundamental frequency: 2000- maximum error in f0 detection algorithm: 5- max frequency deviation in harmonic tracks: 10stochastic approximation factor: 0. 2.

Harmonic component obtained from the analysis of a sound of erhu : http://freesound. Org/people/ricemutt/sounds/23933/. This was done using the harmonic plus stochastic model implemented in the sms tools: http://mtg. Upf. Edu/technologies/sms. The parameters used for the analysis were:. - window: blackman- window size: 1601- fft size: 2048- magnitude threshold: -90- minimum duration of sinusoidal tracks: 0. 1- maximum number of harmonics: 20- minimum fundamental frequency: 100- maximum fundamental frequency: 2000- maximum error in f0 detection algorithm: 5- max frequency deviation in harmonic tracks: 10stochastic approximation factor: 0. 2.

Resynthesized output obtained from the analysis of a sound of erhu : http://freesound. Org/people/ricemutt/sounds/23933/. This was done using the harmonic plus stochastic model implemented in the sms tools: http://mtg. Upf. Edu/technologies/sms. The parameters used for the analysis were:. - window: blackman- window size: 1601- fft size: 2048- magnitude threshold: -90- minimum duration of sinusoidal tracks: 0. 1- maximum number of harmonics: 20- minimum fundamental frequency: 100- maximum fundamental frequency: 2000- maximum error in f0 detection algorithm: 5- max frequency deviation in harmonic tracks: 10stochastic approximation factor: 0. 2.

This is a trnsformation of the original sound: http://freesound. Org/people/ricemutt/sounds/23933/ , with the parameters:. For synthesis:window type: blackmanwindow size: 801fft size: 1024minimum f0: 100maximum f0: 2500number of harmonics: 20 (we don't need too many harmonic here)threshold: -100stochastic decimation factor : 0. 1minimum sine duration : 0. 1. For transformation :frequency scaling factors : [0,1,0. 4,1,0. 6,0. 9,1. 0,0. 5,1. 2,0. 3,1. 4,0. 6] <- (make frequency variation steady)frequency stretching factors : [0,2,0. 5,1,0. 51,0. 7] <- (create a frequency variation, high->low )timbrepreservation : 1 <- (no change)time scaling factors : [0, 0, 0. 8, 1. 5,1. 0,2] <- (make some "free fall" feeling).

Original sound: http://freesound. Org/people/orpheuz/sounds/258090/. This is a combination of the harmonic component and the stochastic component. It was extracted with sms-tools, hps model, with parameters:windowtype: blackmanwindowsize (m): 1765fftsize (n): 2048# parameters to identify peaks and harmonics:magnitude threshold (t): -100min duration: 0. 1max number of harmonics: 147min f0: 250max f0: 400max error in f0 detection: 7max freq dev in harmonic tracks: 0. 01stochastic approximation factor: 0. 2.

Original sound: http://freesound. Org/people/orpheuz/sounds/258090/. Stochastic sound extracted with sms-tools, hps model, with parameters:windowtype: blackmanwindowsize (m): 1765fftsize (n): 2048# parameters to identify peaks and harmonics:magnitude threshold (t): -100min duration: 0. 1max number of harmonics: 147min f0: 250max f0: 400max error in f0 detection: 7max freq dev in harmonic tracks: 0. 01stochastic approximation factor: 0. 2.

Original sound: http://freesound. Org/people/orpheuz/sounds/258090/. Harmonic sound extracted with sms-tools, hps model, with parameters:windowtype: blackmanwindowsize (m): 1765fftsize (n): 2048# parameters to identify peaks and harmonics:magnitude threshold (t): -100min duration: 0. 1max number of harmonics: 147min f0: 250max f0: 400max error in f0 detection: 7max freq dev in harmonic tracks: 0. 01stochastic approximation factor: 0. 2.

Soundsketch.

Walking from the beginning of the warmoesstraat (amsterdam, the netherlands) to the end of it (dam square). Recorded: april 25th 2017, around 4. 30 pm, with a zoom h1 handy recorder, mp3 320 kbps stereo. Just a little volume normalization and smooth fade-in and fade-out.

Quiet evening, ijburg, amsterdam, street noises, kids play. Recorded with a sony pcm-d100. It is a loop.

This is a field recording i made when cycling through amsterdam shortly after amsterdam sail 2015.

Designed sound meant to work as a game item pick up, bonus or reward feedback.

Saygı duyma.

A morphagene reel i used while creating part 4 of my tape & microsound music machine series from makenoise. I recorded the sounds live and create a reel for the video's last part. Now you can play with it too! here's the vid: https://www. Youtube. Com/watch?v=21ep1sjft0s.

A modified amen break that is at 170. 000 bpm.

Fancy drumloop.

Arabic rythm.

Nasa transmission beep.

The ambience at the gates of schiphol airport recorded with a zoom h1 audiorecorder.

We needed the sound of an crushed egg - like it.

This sfx created and mastered in fl studio. With some plunger filter and other plugins.

Tesla coil sound. Synthesized.

A jpotter sound that has a techno kind of feel to it with a sort of dark edge and a surprising bass. -jpotter.

Amen breaks mixed.

I decided to make my own version of gregory cylvester coleman's amen break @ 133bpm. Please send me a link to any production that you've used this break in. I'd just like to hear how creative you all are with it.