427 免費藝術品適用於和服

女人繪畫插畫女孩日本男人坐歷史輪廓音樂

Kitagawa Utamaro – A Modern Version of the Concert of Ushiwakamaru and Jôruri-hime (Right) [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Yoshida Hiroshi – Evening Primrose and Woman in Yukata [from Fukuoka Art Museum]

Kitagawa Utamaro – Someyama of Matsubaya with Two Attendants [from Utamaro – Ukiyoe meisaku senshū I]

Tsukioka Yoshitoshi – Looks Cold’, Mannerisms of a Concubine from the Bunka Period [from Thirty-two Aspects of Women]

Kitagawa Utamaro – After the Utamaro Fashion – Reading a Letter [from Utamaro – Ukiyoe meisaku senshū I]

Kitagawa Utamaro – Woman Reading a Letter, from the series New Patterns of Brocade Woven in Utamaro Style [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – Hanazuma of the Hyôgoya, kamuro Sakura and Nioi , from the series Array of Supreme Portraits of the Present Day [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kawanabe Kyōsai – Beauty Watching Frogs at Play [from Kyosai: master painter and his student Josiah Coder]

Ohara Koson – Two Women in the Rain [from Hanga Geijutsu No.180]

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Kitagawa Utamaro – The Story of Umegae [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Komura Settai – Umbrella from the Illustration of “Oden-jigoku” [from Hanga Geijutsu No.146]

Sudō Shigeru – In the green wind [from Sudō Shigeru Lyric Art Book]

Sudō Shigeru – Red Camellia [from Sudō Shigeru Lyric Art Book]

Sudō Shigeru – Summer Girl [from Sudō Shigeru Lyric Art Book]

Utagawa Kuniyoshi – SHIMONOSUWA: Yuegaki-hime [from The Sixty-nine Stations of the Kisokaido]

Kitagawa Utamaro – Woman Holding up a Parasol, from the series Ten Classes of Women’s Physiognomy [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kawanabe Kyōsai – Beauty Reading a Letter [from Kyosai: master painter and his student Josiah Coder]

Tsukioka Yoshitoshi – Looks Observant’, Mannerisms of Kyoto Waitress from Meiji Period [from Thirty-two Aspects of Women]

Tsukioka Yoshitoshi – Looks Curious’, Mannerisms of a Senior Maid from the Tenpo Period [from Thirty-two Aspects of Women]

Tsukioka Yoshitoshi – Shirafuji Genta With a Kappa [from One Hundred Ghost Stories of China and Japan]

Torajiro Kojima – A Belgian Girl in Japanese Costume [from Marie Laurencin and her Era: Artists attracted to Paris]

Uemura Shōen – Sing-song Girl in Tenpō [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

Uemura Shōen – Flower [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

Kitagawa Utamaro – Parody of an Imperial Carriage Scene [Center] [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – Fishing with a Scoop Net [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – Women’s Picnic beside a Stream [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Utagawa Kunisada and Utagawa Hiroshige – Goyu: The Honno Plain with a Panoramic View of Mount Fuji; Actors Matsumoto Kôshirô V as Yamamoto and Bandô Mitsugorô III as Naoe [from The Fifty-three Stations by Two Brushes]

Keisai Eisen – Fûryû Hana-awase [from The Exhibition of Keisai Eisen in memory of the 150th anniversary after his death]

Keisai Eisen – Beautiful woman with a Japanese bladder cherry in her hands [from The Exhibition of Keisai Eisen in memory of the 150th anniversary after his death]

Kawahara Keiga – Paired scrolls of husband and wife :husband [from Catalogue of the Exhibition of Keiga Kawahara]

Kitagawa Utamaro – Two Pictures in Pair: Monkey Trainer [from Utamaro – Ukiyoe meisaku senshū I]

Uemura Shōen – Young Lady by a Round Window [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

Uemura Shōen – Insect Sounds [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

