28,058 免版稅 音軌，用於"小型的"

Sveriges Radios folkmusikinspelningar. Finlandsresan 1957 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MA 57/11142:14:3

Sveriges Radios folkmusikinspelningar. Finlandsresan 1957 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MA 57/11142:14:7

Sveriges Radios folkmusikinspelningar. Finlandsresan 1957 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MA 57/11142:14:4

Sveriges Radios folkmusikinspelningar. Finlandsresan 1957 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MA 57/11142:14:6

Cratures crowd robots sci-fi talk voice fantasy mini party little atmo soundscape surround voices.

Stochastic component obtained from the analysis of a sound of erhu : http://freesound. Org/people/ricemutt/sounds/23933/. This was done using the harmonic plus stochastic model implemented in the sms tools: http://mtg. Upf. Edu/technologies/sms. The parameters used for the analysis were:. - window: blackman- window size: 1601- fft size: 2048- magnitude threshold: -90- minimum duration of sinusoidal tracks: 0. 1- maximum number of harmonics: 20- minimum fundamental frequency: 100- maximum fundamental frequency: 2000- maximum error in f0 detection algorithm: 5- max frequency deviation in harmonic tracks: 10stochastic approximation factor: 0. 2.

Harmonic component obtained from the analysis of a sound of erhu : http://freesound. Org/people/ricemutt/sounds/23933/. This was done using the harmonic plus stochastic model implemented in the sms tools: http://mtg. Upf. Edu/technologies/sms. The parameters used for the analysis were:. - window: blackman- window size: 1601- fft size: 2048- magnitude threshold: -90- minimum duration of sinusoidal tracks: 0. 1- maximum number of harmonics: 20- minimum fundamental frequency: 100- maximum fundamental frequency: 2000- maximum error in f0 detection algorithm: 5- max frequency deviation in harmonic tracks: 10stochastic approximation factor: 0. 2.

Resynthesized output obtained from the analysis of a sound of erhu : http://freesound. Org/people/ricemutt/sounds/23933/. This was done using the harmonic plus stochastic model implemented in the sms tools: http://mtg. Upf. Edu/technologies/sms. The parameters used for the analysis were:. - window: blackman- window size: 1601- fft size: 2048- magnitude threshold: -90- minimum duration of sinusoidal tracks: 0. 1- maximum number of harmonics: 20- minimum fundamental frequency: 100- maximum fundamental frequency: 2000- maximum error in f0 detection algorithm: 5- max frequency deviation in harmonic tracks: 10stochastic approximation factor: 0. 2.

This is a trnsformation of the original sound: http://freesound. Org/people/ricemutt/sounds/23933/ , with the parameters:. For synthesis:window type: blackmanwindow size: 801fft size: 1024minimum f0: 100maximum f0: 2500number of harmonics: 20 (we don't need too many harmonic here)threshold: -100stochastic decimation factor : 0. 1minimum sine duration : 0. 1. For transformation :frequency scaling factors : [0,1,0. 4,1,0. 6,0. 9,1. 0,0. 5,1. 2,0. 3,1. 4,0. 6] <- (make frequency variation steady)frequency stretching factors : [0,2,0. 5,1,0. 51,0. 7] <- (create a frequency variation, high->low )timbrepreservation : 1 <- (no change)time scaling factors : [0, 0, 0. 8, 1. 5,1. 0,2] <- (make some "free fall" feeling).

Original sound: http://freesound. Org/people/orpheuz/sounds/258090/. This is a combination of the harmonic component and the stochastic component. It was extracted with sms-tools, hps model, with parameters:windowtype: blackmanwindowsize (m): 1765fftsize (n): 2048# parameters to identify peaks and harmonics:magnitude threshold (t): -100min duration: 0. 1max number of harmonics: 147min f0: 250max f0: 400max error in f0 detection: 7max freq dev in harmonic tracks: 0. 01stochastic approximation factor: 0. 2.

Original sound: http://freesound. Org/people/orpheuz/sounds/258090/. Stochastic sound extracted with sms-tools, hps model, with parameters:windowtype: blackmanwindowsize (m): 1765fftsize (n): 2048# parameters to identify peaks and harmonics:magnitude threshold (t): -100min duration: 0. 1max number of harmonics: 147min f0: 250max f0: 400max error in f0 detection: 7max freq dev in harmonic tracks: 0. 01stochastic approximation factor: 0. 2.

Original sound: http://freesound. Org/people/orpheuz/sounds/258090/. Harmonic sound extracted with sms-tools, hps model, with parameters:windowtype: blackmanwindowsize (m): 1765fftsize (n): 2048# parameters to identify peaks and harmonics:magnitude threshold (t): -100min duration: 0. 1max number of harmonics: 147min f0: 250max f0: 400max error in f0 detection: 7max freq dev in harmonic tracks: 0. 01stochastic approximation factor: 0. 2.

