354 免版稅 音軌，用於"篩選"

These are some freesound works i've glued together. I added a wobbly lfo to it. If you like this sound make sure you check my tunes on sc: http://soundcloud. Com/beverlyhillsboy.

Seamless loop of gaspipe or gasleak hissing continuously. This sound is the actual background noise in the frequency range 1200 to 6800 hz from my randomly generated subhorrorambience1. Wav sample. All frequencies below 1 khz (lowend) and above 8 khz (highend) have been filtered out and the volume has been normalized. I release this sound as cc0. You can do whatever you want with it and don't need to mention my name. Tips & tricks for professional mastering of dark ambient loops:. ~ (range) 1200 - 8000 hz, the highmid area of all sounds. ~ (gate) filtering in and adding subtle noise in this frequency range can addatmosphere or "air" to dark ambience but sound noisy like a tape recording. ~ (filter) filtering out noise in this frequency range can make the bass andlower frequencies (20-1000 hz) in dark ambience sound clearer but more dull. ~ (highend) frequencies above 8 khz should always be filtered out completelyand muted to 0 db, since those are only necessary in music and higher sounds.

A bubble filtered build.

This was created with probe software.

Wobble loop 70bpmdubstep wobble bass lfo cutoff filter loop.

Sample and hold + vcf and manual filter sweeps.

I start with a standard reese, next i add a low-pass filter with some attack and a high resonance. Good for drum&bass tracks.

The same bassline like the other one i made, just with a lowpass filter that is triggered everytime a key is played.

A third version of https://www. Freesound. Org/people/gis_sweden/sounds/352940/. Now i let the alm pip slope affect a filter. I play a little sequence made with cvlfo , clock divider, attenuverter, quantiziser. The way i usually do…. But the interesting thing is the cvad (?) voltage controllable envelope generator. But in the case of alm pip slope you just control attack and decay. Seems to be enough. As in the other versions of this sound i connect one lfo to attack and a second lfo to decay. But this time i connect the vcad to control the frequency of a filter. Interesting. I wish i had two more cvlfos… should open up for rhythmical usage. I use no vca or adsr. I have connected the vco straight to the vcf and the vcf to mixer. In the beginning i have the frequency pot at 2 a clock then i gradually move it clock wise and let the vcad take control. 1 minute in the pot is fully clock wise. The vco is playing a sawtooth wave. If you dl and inspect the wave you can see that in the beginning and the end it is a sawtooth wave, but in the middle part the filter affects the wave form.

Sound created by square wave lfos, attenuverters, hard synced vcos, delay, reverb and filter. I think it nice. Kraftwerkish. . .

The same sound thru two filters. No editing. 100% dry.

Filter delayed guitar sample.

Filter delayed guitar sample.

Sinus wave connected to the filter cv1 in sweeps sound from mfb osc-03some reverb from ladik d-330(i have modified my wasp filter to achieve more self resonance. ).

Strumming a guitar with lo-fi processing.

White noise with a slow low pass filter.

Sounds that were created during a mixing session. I cut out my favorite samples.

Reverb with a couple cool synth tones bleeding through.

Could need some sounds in the middle spectrum and better eq. . . Background soft minimal techno?.

Hard deep bassy crackle soundeffect made with ni metaphysical function.

This caught my attention as an unfamiliar sound, and i actually had to investigate to learn what it was. It was the raindrops hitting some styrofoam bodyboards near a swimming pool, which at times sounded almost more like a hollow "pop" than a "drip. ". In the background one can hear thunder, rain, and the humming of a pool filtration system. Recorded with an iphone 7.

Filtered noise 50hz overtones and some other things going on.

Testing/documenting my bartonmusicalcircuits (bmc21) full wave dual rectifier. "this is an all analog synthesizer module used to alter the timbre and create new harmonic content. " using the fact that it's a dual. 2 sinus waves through both of the rectifiers, through a filter and a little spring reverb.

Electronic minute no 31b - full modular acid remixlow mp3 quality december special noob versionfully analog modular synth fjant acid. Basically the same patch as 31. . . . Evaluation of patch/soundentertaining - ?. Wiggling during recording. Switching channels on or off in the beginning and end.

Defender air filter white noise.

Recording of fish tank water (filtered) spilling into the tank. Recorded with tascam dr-05.

Heavily processed vst synth sound using various filters, reverbs and phasers.

Very electronic. What else do you need to know. Do something with it. Let me know/hear :-) cut it up. Loop it. This is an unedited recording. (as usual. . . ).

I've created an fx on voltage modular to filter and delay samples; i've used it on a sample (foley kick) that i downloaded on sounds. Com.

Second version of the remixed rope swishes loop. Only background (wet) noise this time.

A simple but effective white noise sweep up created using a white noise signal, using automation to change a simple filter and colour to the sound to create a sweep effect.

Violin through filter fx on line 6 pedal.

A metal filtered build.

Thick, juicy kick drum sample with its highs taken out.

Processed alto sax sound - approx. C5 w/filter stepping.

Created using lmms and its triple-oscillator plugin, and lfo automation used on the formant filter (new in lmms 0. 4. 13).

I needed this synth part for this song i'm working on right now. . . So i decided to create one instead of getting one from here. Saw wave, with a gate, and a saw lfo low pass filter down, with full delay and slight reverb. Areppegiating on a c#6.

A bunch of various filtersweeps i created in adobe audition by generating whitenoise and using the filtersweep plugin. Useful for creating build-ups.

This is a remix for the freesound continuum project. I took the original file:. 150306__corsica-s__the-view-from-a-distant-giant. I played with it by vocoding it, and a bit of filtering and general mucking about in reason6.

Atmospheric chords with several effects in the chain. If you like this sound, don't forget to check my soundcloud and share your feedback on my tunes: http://soundcloud. Com/beverlyhillsboy cheers!.

Yes, my wasp-filter is alive again!.

Creating slight variations in a simple beat with control voltage. All analog gear in my modular synth. Slightly "mastered" in audacity (normalization, compression, limiter).

Playing with lfos. 2 lfos are controlling the amplitude of the sample and hold generated blips. . . :-).

Blok modular set to bang on random keys/throw random parameters in various places. Sort of a kind of fm synthesis but i'm pretty sure blok can do a lot of extra things like place filters/waveshapers after the modulator but before the main oscillator. Don't want to give away much else but you can improv random textures by drawing in a waveshaper window/right-click to drag the drawing from one side to another. Also you can use the atan button to scale the notes on some sort of curve by distorting the note values. I could've added delay/reverb/eq/ ambience but i wanted it to be as dry as possible because that's personally what i look for, raw sounds that you can choose to change if you like. No edits aside from normalizing the. Wav file.

I was trying to make some fx you can hear in enigma’s tracks (for example ‘the eyes of truth’). Made with audition. P. S. Maybe it’d be a better sound if you listen to a downloaded file.

My roland jupiter 4 with resonance cranked up and filter modulated with lfo by a very low rate. The deep basses at the end of each sweet may be great for deep dub-basses. The sweep sounds great with effects and when gated. Have fun. . .

This is a sound for videogame. I love notch filters, so, in order to keep the sound less raw and simple, i put some filter modulation and a bit of reverb.

This is a sound for videogame. In this sound, i used a low-pass filter instead of notch like the previous sound. That sound haves a slow lfo and reverb too.

Another sound for videogame. I put some delay too in this version, and same lfo but now with a notch filter again. Second delay is low-passed.

Same as allydmg but bit crushed.