天時熱女人

Uemura Shōen – Woman’s Figure [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

Sudō Shigeru – The day my sister got married [from Sudō Shigeru Lyric Art Book]

Uemura Shōen – The Firefly [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

螢火蟲女人

Kitagawa Utamaro – A Modern Version of the Concert of Ushiwakamaru and Jôruri-hime (Center) [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Komura Settai – Page 99 Illustration from Tatsumi Kōdan by Izumi Kyōka [from Hanga Geijutsu No.146]

Komura Settai – Insect [from Hanga Geijutsu No.146]

Kitagawa Utamaro – Parody of the Story of Yoritomo Releasing Cranes at Yuigahama [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – The Immortal Hama, represented by Hanamurasaki of the Tamaya, kamuro Shirabe and Matsuno, from the series Eight Immortals in the Art of Love [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Tsukioka Yoshitoshi – Miyamoto Musashi Slashing a Tengu [from One Hundred Ghost Stories of China and Japan]

Tsukioka Yoshitoshi – Minamoto Raikō Ason Watching a Spider [from One Hundred Ghost Stories of China and Japan]

Tsukioka Yoshitoshi – Samanosuke Mitsutoshi with fox fires [from One Hundred Ghost Stories of China and Japan]

Tsukioka Yoshitoshi – Tawara Tōda Protecting the Dragon’s Daughter from the Giant Millipede [from One Hundred Ghost Stories of China and Japan]

Uemura Shōen – Scene from a Noh Play Kinuta [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

Uemura Shōen – Firefly [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

Uemura Shōen – Spring and Fall (Right) [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

Uemura Shōen – Long Night [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

Utagawa Kunisada and Utagawa Hiroshige – Yokkaichi: Mirage at Nako Bay; Actor Sawamura Chôjûrô V as Saigyô in the Scene Portrait of Norikiyo [from The Fifty-three Stations by Two Brushes]

Utagawa Kunisada and Utagawa Hiroshige – Fujieda: Fording the Seto River [from The Fifty-three Stations by Two Brushes]

Utagawa Kuniyoshi – NAKATSUGAWA: Horibe’s Wife and Daughter (Horibe no tsuma do musume) [from The Sixty-nine Stations of the Kisokaido]

Keisai Eisen – Woman from Ôhara [from The Exhibition of Keisai Eisen in memory of the 150th anniversary after his death]

Tsukioka Yoshitoshi – Looks Coy’ Mannerisms of a Girl in the Meiji Period [from Thirty-two Aspects of Women]

Kitagawa Utamaro – Parody of an Imperial Carriage Scene [Right] [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Yasui Sōtarō – Woman with a Parasol [from Sōtarō Yasui: the 100th anniversary of his birth]

Keisai Eisen – Two girls on die pier [from The Exhibition of Keisai Eisen in memory of the 150th anniversary after his death]

Sudō Shigeru – Song of the Dawn [from Sudō Shigeru Lyric Art Book]

Sudō Shigeru – Spring Preparation [from Sudō Shigeru Lyric Art Book]

Sudō Shigeru – Wild Chrysanthemum [from Sudō Shigeru Lyric Art Book]

Kitagawa Utamaro – Parody of the Six Poetic Immortals [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – The Immortal Tong Xuan, represented by Hanabito of the Ôgiya, kamuro Sakura and Momiji, from the series Eight Immortals in the Art of Love [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – Women Imitating an Imperial Procession [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Dyed by Light Red

Kitagawa Utamaro – Naniwaya Okita and a Temple Guardian Statue in a Tug of War with a Pillow [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Utagawa Kunisada and Utagawa Hiroshige – Futakawa: On Top of the Mountain of the Iwaya Kannon Temple; the Dance Play Shinobu-uri [from The Fifty-three Stations by Two Brushes]

Utagawa Kunisada and Utagawa Hiroshige – Shimada: Woman Traveller at the Ôi River [from The Fifty-three Stations by Two Brushes]

