63 безплатни аудиофайлове за "1910"

1910 - Spanish by Victor Herbert Orchestra

1910 - L'Encore by Victor Herbert Orchestra

1910 - Fleurette by Victor Herbert Orchestra

Stop-time in Scott Joplin's "Stoptime Rag" (1910).

1910 - Old Dutch by Victor Herbert Orchestra

1910 - Hungarian Dance by Victor Herbert Orchestra

1910 - The Flatterer by Victor Herbert Orchestra

日本語: 名古屋市歌(1910年制定)のインストゥルメンタル。 Nagoya Munipical Song (enacted in 1910, insturmental).

1910 - The Prima Donna by Victor Herbert Orchestra

1910 - The Tattooed Man by Victor Herbert Orchestra

Infelice!..e tuo credevi, extrait de l'opéra Ernani de Giuseppe Verdi (1813-1901) interprété par Fédor Chaliapine (1873-1938) en 1910.

1910 - Farandole from L'Arlésienne (Bizet) by Victor Herbert Orchestra

Edison Amberol cylinder n° 479 recorded by Stella Mayhew.

Don Juan tango composed by Ernesto Ponzio, played by Orquesta Típica Criolla of Vicente Greco. Buenos Aires. 1910. "Don Juan" tango de Ernesto Ponzio, interpretado por Orquesta Típica Criolla de Vicente Greco. Buenos Aires. 1910.

Oh, How That German Could Love composed and sung by Irving Berlin in 1910

Piangea cantando nell'erma landa de l'opéra Otello de Giuseppe Verdi (1813-1901), interprété par Nellie Melba (1861-1931) en 1910.

Frank C. Stanley's 1910 Indestructible Record performance of "Auld Lang Syne". This is Indestructible Record #1267. "Auld Lang Syne", ein Lied, das traditionell zum Jahreswechsel gesungen wird, in einer Aufnahme aus dem Jahr 1910 Македонски: Шкотската новогодишна песна Auld Lang Syne („Многу одамна“) во изведба на Френк Стенли (1910).

Los mamertos (the drunken ones). Tango lyrics by Angel Villoldo, using the music of "La Morocha", of Pedro Saborido. Old record. 1910. Singerː Angel Villoldo "Los mamertos" (los borrachos). Tango. Letra de Angel Villoldo, usando la música de "La Morocha", de Pedro Saborido. Vieja Grabación. 1910. Interpretado por Ángel Villoldo.

Oh, How That German Could Love composed and sung by Irving Berlin in 1910

Das Laverne Walzer Capriccio, komponiert und eingespielt vom Altsaxophonisten H. Benne Henton. Es wurde 1911 veröffentlicht und im März 1912 für die Victor Talking Machine Company aufgenommen. The Laverne Waltz Caprice, composed and played by alto saxist H. Benne Henton. It was published in 1911 and recorded by the Victor Talking Machine Company by March 1912. Laverne Waltz Caprice, composé et interprété par le saxophoniste alto H. Benne Henton. Ce morceau fut publié en 1911 et enregistré par la Victor Talking Machine Company en mars 1912.

La Plus Que Lente, performed by Wikipedia user La Pianista. Українська: La Plus Que Lente — вальс написаний французьким композитором Клодом Дебюссі в 1910 році. Čeština: Klavírní skladba - waltz La plus que lente francouzského skladatele Claudea Debussyho z roku 1910. Эрзянь: La Plus Que Lente. Теизе-арсизн Клод Дебюсси — французонь седийсёрмадеесь 1910 иестэ. La Plus que lente, morceau composé en 1910 par le compositeur français Claude Debussy.

Поёт Варя Панина

Ah! fuyez, douce image from Jules Massenet's Manon (1884). Sung in Italian by Aristodemo Giorgini in 1910 for Edison Records. This recording is Edison Grand Opera Amberol Record #30031.

Ah je ris de me voir si belle en ce miroir (air des bijoux) de l'opéra Faust composé par Charles Gounod (1818-1893), livret de Jules Barbier (1825-1901) et Michel Carré (1821-1872) interprété par Nellie Melba (1861-1931) en 1910.Ah je ris de me voir si belle en ce miroir (jewels'aria), Faust by Charles Gounod (1818-1893), performed in 1910 by Nellie Melba (1861-1931).

Phonograph cylinder recording from Filaret Kolessa collection. Duma Pro udovu (fragment). Performed by Ivan Kucherenko. Phonograph operated by Opanas Slastion. Date: 1910. Instrument: bandura Українська: Фонографічний запис із колекції Філарета Колесси. Дума «Про удову» (фрагмент). Виконує Іван Кучеренко. Записувач(-і): Опанас Сластьон. Рік запису: 1910. Інструмент: бандура

1st release date: 1910 1st recording date: 26 February 1910 Place of recording: Buenos Aires (Argentina) Author(s)/Composer(s): Arturo Navas (1876-1932) Lyricist(s): none Music arranger(s): none Conductor: none Performer(s): Arturo Navas (1876-1932) Vocal range: Baritone Title/Work: El Cimarrón - Cifra, 2a parte Content: Male vocal solo, with guitar Genre(s): Folklore (Argentina/Uruguay)

