11,586 免版稅 音軌，用於"計時器"

Living room clock.

Fieldrecording on a winter afternoon at the baltic sea. Used equipment-zoom f4, 2x tritonaudiofethead phantom, 2x akg p420, windprotection (blimp). The first microphone stood on the beach (eighth character), the second microphone hung two meters higher than the beach (spherical character).

A short loop of 12 seconds of a ticking wall clock. Recorded with a zoom h5 portable recorder and rode ntg-1 shotgun mic. I have used a filter and noise reduction to clean it up. The clock sounds quite plasticky.

I just blew on the microphone gently.

A mash-up of several clock sounds from freesound into a time-traveling sort of swoosh. Sounds included:varia91. Mp3 by freedgrandfather clock winding. Mp3 by percy duke.

Portion of the noontime repertoire of the tower church bells in a small town, with a car passing close by. In the background, a cicada trills (which means it is the height of summer in the southeast united states).

I combined 2 sounds. One sound is always the same till the end and the other sound is separated in three times: one is lower, the other one louder and again lower, but still the same sound. To finish the sound i put a gong sound to show that is finish.

Big ben striking noon or midnight.

A 16 minute long recording of the ticks made by a 19th century longcase/grandfather clock. Recorded by an edirol r-09hr field-recorder inside the clock hood. Free of other ambient sounds.

Kitchen clock ticking.

Recorded on akg-c411pp.

A piano recording that was processed through a granular synthesizer.

Holding my ticking clock to the sound recorder. Recorded using zoom h4n.

July, raindrops falls on the roof.

Summer day with a light rain, and some workers renovating a house in the distance.

Beatbox on my phone low quality.

The clock that can hear at any where.

I took a notepad and flipped the pages, turned the pitch down.

Modern wall clock ticks from 2 different close up perspectives. Neumann kmr82i.

Saturate synthesiser bass.

The sound of my wind-up clock ticking.

My great-uncle and great-aunt have an old grandfather clock. It doesn't quite work right and only chimes 7 times at 12 o'clock, so i had to record it at 11 and add another chime. Nonetheless, it makes for a great ambient sound, especially in a horror setting. I recorded it with my tablet (samsung galaxy tab a) and edited it with audacity (added in an extra chime, converted it to stereo, etc. ).

You could hear this rhythm in a place with several clocks; actually i got this 'clock rhythm' idea after hearing a cool beat made by three clocks. Sounds used found in the "clock tick rhythms pack.

Loop i made while producing a track, layered a bunch of drums, carved out the bottom end and synthesized my own, and then compressed it all together, and excited a bit.

This is a low quality recording from a panasonic dvx camcorder microphone. This is a recording of random drum beats. Because of the low quality recording, i have not separated any of the beats, and have faded one into the other. The drum shells are spaun, and the cymbals are a mixture of zildjian and paiste.

808 deep low kick.

66bpm drum beat: hip-hop/electro improvisation on electronic drumpadsclavia nord drum 3p "modelling percussion synthesizer" padsmetronome used but not quantisedrecorded with ableton live + motu ultralite mk3 hybridkick pedal: roland kt-10.

Minimal techno drum loop with reverb. Created with ableton live and audacity.

Minimal techno beats. Created with korg volca beats.

Calculating machine sound effect free high quality sound fx.

A chromatic scale on a small metal xylophone.

I made this sound only with sounds effect on audacity. With chirp sounds from 50 hz to 300hz + dtmf tones at the end. Copy + paste 2 times for a "double jump" effect like in retro videogames.

Making a scale of multiple instruments be hmm. . . Should i say "dazed and confused". The "dazed and confused" part has nothing to do with the audio, it is just a reference.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Recorded at ableton live, using old tx81z synth from yamaha + boss digital delay dd7 messing around with feedbacks and time creating tape like fx.

A major scale played on a synth that has been progressively detuned as it ascends. It is an interesting effect. Hope someone can find some use for it.

A major scale played on a synth that has been progressively detuned as it ascends. It is an interesting effect. Hope someone can find some use for it.

Foley sound effect of a chopper simulating a lifting from the ground;. Sample rate: 48 khzbit depth: 24 bits. Mfma_sonic.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Edited sounds from the make noise 0 coast synth.

A sample i made using ableton grain's delay on pieces of my sample "crystal underwater".

Atonal drone 04.

Trayecto dentro de un radio taxi en puebla de los ángeles, méxico. De central de autobuses puebla a hotel best western. Grabado con zoom h1. 48000khz/96 bitaudio frío. Lamentablemente, sin wind-shield. Audífonos recomendados.

I used the ben burtt technic to design this punch; mixing a whip tail sound with a the sound taken from hitting a jacket with a baseball bat. Here is a link where ben explain the technic for indiana jones punches:. Http://collider. Com/ben-burtt-dennis-muren-indiana-jones-blu-ray-interview/. I used logic to chop the whip tail up and blend it to make my own punch.

Two hawk fighter jets; short taxi and take off recorded from rear of runway (rear of planes) on a windy day. Some faint human chatter can be heard towards the end but these can easily be cut or edited if desired.

Magic motion or spell. Short vibraphone run with reverb.

Science-fiction fantasy film designed.

Recently we purchased a scale from ikea, when we finally got around to using it we realized that it must be off, as i do not weigh 240 lbs. As we did not have a receipt, or the desire to drive 2 hours to return a $10 scale the only course of action left to me was to take the damn thing apart and record its insides. (what else?). I recorded and edited together around 7 and a half minutes of various configurations and performances of me making some sort of repetitive, engine-like sound. I can foresee myself using these sounds for an old-timey engine or car. Recorded with a rode ntg-3 at 96/24.

This is the sound my desktop makes. Recorded with a pyle microphone and audacity.

Small pieces of styrofoam, i sort them out and scatter them. There is shure pg 81 microphone.