Utagawa Kuniyoshi – ASHIDA: Araimaru and Nyogetsuni [from The Sixty-nine Stations of the Kisokaido]

Utagawa Kuniyoshi – IWAMURADA: Ōiko Waters the Fields (Ōiko tahata o uruosu) [from The Sixty-nine Stations of the Kisokaido]

Kitagawa Utamaro – Okita of Naniwaya, before a Brazier [from Utamaro – Ukiyoe meisaku senshū I]

天時冷印刷

Tsukioka Yoshitoshi – Looks Gloomy’ Mannerisms of a Geisha in the Meiji Period [from Thirty-two Aspects of Women]

Tsukioka Yoshitoshi – Looks Delicious’, Mannerisms of a Courtesan from the Kaei Period [from Thirty-two Aspects of Women]

Tsukioka Yoshitoshi – Looks Painful’, Mannerisms of a Courtesan from the Kansei Period [from Thirty-two Aspects of Women]

Uemura Shōen – Early Spring [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

Komura Settai – Beach [from Hanga Geijutsu No.146]

Kitagawa Utamaro – Young Couple Dressed as Komusô [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – Calligraphy, from an untitled series of the Four Accomplishments [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – Hanamurasaki of the Tamaya, Kamuro Shirabe and Teriha, from the series Six Jewel Rivers [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Yasui Sōtarō – Early Summer [from Sōtarō Yasui: the 100th anniversary of his birth]

Yasui Sōtarō – Woman and Dog [from Sōtarō Yasui: the 100th anniversary of his birth]

Utagawa Kunisada and Utagawa Hiroshige – Kanaya: Panoramic View of the Ôi River and Mount Fuji from the Kanaya Slope Road; Actor Bandô Shûka I as the Blind Musician Asago [from The Fifty-three Stations by Two Brushes]

Kitagawa Utamaro – A Modern Version of the Concert of Ushiwakamaru and Jôruri-hime (Left) [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kawanabe Kyōsai – Benzaiten Viewing Cherry Blossoms, from the Parody of the Seven Gods of Good Fortune series [from Kyosai: master painter and his student Josiah Coder]

Tsukioka Yoshitoshi – Looks Happy’ Mannerisms of a Tokyo Geisha in the Meiji Period [from Thirty-two Aspects of Women]

Tsukioka Yoshitoshi – Looks Itchy’, Mannerisms of a Concubine from the Kaei Period [from Thirty-two Aspects of Women]

天時熱印刷

Uemura Shōen – Meditation [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

Uemura Shōen – Autumn Costumes [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

Uemura Shōen – The Beautiful Woman Enjoying Cool Summer Breeze [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

Uemura Shōen – Beautiful Night [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

Sudō Shigeru – Song of Fallen Leaves [from Sudō Shigeru Lyric Art Book]

Komura Settai – Star Festival [from Komura Settai]

Utagawa Kunisada and Utagawa Hiroshige – Mariko: Local Specialty Dumplings [from The Fifty-three Stations by Two Brushes]

天時冷印刷

Tsukioka Yoshitoshi – Iga no Tsubone with Tengu [from One Hundred Ghost Stories of China and Japan]

Tsukioka Yoshitoshi – Fuwu Bansaku in Ruined Temple With Black Monster on Umbrella [from One Hundred Ghost Stories of China and Japan]

Uemura Shōen – Evening [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

Uemura Shōen – Evening [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

Sudō Shigeru – Girl and Flowers [from Sudō Shigeru Lyric Art Book]

Tsukioka Yoshitoshi – Looks Amused’, Mannerisms of a Music Teacher from the Kaei Period [from Thirty-two Aspects of Women]

Tsukioka Yoshitoshi – Looks Refreshing’, Mannerisms of a Girl from the Kyoka Period [from Thirty-two Aspects of Women]

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