3,861 免版稅 音軌，用於"程度"

Engine subaru forester 1989.

Engine subaru forester 1989.

Engine subaru forester 1989.

Engine subaru forester 1989.

Loud and heavy hh hi hat.

Heavily processed (with pd - phase vocoder) rhythmical loop. Mono. :).

These are heavily processed beats inspired by a thread on the isratrance forum.

A mental noise i made quite by accident using cool edit years ago.

Same as kaleido-preset 1, processed in effects and filters at 120 bpm on reaktor.

Processed acoustic guitar. Loops at 120 bpm.

Processed sine wave. Delayed attack, chorus, saturated,re-verb. I like the voice like quality. Has some other stuff too.

Processed sine wave. Delayed attack, chorus, saturated,re-verb. I like the voice like quality. Has some other stuff too.

A distorted 808 bassline.

This is a quick voice print that was processed to hopefully make it sound better, hopefully. . . . . .

Funny name for a beat-induced track, cool licks though. . .

Matrix-invoked thought that was put down on digit-al wax. . .

I really don't know how this one happened????.

Ski liftrecorded with a zoom h2n.

An imaginary steam-powered machine runs up to speed and slows to a halt. Created in flstudio 11 with a commuted synthesis model for emulating engines and other cyclic mechanical sounds, also known as virtualmachine, by rurik leffanta. See http://www. Xoxos. Net/about. Html. Flstudio 3x osc noise was used as a hissing sound similar to venting of high pressure steam. The hiss is granulated to simulate a slight sputtering effect. As the machine tempo increases, lf rumble is introduced to evoke the notion of a rolling load. The rumble dies away as the machine slows down. 100% synthesised sound. No audio sample is present in this recording.

A noise rising.

A noise rising.

My old rebuilt cj5 warming up and driving away. If you amplify the tail end you can hear thejeep faraway amidst the recorder noise. Recorded in mountain view ca with a zoom h2h recorder. Amplified, and noise reduced with audacity.

Up to you to describe.

Test of how uoki-toki polivoks vcf handles sin-wave. I tune the module i use as sin-oscillator (intellijel μvcf) to ca 270hz. I connect it to uoki-toki polivoks vcf. I let a sin lfo sweep the filter, cv1 pot at ca 70%.

Don’t know if my english is correct. . . Butt i guess you get it, dear reader. Test of how uoki-toki polivoks vcf handles sin-wave (ca 270hz) when the filter is self-oscillating. I bring the uoki-toki polivoks vcf to self-oscillation and tune the vcf to ca 270hz too. I let the lfo sweep the frequency. Cv1 pot at ca 70%. What happens. . .

Test of how uoki-toki polivoks vcf handles sin-wave (ca 270hz) when the filter is self-oscillating. I bring the uoki-toki polivoks vcf to self-oscillation and tune the vcf to ca 270hz too. The vco is also tuned to 270hz. In this test i connect the same lfo to cv1 on the vcf and 1v/oct on the module i use as vco (intellijel μvcf). I let the lfo run. Cv1 on vcf pot at 100%. They are playing together. The vco is connected to the in on the vcf. Confused explanation. . . But at least not in swedish.

Test of how uoki-toki polivoks vcf handles sin-wave (ca 270hz) when the filter is self-oscillating. I bring the uoki-toki polivoks vcf to self-oscillation and tune the vcf to ca 270hz too. I let the lfo sweep the frequency. Cv1 pot at ca 100%. Hmmm interesting. . . .

I let both the vco (intellijel μvcf) and the uoki-toki polivoks vcf play a little melody, the same. The vcf is in self-oscillation and cv1 at 100%. It does not track perfectly, but could be useful.

A noise that i managed to somehow create in windows sound recorder a long, long time ago.

Another noise that i managed to somehow create in windows sound recorder a long, long time ago.

This is a beat i made using the percussion presets form fab filter 1 cm synth for a track i was writing. Each hit was then loaded into abletons impulse drum sampler and tweaked for my pleasure. The snare was subject to some serious stretching,which gives it a rasping sound!fab filter 1 really is a simple but very useful synth.

Synthetic scratching noises, short and reasonably dry.

Drumloops with heavy effects on it, somewhat idmish. 130 bpm, but also sounds good played in other speeds. Slicing in recycle or some other slicer can also give interesting results.

Made by holding an old shower-rail in a harmonic point.

Initially this was a recording of the back of an old cathode ray tv.

Initially this was a recording of the back of an old cathode ray tv.

Definitely some birdsong was used.

Definitely some birdsong was used.

Just a tweaked bit of electric bass.

Playing with the switches on my nagra reel-to-reel - sort of a ryoji ikeda kind of thing popped out - i love surface noise, tape compression. . The whole media in fact!.

These are string samples used in the ccmixter track, corrina (film noir mix).

Multisampled reese made with massive+cyanphase vdist+various other stuff.

Sound of the engine on the cape may-lewes ferry boat. Recorded at the top of the stairs leading down into the engine room.

Car engine starting up. -blp.

This is a high hat processed, repeating from low to high notes very quickly.

This is a high hat processed, repeating from low to high notes very quickly.

Two modulating squarewaves with distortion and reverberationhardware: virus rack and tc powercore.

Ford mustang idling then turning off engine.

I used the sound of a brush scraping as the source, added the sound you get when you twist a russian doll (already convolved with itself), and this was the result. To me it sounds a little bit like wind.

Futile attempts to get an international harvester scout ii truck to turn over.