9,236 免版稅 音軌,用於"種子"

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00:17
Hitting chopsticks together at different time intervals.
作者: Djsnowgoat
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00:04
A particularly musical stainless steel fork plucked in front of a microphone.
作者: Neotone
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15:02
Four aspects of maya people: music, market, religion, transport. A frantic music of a concert to the solola main square, market noise, an intense and coloured piece of mass into the church, followed by the return to the concert place and the end of the visit near a typical public bus, called "chicken bus" because it is used by maya people to transport animals and vegetables to sell at the market. Registration made in august 2010, equipment used sony sx800d external microphone sony icm cs 10.
作者: Cormi
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00:16
Violin & back ward metal plates.
作者: Paulprio
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01:03
A one-minute realistic drum loop that sounds human not robotic, has some syncopation and variations in the pattern. Made with three of hbsample loops from:. Https://www. Looperman. Com/loops/detail/107486/hbs-savage-ensemble-drums-hi-toms-mixed-130bpm-by-hbsamples-free-130bpm-cinematic-drum-loophttps://www. Looperman. Com/loops/detail/107487/hbs-savage-ensemble-drums-taikos-and-hi-toms-i-130bpm-by-hbsamples-free-130bpm-cinematic-drum-loophttps://www. Looperman. Com/loops/detail/107488/hbs-savage-ensemble-drums-taikos-and-hi-toms-ii-130bpm-by-hbsamples-free-130bpm-cinematic-drum-loop.
作者: Esistnichtsoernst
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00:03
Drums loop with echo (i recorded it myself).
作者: Johntrap
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00:01
Djembe slap.
作者: Panpiper
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01:12
Maxtone djembe record processed in live + additional samples.
作者: Maximrichardov
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04:19
A live recording of a student playing a veena during a high school variety show using cheep guitar pick-up, countryman type 10 di into a allen & heath ilive, recorded on a tascam dr-40.
作者: Iskweldog
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00:02
Bass hit.
作者: Panpiper
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00:17
Ethnic violin.
作者: Paulprio
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00:35
This was originally composed at the keyboard as an improv on multiple tracks. I sped it up to 210 bpm and ran it through the vita virtual synthesizer as "soundtrack percussion", amps off, s and r filters on and lots of delay. A virtual drum loop with a human touch. Heavy beat. War drums 3 is a faster version of this.
作者: Esistnichtsoernst
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03:25
In front of my desk in my room is a wood paneled wall with a cubbie. It's about a foot wide, 10 inches from top to bottom and maybe 7 inches deep. I'm just guessing. Around this cubbie is a border of wood. In the bottom right corner under the border i have jammed one end of an elastic string that used to have glitter on it. It's from a christmas box of chocolates my uncle sent me last year. I stand in front of this cubbie whose bottom is at chin height, (i'm only 5ft1in) so my arms are above my head as i pull this string across the cubbie to the border on the left which acts as my only fret. The string is a few inches longer than the cubbie is wide, but when i pull it it gets longer so my hand is 3/4 along it's length as i pull back and forth across the border to tighten and loosen the string. No matter how hard i pull it never pops loose from it's mooring. The recording starts with me standing up from my chair. In the first part until 01:54 i am playing the string at maybe 30° from horizontal. It has a buzzy quality that reminds me of an african folk instrument i can't remember the name of. From 01:33 to 01:54 i'm trying to imitate a korean folk vibrato kind of thing. In the second part until 02:29 i am playing 45 to 60° from horizontal and it sounds like a full-bodied string bass with no buzz. In the last part beginning at 02:34 i am playing about 75° from horizontal across the top border of the cubbie on the left so it sounds buzzy and african again, and i'm just going crazy goofing around with a crazy bluesy rock sort of rhythm. There didn't seem to be any homemade 1-stringed wall-cubbie basses on this site so here is mine, have fun. I don't play it if mom is home because the living room is on the other side of the wall and she can't hear tv. Also my neighbor can probably hear it in the next apartment lol. Recorded with microsoft lifecam 3000.
作者: Kbclx
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00:12
These sounds were created from xpand!'s sitar sound font and musescore's clave sound font. They were used in an ambient track simulating the sounds of exploring an ancient egyptian tomb. This could be used as a transition, when discovering treasure or a secret passage, or any number of events that need an egyptian or middle-eastern flavor. No need to credit me for this sound, but feel free to let me know how it was useful for you in the comment section below.
