8,807 免版稅 音軌，用於"混合器"

Super heavy distortion with tons of reverb and delay. Total arena rock vibe with the lead guitar player taking the spotlight. Think evh and other guitar overlords throwing down the licks for all to hear.

Gravado para a disciplina de captação e edição de áudio do curso rádio, tv e internet, universidade anhembi morumbi. São paulo-sp. Brasil. Utilizado um microfone condensador, com uma sacola de plástico sendo mexida com a mão em algumas velocidades como no início moderadamente, meio rápido, e no final lentamente.

Approx. 0650hrs, early march 2021. Put my recorder in the open bathroom window. I had to have the gain up higher than i wanted as the sparrows are down in the side garden about 30 yards away. The crow sounds closer, perhaps on our neighbour's roof. Collared doves also cooing but faint. The sound of our boiler is in the background.

Sound created from using the rings of saturn as a spectral source to a series of filters. When a 1 pixel high image of the rings is extracted it looks like a spectrogram (original: https://en. Wikipedia. Org/wiki/file:saturn%27s_rings_dark_side_mosaic. Jpg). The ring spectrogram was divided into three color planes, and the color intensity values were transformed into resonant filter cutoff frequencies. In essence one filter unit (per color plane) has 256 sounds playing simultaneously. The individual filters are placed along the x-axis so, that the stereo image consists of 256 steps from left to right. In this sound of the series the spectrum was compressed to a range of 20 - 1000 hz. A small variation in certain divider factor per color plane is introduced for a slight chorus like effect.

Mandolin + reversed piano chord progression loop. D69-e9sus4-bminor11-bminor11 played twice @120bpm detuned to 100bpm. 16bit 44. 1khz. This is the mastered file with phaser, chorus, surround reverb, & stereo widening fx baked in.

Another "holy" ambient sound, made by layering a synthesized voice speaking/singing part of the lord's player several times to create a ringing drone with a sustained chord in the background. Made in fl studio.

A large wine bottle being dropped onto concrete and kicked around.

Electronic minute no 27 - combined forces. A patch with 2 unrelated patchesthey share an lfo. . . A) 2 lfos playing with a-101-1 vactrol vcfthe filter is feed with a square wave. B) a more advanced patchtriggers from env. Follow. Feed with cv from jerkoff (chaos)noise to a slew controlled by a sloth lfos/h to oscosc to vcathe vca is controlled by the same lfo as the slew but inverted!. Evaluation of patch/soundone cycle is - cycles? about 1min - goodonly short sounds - no, and thats goodamplitude variation - fairly goodpitch variation - yes, goodtimbre variation - not bad at allmusical value - i should consider this musicalentertaining - think so, yes.

Electronic minute no 28 - chaos and random are friends now. Patch with jerkoff, envelope follower, sample and hold, ring modulation and delayi like the sound my self :-). Evaluation of patch/soundone cycle is - about 30 sec - goodonly short sounds - yes, good this timeamplitude variation - not very much, okaypitch variation - yepp, enough, goodtimbre variation - some, okaymusical value - i should consider this musicalentertaining - think so, yes.

So there's a slightly back story here. So i was visiting a blank lot super frustrated and i picked up a brick from a reserved pile and smashed it onto the ground. Hopefully nobody even noticed.

A small coin falling on a concrete ground.

A small coin falling on a concrete ground.

Sound experiment made with modular synth.

I have built a nonlinearcircuits sloth lfo, the regular version. Sloth is a chaotic lfo. The output is based on the lorenz system. It is a system of ordinary differential equations. It is notable for having chaotic solutions for certain parameter values and initial conditions. In particular, the lorenz attractor is a set of chaotic solutions of the lorenz system which, when plotted, resemble a butterfly or figure eight (very much from wikipedia). The sloth has two outputs x and y. Think of them as coordinate pairs. The output will probably never repeat itself but there is a pattern. I have built the regular sloth it usually takes approx 15 seconds to make a rough figure 8, one cycle in the “butterly”. Now i’m testing the module in different ways. In this sound i have connected white noise to a filter. The filter frequency is controlled by sloth (x output). In this patch i have set the initial frequency low. That’s why there is a low humming wind noise between the “tops”. The output sound from filter goes to reverb. The sound is more a study of sloth behavior than an attempt to create a great wind sound.

