Cool for any project but. . . Can't remember the sound but the way it was processed was easy. . . Higher pitch, bit of eco delay, tiny reveerb, and the basic equalization.
Remix of https://freesound. Org/s/365242/. Mixed with improvised drums. Kit:. Sonor s-classixbosphorus master and turk series cymbals. Recording equipment:. Cad drum recording mic setrode nt4 stereo mic for overheadsrode nt2 on floor tom to catch the low end. Recorded into logic with minimal processing.
I was trying to imitate the noise that usually happens when someone delivers a comedic punchline, you know, the high hat sound. I used a cheap desktop drumset.
This is a low quality recording from a panasonic dvx camcorder microphone. This is a recording of random drum beats. Because of the low quality recording, i have not separated any of the beats, and have faded one into the other. The drum shells are spaun, and the cymbals are a mixture of zildjian and paiste.
This is the dirty tony's tom 16''. He recorded it at johnny's studio, the only studio with a hole in the wall! it has been recorded with four mics, and this is the mix of all!.
Crash + kick drum sample, recorded with a akg c314. Is part of a dataset used to train a drums event classifier (https://zenodo. Org/record/4958592). Note that some of the samples are time shifted or contains the tail of a cymbal event.
This recording is for people who hate the highlighted high frequencies. An old sabian aax small recorded with a røde m5 mic. I the created two copies of the original recording:1. On the first file i applied low pass at 2 khz and hard compression at -24 db without makeup gain. 2. On the second file i applied high pass at 2 khz and hard compression at -24 db without makeup gain. Then i lowered -2 db all the spectrum except for the band from 3. 5 khz to 9. 1 khz and i applied hard compression at -24 db without makeup gain. I merged the two files. The envelope was very flat due to the compression and thus i reshaped it on wavelab (process > level envelope. . . Or press the "v" keyboard button; draw a natural fade out in steps [non-linear]). The result is a warm crash for people who don't want them loud.
Here are some drums i made, on the synthesizer again. In order they are: parallel compressed kick, regular kick, snare, closed hi-hat and open hi-hat. The set before the break is mastered, while the set after the break isn't (i did throw a little limiter in there though just to boost 'em up a bit easily, but they're still not mastered). Enjoy. Credit is appreciated but not at all needed, i just like synthesizer-ing.
This is the dirty tony's tom 14''. He recorded it at johnny's studio, the only studio with a hole in the wall! it has been recorded with four mics, and this is the mix of all!.
This is a full acoustic drumkit sampled at multiple velocities with drum sticks and brushes, it was recorded in a small jazz bar at a local music school, i recorded this a long time ago with a zoom h1 portable recorder. It would still need some sorting and tweaking to build a soundfont or hydrogen drumkit which i want to do in the future but it will probably not be anytime soon.
Representational approaches to field recording are bullshit. On another day i will explain why i feel this to be the case. But it centers around a critique of the distinction between representation/reality, along with a critique of the concept of mediation. Mechanical openings, heartfelt wanderings was recorded with a tascam dr100mkii and a rode shotgun mic. One sound taken from the 'microblocks, vol. 1' percussive found sound sample-pack. The sample-pack features 135 unique field recordings culled from the ordinary soundscapes of santa cruz, ca. Find and download (for free) the rest of the sample pack here: https://fieldrecordingworkinggroup. Bandcamp. Com/releases. The sample pack comes with an accompanying essay describing the method, politics and historical context of the sample-pack.
