2,649 免版稅 音軌,用於"拍立得"

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Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
作者: Lafashion
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Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
作者: Lafashion
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Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
作者: Lafashion
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Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
作者: Lafashion
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Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
作者: Lafashion
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Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
作者: Lafashion
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Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
作者: Lafashion
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Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
作者: Lafashion
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Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
作者: Lafashion
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Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
作者: Lafashion
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Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
作者: Lafashion
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Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
作者: Lafashion
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Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
作者: Lafashion
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Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
作者: Lafashion
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Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
作者: Lafashion
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Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
作者: Lafashion
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Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
作者: Lafashion
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Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
作者: Lafashion
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Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
作者: Lafashion
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Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
作者: Lafashion
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Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
作者: Lafashion
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Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
作者: Lafashion
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Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
作者: Lafashion
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Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
作者: Lafashion
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Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
作者: Lafashion
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Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
作者: Lafashion
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Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
作者: Lafashion
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Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
作者: Lafashion
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Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
作者: Lafashion
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Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
作者: Lafashion
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Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
作者: Lafashion
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I hope you'll find this rather useful for whatever you're doing.
作者: Trckr
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It's a recording of audience applauding during a gig. You can hear around 50 people clapping their hands, sometimes shouting. There is also sometimes a piece of music or the vocalist's speech audible. I tried to eliminate any music, without badly trimming the sound. I used some fade-ins and fade-outs here and there. The sound was recorded with a zoom h2's rear stereo mics, originally 48000hz/24-bit wav. Edited and converted to flac using audacity. I hope you'll enjoy this sound and find it usefull.
作者: Unfa
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Nearly one minute of applause without talking or other sounds, although there is some muted cheering. The audience of about 750 was recorded inside the sanctuary of a large church following a christmas-themed concert in december 2018. Microphones included were two akg c 414 b-uls multi-pattern large diaphragm condenser mics placed far right and far left, one røde nt4 stereo condenser mic in the middle, and a sony pcm-d1 field recorder at the far back of the venue.
作者: Nervousneal
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Support my musicdonate now. Https://www. Paypal. Com/paypalme/giovi82this and other. Ableton live. Free music slap house dance edm loop electro clap drums kick drum snare bassdance club psytrance drumroll trance trance sample compressed tight drum.
作者: Davejf
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A crowd growing in cheer at busch stadium - st. Louis cardinals vs. Chicago cubs. Features distant cheering and a few seconds of a conversation within a close proximity.
作者: Tylermyers
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Cheering in a baseball setting.
作者: Thankzalotz
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Washington Grays (1861), composer Claudio S. Grafulla's most popular march, composed for the 8th Regiment, New York State Militia near the start of the American Civil War. It is here performed by the U.S. Air Force Band for their 1998 album Front & Center, a Collection of American Marches, conducted by Colonel Lowell E. Graham.