作者: Gsb
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00:28
Imagine a kangaroo hopping through the wilderness, throwing a boomerang around.
作者: Smokinghotdog
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00:53
Zoom h1. September 2019. Tashkent (uzbekistan). National traditional music.
作者: Artemditkovsky
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00:27
Recording of a kalimba (pentatonic).
作者: Gusgus
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03:28
Plantation on rural land, without any machine sounds. Mono sound, registered with microphone sennheiser me66 on boompole and recorder tascam hd-p2. Brazil, october, 2013.
作者: Jmbphilmes
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00:02
A sample pack consisting of clapping, and various sounds made by a plastic cup on a carpet. Inspired by the composition "cups" by dancers, drummers, and dreamers.
作者: Neotone
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00:50
In front of my desk in my room is a wood paneled wall with a cubbie. It's about a foot wide, 10 inches from top to bottom and maybe 7 inches deep. I'm just guessing. Around this cubbie is a border of wood. In the bottom right corner under the border i have jammed one end of an elastic string that used to have glitter on it. It's from a christmas box of chocolates my uncle sent me last year. I stand in front of this cubbie whose bottom is at chin height, (i'm only 5ft1in) so my arms are above my head as i pull this string across the cubbie up and to the left to the border on the top which acts as my only fret. The string is a few inches longer than the cubbie is wide, but when i pull it it gets longer so my hand is 3/4 along it's length as i pull back and forth across the border to tighten and loosen the string. No matter how hard i pull it never pops loose from it's mooring. This time the mic is sitting in the cubby so i get a much clearer and louder sound. When i stretch the string across the top it has a fairly long sustain, so i can play 4 notes on a single pluck.
作者: Kbclx
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00:03
Kalimba note.
作者: Panpiper
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00:27
A short riff of gamelan bells created with logic pro x.
作者: F R A G I L E
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00:39
I came up with this melody while testing my new korg kronos 2. This playing style is common in the balkans.
作者: Ekvelika
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04:19
Claudio S. Grafulla's march Washington Grays, performed by the U.S. Army Band
作者: Composition: Claudio S. Grafulla (1810–1880) Performance: U.S. Army Band
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00:12
Another attempt at techno pop, synthesizer phrase, looping, asian instrument sound.
作者: Levelclearer
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00:08
This sound is a calling bell in daitokuji temple,kyoto. Recorded by korg r-09.
作者: Kaonaya
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01:23
Some drum players at a hawaiian cultural event.
作者: Disasterservices
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00:03
This sound is a calling bell in daitokuji temple, kyoto. Recorded by korg r-09. Shortened and converted to mp3 from the original: http://www. Freesound. Org/people/kaonaya/sounds/131348/.
作者: Shinephoenixstormcrow
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03:55
Washington Grays (1861), composer Claudio S. Grafulla's most popular march, composed for the 8th Regiment, New York State Militia near the start of the American Civil War. It is here performed by the U.S. Air Force Band for their 1998 album Front & Center, a Collection of American Marches, conducted by Colonel Lowell E. Graham.
