This is a recording of a jack russell growling from a close perspective. This is a mono recording which i've done with a beyer m88 into a sonosax mixer recorded into a zoom h4n.
I was playing around with the good ol gameboy. . . . Something to do on the lovely metro system here in sea ttle_ thats where i love. . . . . And live. . !.
Everybody has to try their hand at making fart noises. Recorded using a blue yeti microphone through audacity. No-post processing. As can probably be guessed, i made it using my mouth.
Several spitting noises recorded with the aim of getting a realistic sound and nothing besides spitting. I actually spit (not dry spitting) into a plastic bag. The impact on the plastic bag can be heard, but it isn't too bad. The first half is p-spitting and the second half is t-spitting (shape mouth is held in). A little bit of horking and squishing as well. Recorded with a shure sm58 in a treated room.
Gorgeous sound of two vintage british diesel locos pulling a 13 carriage train. Recorded using the built in mics on a cannon powershot g15 then processed to try and remove as much wind noise using izotope ozone in m/s mode, (much of the wind noise was in the side channel).
This sound is a 1-sample long impulse at 48 khz. It covers the whole frequency range with equal power. This is a perfect sample for exciting your guitar amp or reverb unit to capture it's impulse response (ir). You can also play it through a speaker in a reverbant room to capture it's reverb characteristics. Remember that the ir sample will be no flatter than your speaker's performance multiplied by your microphone's performance (frequency response characteristics). The sample has exaclty 1 second of silence, then the impulse, then another second of silence to ensure the impulse will be played clean and untruncated on any sound system or device. My test with ir lv2 convolution plugin have proven, that this sample has absolutely flat frequency response - convolved signal was identical to the source signal. After normalization and sample-alignment of the sound clips i have inverted the polarisatin of one of them and summed them - result was absolute silence, even no hiss was present as a result. This shows the accuracy of the convolution process and proves this sound to be perfect for sampling ir. The impusle was generated with c* dirac ladspa plugin. Created using audacity.
Generated by this site: http://wurstcaptures. Untergrund. Net/music/?oneliner=t%3c%3c4%7ct%3e%3e4&oneliner2;=&t0;=0&tmod;=0&duration;=10&separation;=100&rate;=8000.
Single firework, composed by 2 pieces of fireworks sounds. The two piece of fireworks are from "fireworks, crackle and whistle, a. Wav", and "fireworks, standard and whistle, a. Wav" uploaded by inspectorj in freesound. Com.
Edit i've made in which there's a couple of gunshots, stinger and hit for impact and a few lingering ringing and swish effects. There's also a heartbeat and a half. May be useful to someone.