作者: Claudio S. Grafulla (Composer, 1810–1880) Scan of credits THE UNITED STATES AIR FORCE CONCERT BAND Commander/Conductor: Colonel Lowell E. Graham - Greeley, CO Manager: Chief Master Sergeant James H. Moseley II - Beaumont, TX PICCOLO MSgt Ardyth Scott - Shreveport, LA FLUTE MSgt Lawrence Ink* - Rockville, MD MSgt Lucille Johnston Snell - Albuquerque, NM TSgt Sharon Weinberg - Philadelphia, PA OBOE MSgt Ronald Erler* - Falls Church, VA CMSgt Robin Forrester-Meadows - Evansville, IN ENGLISH HORN CMSgt James Moseley II - Beaumont, TX E-FLAT CLARINET MSgt Jan Siegfried - Valparaiso, IN B-FLAT CLARINET CMSgt Steven Lawson* - Simi Valley, CA TSgt George Stoffan - Norwalk, CT MSgt Carl Long - Hanover, NH MSgt Elizabeth Campeau - Pinckney, MI MSgt Sandra Haton* - Columbia, SC TSgt Richard Drew - Joliet, IL TSgt Brian Jones - Panama City, FL MSgt Kay Schultz - Skaneateles, NY MSgt Lorraine Haddad* - Poughkeepsie, NY TSgt Shawn Buck - Brookside, PA SMSgt Robert Little - Houston, TX BASS CLARINET TSgt David Aspinwall - Atlanta, GA CONTRA ALTO CLARINET TSgt Brian McCurdy - Virginia Beach, VA BASSOON CMSgt Danny Phipps* - Annapolis, MD TSgt Lawrence Burke - Redondo Beach, CA ALTO SAXOPHONE SMSgt John Thomas* - Ellisville, MS MSgt William Marr - Alexandria, VA TENOR SAXOPHONE TSgt Jeffrey Snavely - Milwaukee, WI BARITONE SAXOPHONE MSgt Mary Beth George - Buffalo, NY FRENCH HORN TSgt Deborah Stephenson* - Dallas, TX TSgt Leslie Mincer - Charlottesville, VA TSgt Kent Wyatt - Arlington, TX TSgt Philip Krzywicki - Philadelphia, PA CORNET TSgt Andrew Wilson* - Gambier, OH SMSgt David Golden - Bethlehem, PA TSgt Michael Bosch - Bethlehem, PA MSgt William Adcock - San Jose, CA TSgt Curt Christensen - Mt. Clemens, MI MSgt Clarence Mitchell - Portsmouth, VA TRUMPET TSgt Robert McConnell - Wadsworth, OH MSgt James Bittner - Harrisburg, PA TROMBONE SMSgt Mark Williams* - Okemos, MI MSgt Jeffrey Gaylord - Western Springs, IL MSgt Lindsey Smith - Williamston, MI TSgt James VanZandt - Austin, TX EUPHONIUM MSgt Ann Baldwin* - Canton, OH TSgt Lance LaDuke - Niles, MI TUBA MSgt Jan Duga* - Columbus, OH SMSgt Edward McKee - Roselle, NJ MSgt David Porter - Alcoa, TN TIMPANI MSgt Patrick Shrieves - Freehold, NJ PERCUSSION MSgt Aubrey Adams* - Medford, OK SMSgt Mark Carson - East Fultonham, OH TSgt Thomas Maloy Jr.- Clinton, NY TSgt Erica Kadison - Louisville, KY * Principal CREDITS Colonel Lowell E. Graham - Commander/Conductor/Producer Major Frank J. Grzych II - Deputy Commander/Producer Captain Scott A. Guidry - Staff Officer/Co-Producer Mr. Bruce Leek - Engineer/Digital Editing Master Sergeant Kendall S. Thomsen - Assistant Engineer Chief Master Sergeant Dana L. Steinhauser - Director of Public Affairs Master Sergeant William D. Porter II - Recording Production Technical Sergeant Robert K. McConnell - Graphic Layout Master Sergeant Elizabeth K. Campeau - Liner Notes Technical Sergeant Sharon B. Weinberg - Booklet Editor Crabtree + Company (Arlington, VA) - Cover Design Mark Custom Recording Service (Clarence, NY) - Disc Replication Lion Recording Services, Inc. (Springield, VA) - Disc Packaging Master tapes were recorded at The Center for the Performing Arts, George Mason University, Fairfax, Virginia, June 6-8, 1998 Catalog number: BOL-9807
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Parfet park, golden, colorado, usasun 2017-08-20 6:20pmjefferson symphony orchestra. Seated front row perhaps 15m from orchestra stage set up in grassy public park surrounded by city streets. No concert shell available, they used live reinforced sound to mix and carry the sections, and this is the result. Audio-technica at4040+at4050 mid-side stereo array, approximately 1. 5m above the ground > sound devices mixpre-6 @ +36db 24/96 > adobe audition > flac.
作者: Chromakei
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Stereo ambient recording with a tascam dr-100 mic's. One of the exhibition hall of the museum für naturkunde in berlin. Recorded a sunday afternoon.
作者: Tilllt
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Stereo ambient recording with a tascam dr-100 mic's. One of the exhibition hall of the museum für naturkunde in berlin. Recorded a sunday afternoon. Different position.
作者: Tilllt
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Distant sound from the wc flushing. We hear the water evacuating and "reloading". Xy zoom h6.
作者: Pivanladbrouille
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I tried out some new gear and methods! more mountainside rain! a complete storm from beginning to end with swelling and then waning rainfall, occasional thunder. Ms stereo bar on mic stand projected through open second-floor window, just under the roof eaves. Recorded july 20th during one of the mid-afternoon brief intense storms we can seem to get frequently in the rocky mountain foothills beginning around june. If you were listening and wondering, the direct sound of the thunder is somewhat occluded as i believe the storm was behind the overhanging roof and house from the perspective of the microphone array. The mountainous terrain and other objects in the field reflected some of that thunderclap, as well as the exterior wall of the home, and so this is all a little bit funky. Mid-side stereo recording:large diaphragm condensers mounted on octavia stereo mic mounting bar:akg perception 220 mid (cardiod) (on top, upside-down)akg perception 400 side (in bidirectional mode) (on bottom, facing left)sound devices mixpre-6 preamp+mixer+recorder (ch1+2 paired to ms stereo, gain @ +21db, fader @ unity, balance at mid/side center) w/48vdc phantom power applied, on-board mid-side encoding and monitoring in l+r, 24/96khz stereo recording. Postprocessing:cooledit 2000: edited to excerpt from longer recording. Normalized recording to 0db. Downsampled to 16bit 48khz. Flac: encoded.
作者: Chromakei
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A variety of sizes of ice-cubes dropped in a glass jar. . . Recorded with either an sm 57 or 58.
作者: Creeeeak
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Recording of a tumbler with ice being shaken a few times. Recorded on my tascam tm-pc1's.
作者: Ericlichtenberg
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Typing on a semi-mecanic keyboard<- this was recorded by an h1 zoom handy recorder.
作者: Gimmo
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A simple but not so simple and therefore nice sound for your drums and percussion (coming from 4 directions (((: ). Maybe some filtering is needed.
作者: Cashmerelava
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This is my audio device - boombox (sony). I was opening and closing to put on the compact disc. It was recorded with zoom h2n (xy.
作者: Karola
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A nice and wide sounding piano chord, using a digital piano sound i'm developing from public domain piano samples. Enjoy!.
作者: Skylarjulian
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Carrying three glasses of ice water. At4040 into focusrite scarlett.
作者: Alfredhitch
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