作者: Claudio S. Grafulla (Composer, 1810–1880) Scan of credits THE UNITED STATES AIR FORCE CONCERT BAND Commander/Conductor: Colonel Lowell E. Graham - Greeley, CO Manager: Chief Master Sergeant James H. Moseley II - Beaumont, TX PICCOLO MSgt Ardyth Scott - Shreveport, LA FLUTE MSgt Lawrence Ink* - Rockville, MD MSgt Lucille Johnston Snell - Albuquerque, NM TSgt Sharon Weinberg - Philadelphia, PA OBOE MSgt Ronald Erler* - Falls Church, VA CMSgt Robin Forrester-Meadows - Evansville, IN ENGLISH HORN CMSgt James Moseley II - Beaumont, TX E-FLAT CLARINET MSgt Jan Siegfried - Valparaiso, IN B-FLAT CLARINET CMSgt Steven Lawson* - Simi Valley, CA TSgt George Stoffan - Norwalk, CT MSgt Carl Long - Hanover, NH MSgt Elizabeth Campeau - Pinckney, MI MSgt Sandra Haton* - Columbia, SC TSgt Richard Drew - Joliet, IL TSgt Brian Jones - Panama City, FL MSgt Kay Schultz - Skaneateles, NY MSgt Lorraine Haddad* - Poughkeepsie, NY TSgt Shawn Buck - Brookside, PA SMSgt Robert Little - Houston, TX BASS CLARINET TSgt David Aspinwall - Atlanta, GA CONTRA ALTO CLARINET TSgt Brian McCurdy - Virginia Beach, VA BASSOON CMSgt Danny Phipps* - Annapolis, MD TSgt Lawrence Burke - Redondo Beach, CA ALTO SAXOPHONE SMSgt John Thomas* - Ellisville, MS MSgt William Marr - Alexandria, VA TENOR SAXOPHONE TSgt Jeffrey Snavely - Milwaukee, WI BARITONE SAXOPHONE MSgt Mary Beth George - Buffalo, NY FRENCH HORN TSgt Deborah Stephenson* - Dallas, TX TSgt Leslie Mincer - Charlottesville, VA TSgt Kent Wyatt - Arlington, TX TSgt Philip Krzywicki - Philadelphia, PA CORNET TSgt Andrew Wilson* - Gambier, OH SMSgt David Golden - Bethlehem, PA TSgt Michael Bosch - Bethlehem, PA MSgt William Adcock - San Jose, CA TSgt Curt Christensen - Mt. Clemens, MI MSgt Clarence Mitchell - Portsmouth, VA TRUMPET TSgt Robert McConnell - Wadsworth, OH MSgt James Bittner - Harrisburg, PA TROMBONE SMSgt Mark Williams* - Okemos, MI MSgt Jeffrey Gaylord - Western Springs, IL MSgt Lindsey Smith - Williamston, MI TSgt James VanZandt - Austin, TX EUPHONIUM MSgt Ann Baldwin* - Canton, OH TSgt Lance LaDuke - Niles, MI TUBA MSgt Jan Duga* - Columbus, OH SMSgt Edward McKee - Roselle, NJ MSgt David Porter - Alcoa, TN TIMPANI MSgt Patrick Shrieves - Freehold, NJ PERCUSSION MSgt Aubrey Adams* - Medford, OK SMSgt Mark Carson - East Fultonham, OH TSgt Thomas Maloy Jr.- Clinton, NY TSgt Erica Kadison - Louisville, KY * Principal CREDITS Colonel Lowell E. Graham - Commander/Conductor/Producer Major Frank J. Grzych II - Deputy Commander/Producer Captain Scott A. Guidry - Staff Officer/Co-Producer Mr. Bruce Leek - Engineer/Digital Editing Master Sergeant Kendall S. Thomsen - Assistant Engineer Chief Master Sergeant Dana L. Steinhauser - Director of Public Affairs Master Sergeant William D. Porter II - Recording Production Technical Sergeant Robert K. McConnell - Graphic Layout Master Sergeant Elizabeth K. Campeau - Liner Notes Technical Sergeant Sharon B. Weinberg - Booklet Editor Crabtree + Company (Arlington, VA) - Cover Design Mark Custom Recording Service (Clarence, NY) - Disc Replication Lion Recording Services, Inc. (Springield, VA) - Disc Packaging Master tapes were recorded at The Center for the Performing Arts, George Mason University, Fairfax, Virginia, June 6-8, 1998 Catalog number: BOL-9807
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00:43
Little snippet of a dance performed for tourists in swaziland. Annoying whistle, but there's a small portion further in where it shuts up for a bit. :).
作者: Epicwizard
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01:39
Playing some melody improvisation in gminor. To me this type of playing sounds close to moldavian or romanian style and scales. I am sorry for my sloppy playing, i have no school or any type of training on piano.
作者: Ekvelika
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01:14
Africa, safari, love - world ethnic modern soundtrack music drum flute piano snare contemporary - eq mastered.
作者: Szegvari
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Calming whistling sound for your ears and brain. Recorded this for my stupid game. Feel free to use this absolutely outstanding sound effec.
作者: Scemerxdx
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00:26
Sliding a ruler along the edge of a table while twanging one end overhanging the table and tightly pressing on the other.