Rocks falling together.

Dropping tennis shoes.

Retro object destroy sound perfect for retro destroying games.

Same patch 3 drones. I let chaotic lfos control pwm and filter.

Pull up a chair and have a seat! a wooden dining room chair was used to lift, scoot, and place on a hard, concrete floor. Gear: zoom h6, ssh-6 shotgun capsule, windscreen. Please feel free to leave feedback and ratings. I would love to hear how you put the sound to work.

Metal chains clinking on concrete.

Austria, vienna.

Me walking on a concrete patio on broken glass.

This could be used in a film. Sound of a man walking up a spiral staircase. From faint and distant to (boots-)in-your-face. Recorded with zoom h2.

Mountain bike braking on concrete.

This is two slabs of concrete , one on top of the other, and scraped together. In this sample i have changed the rate to give it a 'bigger slab' effect. You can also add reverb and play with the rate yourself for more dramatic effect.

Running up exterior concrete steps with sandals on.

Below a bridge/overpass. Cars pass overhead, causing sharp thumping sounds across the stereo field that reverberate through the large concrete space below.

An electric guitar, heavily detuned, processed with layering and filtering into noise.

Hitting a big block of concrete with a brick, recorded on zoom h2.

Sound made on modular synth.

Is a steps.

Recorded stereo xy mic configuration with two akg ck93 capsule mic with zoom h6.

This is a field recording from inside the "experience gallery" of the musical instrument museum (phoenix, arizona). The experience gallery is full of gongs, bells, drums, gamelan instruments, stringed instruments, marimbas, xylophones, and even a theremin. A schoolgroup of children were let loose at the time of this recording. Recorded in stereo with a sony pcm-d50 (onboard mics, wide pattern) while in motion.

Claudio S. Grafulla's march Washington Grays, performed by the U.S. Army Band

Loop thingy majigy. . . . . . . . . Yep, that's the description.

Myself breathing. Recorded in audacity with se2200a condenser microphone.

Brief orchestral style melody piano over chorus. Cinematic interlude or transition. In wav.

Inspired by recent makenoise cicada series. Added clouds to an o-ctrl (fast) sequenced mimeophon output and sending partly back though feedback loop. X-pan did the rest using ochd as the lfo mod. Source for panning and fade in/out.

Recording device: tascam-dr40.

Modular synth bleeps and bloops controlled by chaos modules. Does that makes it better?no!.

Feet walking over heavy rocks.

Searching in the pencilcase.

How to wake the kids (not really kids anymore) up. . . You can hear one of them. . .

Sounds of light footsteps on concrete.

Hard, muted, repeated strikes on the ground, as if boots walking on concrete.

Dress shoes making various noises on concrete. Recorded using a sennheiser mkh-50 and a gyraf g9 preamp.

No it didn't. Well cool patch anyway? it's what i like. Small variations on a simple theme. Sloth lfos and a jerk off (both from nlc) are the engine. Yes and a comparator. Using an or/gate-combiner to create a trigger-ish for quadra to react on. Analog delay and spring reverb. Why did i do this patch from the very beginning? when the voltage on x from sloth reaches a specific value a trigger is generated and i sample the value on y and uses to select pitch on an oscillator. The one playing the long tones. Chaos creates my variations. Sh1t, now when i've stopped recording cool thing are happening. Promise. . .

Interpret this sound as you wish. . . To me it sounds like repositioning a body, maybe to stage a crime scene by dragging the victim into position.

Electric guitar sorta dirty, raunchy, sloppy, don’t call it blues but can’t call it complete noise.

Applied hourglass to glass-bowing sounds with transposition spread set to more than 1…2 semitones, resulting in tense dissonant sound.