In celebration of gab to return this weekend. With a lot of love and less talenti created the words. I composed the loop. I play the drums (reaper reasyndr)i play the bass(hohner steinberger copy) and guitar (sg light) - both using a hx effects with just the built in sounds-built with reaper 4. 78 on 20181031.
For this sound, i generated a sine wave at a frequency of 440 hz, an amplitude of 0. 80 and a duration of 1 second. I choosed the following effects:1- tremolo2- repeat (x2)3- fade in (half of the sounds)4- fade out (the other half of the sounds)5 -studio fade out6- cut a part7- repeat8- cut to have the song 3 times. After all this effects, the sound is like an alarm.
This is just a noise taken off my home phone, it is the standard noise that plays after punching in a number. I used a direct feed for this one, although there really was not much different. This is the only sound from a direct feed that wouldn't come in so terribly soft.
Wave, 44. 1khz, 16bit, stereorecording device: zoom h2n with xy-capsulelow-cut: yes (80hz)normalized to -1dbfslocation: leuphana universität lüneburg, cantine. Lat: 53. 229336lon: 10. 398366. Date: 2013-11-18, 13:00h. Recorded and edited by: malte niepel. This recording was created in the framework of the seminar "soundscape leuphana (ws13/14)".
So this is my attempt in making a crowd sound effect. It really didn't sound like a people's crowd since i said "walla" too loud in some clips. There are approximately 28 clips in that sound varying from 15 to 17 seconds. Also, i combined another crowd sound effect which i created in 3ml editor and edited in both audacity and adobe audition to make it longer. All (with the exception of the earlier crowd sound effect i did) was combined in audacity.
This is an old 70's phone, i pick up the receiver, dial a few times and ring off afterwards. Recorded on 44,1 24-bits with a shure ksm27 large-membrane condensor mic.
My circuit bent speak and spell run through the live cut plug-in. Tons of possibilities here to cut it up for one shots are use bigger pieces for loops.
My circuit bent speak and spell run through the live cut plug-in. Tons of possibilities here to cut it up for one shots are use bigger pieces for loops.
/////description de base ////////. Key sound of cellphone. //////////typologie (p. Schaeffer)///. N'' : itération tonique. ////////morphologie////////////. - masse : groupe tonique. - timbre harmonique : eclatant. - grain : grain rugueux. - allure : allure qui comporte un vibrato dans le son de chaque 'bip'. - dynamique : l’attaque est violente pour chaque 'bip'. - profil mélodique : les variations sont en forme d'escalier. - profil de masse : site.
Dialing the number 3. The dial plate telephone "fetap 611-2" (fernsprechtischapparat) in screaming orange was distributed by the german bundespost from 1972 on. It uses a real bell for ringing and of course it can only do pulse dialing. This was recorded with a single røde nt5 microphone via a behringer ddx3216 digital console into ardour. Normalized over all dial pulse samples of this set. Edit feb 2020: i changed the license to cc0 since i myself use cc0 material from freesound these days a lot.
This clip is a bunch of people shouting get down in the name of education, this was recorded for a educational assignment that was based on the film leon.
A few specials for you, freesounders. Discrete and soft like a banana split. I could make 100, but the market is overflown by ear sweets, so i just liked to see what you would say.
Here's a quick noise removed sample of an htc thunderbolt vibrating while placed on a blanket. From what i've heard, this is the cleanest vibrate recording on freesound.
A field recording of a small cafe/restaurant in my area. I was tucked away in one of the far away tables so the people talking sounded more distant decided to record it as part of my college project. Would make good atmos. Recorded in stereo on a zoom h4npro microphone. Hope this helps! :)).