作者: Wilhelmsqueek
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00:04
A short phrase in rag jog played by me on bansuri. Recorded at home with portable condenser microphone, samson go mic.
作者: Ninad P
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00:26
Clean, dry recording of a roughly half-filled metal can (the ribbed kind used for most canned food - probably steel, tin, or a blend of the two) containing dry oatmeal being shaken. A variety of forces and speeds were used to create a diverse assortment of sounds. Originally recorded specifically for canned oatmeal sounds, but could easily work for shaken cans containing most kinds of tiny, dry granules such as rice, nuts, grains, etc. A metal can was used for the unique, metallic timbre it produces - a glass jar or plastic container would sound different. Recorded with a behringer xm8500 directly into a steinberg ur22c interface at 48khz, 32-bit float. True 32-bit, not just 24-bit upconverted.
作者: Ahriik
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02:58
At the close of the children's hospital telethon immediately after it was announced that more than $4 million had been raised, people on the phone banks started cheering, this as the closing credits were being run on the tv screen. This is non-descript cheering, my recording in a public setting having been invited as a journalist to be there to report for broadcast. There are no copyright issues associated with this recording. This is the raw sound, including a few noices when my microphone got tapped. Edit, process to your hearts desire.
作者: John Sipos
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00:10
Blowing whistle.
作者: I Am Jecc
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00:32
Toy truck / car getting played with, handled roughly, etc. You're welcome.
作者: Bobbyssoundemporium
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00:01
An almost similar snare sound to that of idioteque in radiohead's 2000 album kid a. Though it is meant for experimental style, i think it would work with any form of electronic music. It was created by resonating noise from audacity, filtering it, fading it out, stretching it and compressing it. It has a characteristic sustain to it. Imagine it as a mix of a gunshot, cymbal, shaker and snare. Feel free to use it in any way you like. If you ever use it publicly or commercially, notify me so that i can hear how you used it.
作者: Arnavius
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01:25
A visit at boom-store in bochum, germmany. Ther`s a skatedeck at the roof of that skate-shop. Me and my son had a break between shopping and the beginning of a cinema-movie, so we decided to watch skating kids for a while.
作者: Shockrocket
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00:01
Closed hh one-shot. These hi hats were all made with virtual drum synths and processed through some analogue console emulation and added saturation. They were then trimmed to get rid of any dead space before or after the sample and finally normalized to 0db. This file is part of my anu hihats pack.
作者: Pomeroyjoshua
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00:17
Taken at children's museum, madison wi. Caught by accident while taking ambient recordings on iphone with a røde xy-l, in audioshare.
作者: Neguscat
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00:03
Dropping a small booklet on a table.
作者: Jorre
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01:30
Recorded around the plantation fields of kompolt (hungary), near the plant research institute. There are long dirt roads around the area, it's a big open place, so whatever wind, breeze comes barely anything could block it. That's why sometimes the recording's quality gets bad at places. Sounds: walking on dry, solid dirt, rocky-dirt, dry grass, walking through bushy areas, concrete at the end.
作者: Simonus
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03:31
Freischutz Quickstep performed by the Concert Band of the United States Air National Guard Band of the Southwest. Track 2 from American Songs (2005).
作者: Composition: Claudio S. Grafulla; Performance: United States Air National Guard Band of the Southwest, Concert Band; Recording: United States Air Force
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00:10
The recording you will hear children's-rattle.
作者: Lux
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01:06
Yesterday i record this song durant a skype call of one of my friends from romania, and then i process the file using adition to add echos and compression, hopp yuou like it.
作者: Milton
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00:01
This is a pack of 92 acoustic percussion samples, made from various instruments sitting unused at my house, djembes, darabouka, maracas, composite pipe, pvc, cardboard and wooden scraps, they are all simply recorded with a cheap sm57 clone from t. Bone using ardour, there is no special editing made except for som noise removal in audacity. I needed a repository of percussive short decay organic sounds for my own projects so i made this pack, feel free to use without mentioning me, although i'm always happy when people send me links of their creations.
作者: Soneproject
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00:05
A powerfull super saw that you can use for your songs. Note :the key of this sound is actually f# min not f# maj my apologies :(.
作者: Techgeekmusic
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