Just a small sound of me clapping, then distorting it and adding some scale-shift. I really like it, sounds like one of those sounds for a ui, like menu hovering(!).
Thunder strike for the master degree in video games of university of málaga (uma). There is a rainy ambience filtered with a hpf before the thunder sound. For the thunder there are 3 parts: a metallic whoosh, the impact and a shock wave.
This is a little 'electronic eurorack modular synth jam'. I am singularly the one recording, producing/ posting and composing/ compiling the works as it is recorded. The date was september 04th, 2021 and it has an ''as-is'' no alteration. . Touching up. . Or thus otherwise that the uploading and steam compression did during the posting and uploading process but - take it kindly please. Lol. I would like to hear your honest options in comments as this is not anything like the music i usually do - much less dare to upload lol! ha!. Thnaks!.
Just a small sound of me crushing a wrapper, then distorting it and adding so scale-shift & glotch. I really like it, sounds like one of those sounds for a ui, like menu hovering(!). ~callum.
Just a small sound of me crushing a can, then distorting it and adding so scale-shift. I really like it, sounds like one of those sounds for a ui, like menu hovering(!). ~callum.
I made this sound only with sounds effect on audacity. With chirp sounds from 50 hz to 300hz + dtmf tones at the end. Copy + paste 2 times for a "double jump" effect like in retro videogames.
Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.
Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.
Created for a trailer for a film. I used a grandfather clock for the main ticking of the hands but layered and added other sounds such as a heartbeat, hall kick drum with reverb and synthesis techniques. Please note: the ticking by note be in sync if you use and a countdown image i had to move the ticks to accommodate the wall clock i was working with due to the ticks where not always in time.
This was a silenced pp7 which i recorded and layered to make it sound and fat. I used sound design techniques such as layering, eqing, pitching & compression.
I used the ben burtt technic to design this punch; mixing a whip tail sound with a the sound taken from hitting a jacket with a baseball bat. Here is a link where ben explain the technic for indiana jones punches:. Http://collider. Com/ben-burtt-dennis-muren-indiana-jones-blu-ray-interview/. I used logic to chop the whip tail up and blend it to make my own punch.
Designed 5. 1 ambience of the cockpit of a small research submarine cruising submerged. Featuring small engine noises, electric ventilation and the steady gurgle of water passing the hull.
Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.
Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.
Recorded and processed at 24bit 48khz using a rode nt1-a condenser microphone. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.
