2,707 免版稅 音軌，用於"發送"

Alzar las latas.

The motor from a broken plastic santa doll.

Dremel tool motor spinning.

Foley of whisking, beating eggs in a pyrex glass. Various speeds, various liquid and glass sounds, recorded using a sennheisser 416. I did not scramble these up, but i should have. Happy whisking!.

A reproduction of a windows beep, take one.

Another attempt of making a windows-esque sound, take two.

I've upgraded this loop https://freesound. Org/people/jacksonacademyashmore/sounds/402816/ and now it's sounds not so crude.

Air pump for spray paint. Record use zoom h1 2016. 01.

Truck-diesel 07dodge launch.

Brushing hair with a hairbrush.

Soft "thud" and "swish" sounds created by hitting a leather chair with my hand, recorded with a rode nt1a condenser mic.

The pump of a medium sized pool. 24 bit48000 khzrecorded on rode video mic gomixed in pro tools.

Close-recording of an electric pepper mill. 24 bit bass-filtered recording reduced to 16 bit -1 dbfs dithered 16 bit.

Chaos by feeding a square through a filter and back to its own fm input.

Kitchenaid blender motor sound pitched down to resemble a bigger motor used for rotating bigger things. Uncut, to include the slowing down sound.

Squeeky sofa.

Someone moving/bumping a couch. Walking into a couch. Couch moving.

A recording of my little indoor-well's pump. Heavily pumped up to sound more like a big pump or even a generator.

Rocket sfx.

Large industrial generator starting up.

Unknown bejsalange broadcast intercept.

Michael hussey cracking a straight drive six off don nash at the waca jan 16 2002.

Recorded with zoom h5.

An air compressor motor turning on, running, then turning off.

This is a zombie broadcast on an am radio i did one day. Can be used for a zombie flick.

Clean, dry recording of a smartphone touchscreen being rapidly tapped as if a message was being written on it. Could just as easily be used as sounds from using (writing, playing mobile games, browsing, etc) a tablet or really any relatively small touchscreen device. Tapping speed and length between taps varies throughout the recording, but overall i tried to make it sound as natural as possible while still offering options for more granular placement. Recorded with an akg p170 into a tascam 208i audio interface at 48khz/24-bit. Microphone was positioned 5-6 inches away from source. A 120hz high-pass filter was applied to remove unnecessarily pronounced bass frequencies.