2,027 免版稅 音軌，用於"設計師"

Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.

Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.

A simple sound for a futuristic weapon. Done by mixing a champagne cork and a synthesised sound. Done on protools and audacity.

Sound design assignment 1 by becky jones uclan.

The sound of office in istanbul.

Ambience sound effect of water coming out from a pool;. Sample rate: 48 khzbit depth: 24 bits. Mfma_sonic.

Synths.

This sound took me a while i used warehouse machinery at the beginning as the gun is turning to its target and when it finished with an alarm and light sound indicating its powering. The charge & fire sound is all synthesis layered several sounds on top with each other also using eq, compressor ect.

Sound i made using vital synth.

For sound design.

A simple bang.

Industrial sound design.

This was a shotgun i recorded with 6 mics then layered it to big it sound very fat and powerful for the screan then added eq and compression.

Brief sound for an alarm short reverb.

Granulation of robin hood's horror drone followed by arpeggiated triggering using a modulated filter on the bass station ii.

Nothing special just some fun with a few of my favorite tools.

Creado en ableton para ampliar impacto del tom :d.

General noise ext. Market (24 bit, 48 khz). Wav.

General noise market (wider perspective) bike passing, dog barking. 24 bit, 48 khz. Wav.

Church bells ringing market (general noise) bike & people passing. 24 bit, 48 khz. Wav.

Fairly nice kicks made in live.

Lazer sound. I made this lazer sound with the use of operator in ableton as well as adding a few effects to help round it out. I started with a basic sine wave and then began to adjust the frequency range to cut out some of the low end of the sound and enhance the high end to make it more realistic and movie accurate. I also had to shorten the decay time so it is more of a short zap sound than a prolonged note. Another step was giving it an initial high pitched sound and this was achieved by having the sound start higher up the scale with semitones and then dropping down giving the effect of shooting and something traveling from the source sound.

Explosion sound. The explosion sound was a mixture of a the initial explosion, the a wind sound that may be heard when there is an explosion and the rumble effect that would also be picked up on. I had to re sample all of these separate operator sounds and then put the audio track in a sampler the add some final touches. These included large hall reverb and utility for the large impact explosion and rumble sound as well as panning, reverb and delay for the wind sound to give it the effect of traveling around a surrounding area with the sound slowly decaying.

Ambient echo sound. This sound required the combination of operator using the triangle wave and plenty of reverb. I layered this sound by using two different octaves to cover most frequency ranges that sounded best and to fill any gaps in the sound effect. This sound is inspired by scene transitions and wide shots where there may be a lack of other sounds so this frees up a space for a calm ambient sound that uses plenty of sustain and reverb. The triangle wave in the operator gave it more of a high pitched calm flowing sound. The other options for example sine wave sounds to harsh and sharp for this type of sound.

A strange sound design i did for a project, with my voice as material- high quality 48khz-24bits.

Low pitched boom noise + reverb.

Crackle sound effect made with a bag of chip, useful for a lot of things. Recorded with the dr 40.

Dozy pilchard vocal vox voice sound design 120bpm.

Was messing around resampling a guitar recording and it got a little out of hand, in a cool intense glitchy way //cc0.

This is a short sound i created from snippet of very old recording (pre war) of an old parisian song : la java bleu.

An heavy sweep for your transiitons.

A simply bass swoosh for you.

Sound crested in ableton 11. 120 bpm. F note.

Bomb whine and explosion.

Low and ominous sound; gathering storm; paramount.

This is how to pronounce my name.

A metal ping.

A metal ping.

A metal ping.

A metal ping.

Multiple pings.

This a bubble-like sample created with supercollider (http://supercollider. Sourceforge. Net/).

Dark techno sound design.

Recording of pc boot up. Recorder is placed near hdd. For the first portion of sound i recorded electronic cat repelent and glass, and then speed it up. Everything is mixed together and this is the result.

Ruler on paper in design classroom.

Heavily pounding bassdrum originally made from 10 litre bottle punching sounds recorded with my fake shure c608 mic and heavily processed by adding some modulations, distortions, layering some attack and setting bass part (under 200 hz) to mono. Will be nice choice to produce hip-hop drums, or experimental techno also for making cinematic thunder-like booms.