190 免版稅 音軌，用於"反饋"

I recorded myself making ringing feedback noise with my guitar through a valve amp, plus some wah.

Feedback from a small practice guitar amp, i plug the guitar in as the cord is still connected to the amp.

Guitar feedback using a boss me-25 effects pedal which has been reversed.

The sample is a short blast from the last couple of seconds of a noise track i just completed. . . A lot of neat, varried textures and such. . . The very end is me screaming while rapidly turning a distortion on and off.

It's fun to patch up a kind of analog shift register (3 stages). Doepfer a-160 controls the stages. On a-160 i use /2, /4 and /8. I sample slewed noise. No quantizer.

Use propellerheads mälstrom.

I used the free lokomotiv synth as source, with shit tons of effect processing and mixdown bouncing to result in almost sounding unrecognizable from its starting point.

Feel free to use. No worries ;).

A small feedback patch.

Sample created by the feedback of a microphone whith guitar effects pedals.

Feedback from messing around with a cloned circuit of the tr-808 bass drum. If decay is extended too far, the circuit gets stuck in a feedback loop and produces awesome deep-bass analogue sine waves.

Feedback from messing around with a cloned circuit of the tr-808 bass drum. If decay is extended too far, the circuit gets stuck in a feedback loop and produces awesome deep-bass analogue sine waves.

Feedback sound effect for a correct action.

The feedback was created from a countrymen microphone and recorded on a canon camera.

Rv7000 advanced reverb's feedback.

Ph-90 phaser's feedback.

An intercom system on a building malfunctioning into some type of feedback loop. Could be useful for some techno or gabba rave ;).

Plain keyboard c recorded in a glass bowl with a little feedback in the end.

Sound is a boss dd-20 delay feeding back on itself while the controls are manipulated.

A synth guitar processed with a lot of distortion types. Basically waveshaper and tube compression.

The little speaker that could!.

Electric guitar feedback. The signal is being routed from one amp into a small miniamp.

Working with my spring reverb.

Two small connected feedback systems playing for you.

A recording of some laptop mic feedback.

Sound exercise where we had to choose a location & an object in that specific location. I chose for the sculpture atelier in the academy of bellas artes. Sound source : a non-standard tuned höfner guitar & a lithium-ion battery powered 6 watt speakerwith a cute little aaa battery powered vox pre-amp. Put on a copper plate, live manipulated & processed / bent / tapped on / glided withwhat not /. . . A long metal tube. Natural feedback has been 1 of my favorite modi operandiinfluenced by entre autres my bloody valentine, sonic youthglenn branca & a lot of noise artists. . . Recording source : a f*+#!ng apple iphone ( for which itlasted 30 minutes to put it on an apple imac ?!!?? )i take a shot @ apple for a reason , my mbp during coronahas been seen imploding ! ( dikke poef !!! ) june 2020don’t buy apple, ask louis rossmann ( youtube ). This piece has been recorded in one big long take;until now whatsoever no edits have been madelet’s see if i can make this post-production wisemore ear-candy wise even better. . . The artist known as -̶j̶o̶z̶e̶f̶a̶l̶e̶k̶s̶a̶n̶d̶e̶r̶p̶e̶dr̶o̶-has been seen predicting on his bandcamphe “ll be integrating somehow thisfree improvisational piece into his avant-latest new track called‘ mars in-3 “. . . Bluff or a promise ???. Https://jozefaleksanderpedro. Bandcamp. Com/track/mars-in-3.

Feedback noise on a pcm80.

Feedback loop involving jupiter storm, a-147-2vcdlfo and a-101-1 vactrol vcfcv injected from 2 x sloth and intellijel quadra expander in quadra moodsome spring reverb. After ~1min i switch "noise core disruptor" (jupiter storm) off. Evaluation of patch/soundone cycle is about 28 sec - goodonly short sounds - badamplitude variation - goodpitch variation - goodtimbre variation - goodmusical value - low to mediumentertaining - high, or what?. Merry christmas! :-).

This can be a good sound to use as an intro to something dark. There is a lot of distortion, feedback, noise and instruments such as drum and piano.

Accidentally created some feedback when recording my phonecall into protools. . .

Short and high pitched guitar screech.

Made using ableton and some self-generated feedback in the studio, this was produced for a stage play in which a character is electrocuted by a faulty amplifier.

Anyone familiar with circuit bent sounds will recognize something in this fake circuit bent production of mine. I abused bitcrushers, frequency shifters and god knows what else on my guitar recordings. . . I need another aspirin. >_>;.

Loud! this is a short sample from a bit of noise i recorded. Some feedback and screaming. . .

Sound is an ibanez fz-7 fuzz fed back into itself into a nanoverb delay. The feedback creates a sound somewhat like a droning saxophone at times. Peak reduction done in goldwave, otherwise unprocessed.

Sound is distortion+flanger in feedback loop, into various pedals (including fuzz and harmonizer. ) sounds kind of like a glitchy, digital chainsaw. . . Or something.

Micdrop!! mixed together from these sounds (both under cc0):. Https://freesound. Org/people/clurky/sounds/426260/https://freesound. Org/people/breviceps/sounds/489566/.

Snarey clappy filtered flanger feedback thing.

Snarey clappy flanger feedback thing.

Working with feedback. This is just "work in progress". But cool. When this "neuron" doesent have contact it gets upset.

A sequence in a minor. Spring reverb feedback. Filter sweeps controlled by nlc sloth. I'm not using a sequencer. There are other was to obtain a sequence on a modular synth.

Mind the loudness and piercing frequencies. Feedback made using only a self-patched random*source serge triple+ waveshaper, or tws+. Recorded with and formatted with splices for use with the make noise morphagene, but can use for and with whatever of course. Warning that it's it's quite high pitched so you may need to pitch it down with the morphagene's pitch knob a good bit if you want it less harsh. I think i acidentally hit splice instead of record one time so there might be a random short splice somewhere, but maybe it adds some splice length dynamics. . .

Using an cvlfo in a feedbackloop creating very "chaotic" cv!.

A feedback loop involving a contact mic and surface transducer!.

Series of bass hits and crackle generated from a no-input mixer.

A bell.

Long violin tone with feedback and tape delay to make it more and more noisy,.

A quirky digital noise type sound. The sound is played in different frequences and can be cut with ease. Can be used for all types of movie effects and in music. Enjoy!.

A digital noise sound. Synthesized using a free vsti instrument. Can be used for horror/sci-fi movies and other media.