Starting of an engine and driving a bit. A 1960’s mini. Recorded with iphone xi, no external mic.

This is a recording of darjiling mini gauge toy train running on track in city. Recorded from distance, train passing by.

My 2002 mini cooper with a 1. 6l inline-4 engine at warm idle. Loops seamlessly. Recorded with a roland edirol r-09hr and edited in audacity. If you use this sample, please tell me what you did with it below! links are nice too.

Title Bird singing Artist jc Original mp3 data Length:1:03 minutes (981.68 KB) Format:MP3 Mono 44kHz 128Kbps (CBR) User tags Bird, Birds, Birdsong, singing Type Natural PDSounds record number 604 Comment bird in front of window, singing at 5AM.

Title birds singing in garden Artist ezwa Original mp3 data Length:0:49 minutes (777.19 KB) Format:MP3 Mono 44kHz 128Kbps (CBR) User tags Afternoon, Bird, Birdsong, Countryside, singing, Spring, sunny, twittering Type Single Subject, Natural PDSounds record number 128 Comment Bird singing on a sunny afternoon. Belgian countryside's garden.

All those sounds are actually made by an acer aspire 3000.

Song from The Remains of Tom Lehrer

A song from The Remains of Tom Lehrer

An impulse response, made with vital softsynth, simulating the responce of a bunch of strings tuned to notes of bohlen—pierce scale. Specifically, a middle ground between 13 equal divisions of a tritave (interval 3/1) and the just-intonation bohlen—pierce scale. (for no particular reason. ). Convolving with this might add some xen flavor to your sounds, even if you play in standard tuning 12edo. I tried it with surge xt’s hammered dulcimer patch (i love hammered dulcimer!) and heard some additional shimmering.

First try at a audio narrative on going to the barber shop.

Simply this: visiting the barbershop. Holding a microphone under the protection cover. Ends with a little incident.

Residual output sound obtained by analysis and synthesis of veena concert sound (https://www. Freesound. Org/people/anjds/sounds/377315/ ) with harmonic plus residual model implemented in the sms-tools software package (http://github. Com/mtg/sms-tools)parameters used in analysis are :- window type = blackman, window size(m) = 1575, fft size(n) = 2048, magnitude threshold in db(t) = -100, minimum duration of harmonic tracks = 0. 01, maximum number of harmonics = 100, minimum fundamental frequency = 100, maximum fundamental frequency = 800, maximum error in f0 detection algorithm = 5, max frequency deviation in harmonic tracks = 0. 01.

Shell tipe things that gets squashed and screeshes.

Creatures crowd robots sci-fi talk voice fantasy mini party pub club little atmo soundscape stereo creature talking voices sound-design.

I write mlp fanfictions, and i'm all like "why have i never taken my dialogue before????" so i'm gonna try to start saving some of my original dialogue.

i don't think we should go down there. I write mlp fanfictions, and i'm all like "why have i never taken my dialogue before????" so i'm gonna try to start saving some of my original dialogue.

I write mlp fanfictions, and i'm all like "why have i never taken my dialogue before????" so i'm gonna try to start saving some of my original dialogue.

I write mlp fanfictions, and i'm all like "why have i never taken my dialogue before????" so i'm gonna try to start saving some of my original dialogue.

I write mlp fanfictions, and i'm all like "why have i never taken my dialogue before????" so i'm gonna try to start saving some of my original dialogue.

I write mlp fanfictions, and i'm all like "why have i never taken my dialogue before????" so i'm gonna try to start saving some of my original dialogue.

I write mlp fanfictions, and i'm all like "why have i never taken my dialogue before????" so i'm gonna try to start saving some of my original dialogue.

Shaking some bells on my cell phone charm.

Shaking some bells on my cell phone charm.

Shaking some bells on my cell phone charm.

This is a very tiny squeak sound.

The mechanical noise and signature "chord" associated with the "mac mini (2010 model)" upon startup/boot. Brief mechanical motor and clicking noises followed by the famed sustained f sharp major chord (detuned 30 cents flat) being projected over low quality, built-in speakers. Mechanical noise has defined pitch and is predominantly in the mid-high frequencies. Recorded on zoom h2n, in small, empty room. Audio clip normalized in post-processing.

Jerry cans banging into the back of a small truck.

A small singing bowl.

A small singing bowl.

Percussive sound of a chinese small tom.

Pulling a finger through a set of mini-chimes. Recorde with a x/y pair of at 8033 over a m-audio fast track ultra. No effects or eq.

Sonido de pequeñas explosione usado un delay y un filtro pasa alto.

Small harbour ambience.

Small harbour ambience.

Small harbour ambience.

Small harbour ambience.

Small harbour ambience.

Small harbour ambience.