5,491 免版稅 音軌，用於"反舌鳥"

This is some feedback that was recorded in the studio after we had finished recording some songs, it was just something to do, the effect pedal used in this is a 'electro-harmonix polychorus'. Some interesting sounds in there.

Feedback loop going through an improperly connected electrostatic mic, delays, pitch shifters (to justly tuned perfect fourths and perfect fifths), and reverb.

This is a pack of effects for user-interaction such as selection or clicks. It has a sci-fi/electronic theme.

I recorded myself making ringing feedback noise with my guitar through a valve amp, plus some wah.

I recorded myself making ringing feedback noise with my guitar through a valve amp, plus some wah.

I recorded myself making ringing feedback noise with my guitar through a valve amp, plus some wah.

I recorded myself making ringing feedback noise with my guitar through a valve amp, plus some wah.

Feedback from a small practice guitar amp, i plug the guitar in as the cord is still connected to the amp.

Guitar feedback using a boss me-25 effects pedal which has been reversed.

The sample is a short blast from the last couple of seconds of a noise track i just completed. . . A lot of neat, varried textures and such. . . The very end is me screaming while rapidly turning a distortion on and off.

It's fun to patch up a kind of analog shift register (3 stages). Doepfer a-160 controls the stages. On a-160 i use /2, /4 and /8. I sample slewed noise. No quantizer.

Use propellerheads mälstrom.

I used the free lokomotiv synth as source, with shit tons of effect processing and mixdown bouncing to result in almost sounding unrecognizable from its starting point.

A common singing training exercise, now available as sample.

A common singing training exercise, now available as sample.

This is a cartoonish lick sound that my friend created in my studio.

I was surprised by how many simultaneous tones i could produce with my tongue and teeth. Left the fan on at first. . .

I was surprised by how many simultaneous tones i could produce with my tongue and teeth. Left the fan on at first. . .

Anton Günther Gesang und Gitarre: "S ist Feierobnd" in erzgebirgisch

Morceau d'improvisation à la guitare électrique par Arthur P. (11 ans et quelques) pour l'émission Culture(s) Numérique(s) numéro 11 (juin 2019) sur Radio Pluriel. Publié ici avec son accord.

Feel free to use. No worries ;).

A small feedback patch.

Sample created by the feedback of a microphone whith guitar effects pedals.

Feedback from messing around with a cloned circuit of the tr-808 bass drum. If decay is extended too far, the circuit gets stuck in a feedback loop and produces awesome deep-bass analogue sine waves.

Feedback from messing around with a cloned circuit of the tr-808 bass drum. If decay is extended too far, the circuit gets stuck in a feedback loop and produces awesome deep-bass analogue sine waves.

The feedback was created from a countrymen microphone and recorded on a canon camera.

Rv7000 advanced reverb's feedback.

Ph-90 phaser's feedback.

An intercom system on a building malfunctioning into some type of feedback loop. Could be useful for some techno or gabba rave ;).

Plain keyboard c recorded in a glass bowl with a little feedback in the end.

Sound is a boss dd-20 delay feeding back on itself while the controls are manipulated.

A synth guitar processed with a lot of distortion types. Basically waveshaper and tube compression.

The little speaker that could!.

Electric guitar feedback. The signal is being routed from one amp into a small miniamp.

Working with my spring reverb.

Two small connected feedback systems playing for you.

A recording of some laptop mic feedback.

Sound exercise where we had to choose a location & an object in that specific location. I chose for the sculpture atelier in the academy of bellas artes. Sound source : a non-standard tuned höfner guitar & a lithium-ion battery powered 6 watt speakerwith a cute little aaa battery powered vox pre-amp. Put on a copper plate, live manipulated & processed / bent / tapped on / glided withwhat not /. . . A long metal tube. Natural feedback has been 1 of my favorite modi operandiinfluenced by entre autres my bloody valentine, sonic youthglenn branca & a lot of noise artists. . . Recording source : a f*+#!ng apple iphone ( for which itlasted 30 minutes to put it on an apple imac ?!!?? )i take a shot @ apple for a reason , my mbp during coronahas been seen imploding ! ( dikke poef !!! ) june 2020don’t buy apple, ask louis rossmann ( youtube ). This piece has been recorded in one big long take;until now whatsoever no edits have been madelet’s see if i can make this post-production wisemore ear-candy wise even better. . . The artist known as -̶j̶o̶z̶e̶f̶a̶l̶e̶k̶s̶a̶n̶d̶e̶r̶p̶e̶dr̶o̶-has been seen predicting on his bandcamphe “ll be integrating somehow thisfree improvisational piece into his avant-latest new track called‘ mars in-3 “. . . Bluff or a promise ???. Https://jozefaleksanderpedro. Bandcamp. Com/track/mars-in-3.

Feedback noise on a pcm80.

Field recording of a piece of heavy machinery (tractor, backhoe, etc. ) idling and doing some basic operations.

Feedback loop involving jupiter storm, a-147-2vcdlfo and a-101-1 vactrol vcfcv injected from 2 x sloth and intellijel quadra expander in quadra moodsome spring reverb. After ~1min i switch "noise core disruptor" (jupiter storm) off. Evaluation of patch/soundone cycle is about 28 sec - goodonly short sounds - badamplitude variation - goodpitch variation - goodtimbre variation - goodmusical value - low to mediumentertaining - high, or what?. Merry christmas! :-).

Feedback sound effect for a correct action.

A steel tongue drum recorded with a samson c02.

Lollipop: licking & sucking of a lollipop.

This can be a good sound to use as an intro to something dark. There is a lot of distortion, feedback, noise and instruments such as drum and piano.

Accidentally created some feedback when recording my phonecall into protools. . .

Short and high pitched guitar screech.

Made using ableton and some self-generated feedback in the studio, this was produced for a stage play in which a character is electrocuted by a faulty amplifier.

Anyone familiar with circuit bent sounds will recognize something in this fake circuit bent production of mine. I abused bitcrushers, frequency shifters and god knows what else on my guitar recordings. . . I need another aspirin. >_>;.