Phonograph cylinder recording from Filaret Kolessa collection. Duma Pro smert kozaka-bandurysta (fragment). Performed by Ivan Kucherenko. Phonograph operated by Opanas Slastion. Date: 1910. Instrument: bandura Українська: Фонографічний запис із колекції Філарета Колесси. Дума «Про смерть козака-бандуриста» (фрагмент). Виконує Іван Кучеренко. Записувач(-і): Опанас Сластьон. Рік запису: 1910. Інструмент: бандура

How can they tell that I'm Irish? performed by Edward M. Favor (1856-1936). Edison Standard Record #10345 from 1910 Comic song. Vocal solo with orchestra accompaniment. Composed by Clarence Wainwright Murphy (1875-1913)

Phonograph cylinder recording from Filaret Kolessa collection. Duma Pro udovu (fragment no. 1). Performed by Opanas Slastion. Phonograph operated by Opanas Slastion. Date: 1910. Instrument: none Українська: Фонографічний запис із колекції Філарета Колесси. Дума «Про удову» (фрагмент № 1). Виконує Опанас Сластьон. Записувач(-і): Опанас Сластьон. Рік запису: 1910. Інструмент: немає

Phonograph cylinder recording from Filaret Kolessa collection. Duma Pro pikhotyntsia, variation g (fragment). Performed by Platon Kravchenko. Phonograph operated by Opanas Slastion. Date: 1910. Instrument: none Українська: Фонографічний запис із колекції Філарета Колесси. Дума «Про піхотинця», варіант ґ (фрагмент). Виконує Платон Кравченко. Записувач(-і): Опанас Сластьон. Рік запису: 1910. Інструмент: немає

Phonograph cylinder recording from Filaret Kolessa collection. Duma Pro pikhotyntsia, variation a (fragment). Performed by Platon Kravchenko. Phonograph operated by Opanas Slastion. Date: 1910. Instrument: none Українська: Фонографічний запис із колекції Філарета Колесси. Дума «Про піхотинця», варіант а (фрагмент). Виконує Платон Кравченко. Записувач(-і): Опанас Сластьон. Рік запису: 1910. Інструмент: немає

1st release date: 1910 1st recording date: 26 February 1910 Place of recording: Buenos Aires (Argentina) Author(s)/Composer(s): Arturo Navas (1876-1932) Lyricist(s): none Music arranger(s): none Conductor: none Performer(s): Arturo Navas (1876-1932) Vocal range: Baritone Title/Work: El Cimarrón - Cifra, 1a parte Content: Male vocal solo, with guitar Genre(s): Folklore (Argentina/Uruguay)

Phonograph cylinder recording from Filaret Kolessa collection. Duma Pro udovu, variation 1 (fragment no. 1). Performed by Platon Kravchenko. Phonograph operated by Opanas Slastion. Date: 1910. Instrument: none Українська: Фонографічний запис із колекції Філарета Колесси. Дума «Про удову», варіант 1 (фрагмент № 1). Виконує Платон Кравченко. Записувач(-і): Опанас Сластьон. Рік запису: 1910. Інструмент: немає

Classic chime from a h. A. C. (hamburg american clock) mantle clock circa 1910, hand made in wurttemberg, germany.

the famous chords symbolizing the church bells in Debussy's prelude La cathédrale engloutie

Created by Hyacinth (talk) using Sibelius 5. See: Image:Debussy Prélude 8.JPG

Ah! fors'è lui and "Sempre libera" from Act I of Giuseppe Verdi's La traviata. Performed by Lucrezia Bori in around August 1910 for Edison Records. Matrix number: 180-1, NPS object catalog number: EDIS 87690-a "Ah! fors'è lui" и "Sempre libera", первый акт. Исполняет Lucrezia Bori, примерно август 1910 для Edison Records.

Song: "Me dejaste" (El poncho del olvido).- Author: Music: Osman Pérez Freire (1878-1930) & Lyrics: Andrés Cepeda (1879-1910).- Interpreter: Singer: Carlos Gardel.- Record: Columbia, T594, Side B, Buenos Aires, 1913. Tema: "Me dejaste" (El poncho del olvido).- Autor: Musica: Osman Pérez Freire (1878-1930) & Letra: Andrés Cepeda (1879-1910).- Interprete: Cantor: Carlos Gardel.- Grab.: Columbia, T594,Lado B, Buenos Aires, 1913.

Use of the pentatonic scale in Debussy's Voiles (1910), Prelude. 2, mm.43-45.

Written by Joseph Tabrar (1857 - 1931). Performed by Jack Norworth.

Enrico Caruso (as Doctor Faust) and Marcel Journet (as Méphistophélès) perform "O merveille! ... A moi les plaisirs" from Charles Gounod's opera Faust (1859), in this 1910 Victor Recording. This is Matrix C-8555, recorded 16/1/1910 in New York, and released under a variety of labels. (http://victor.library.ucsb.edu/matrixDetail.php?id=200008638 full details).

Use of the whole tone scale in Debussy's Voiles (1910), Prelude. 2, mm.1-4.

This is the 1910 max amberger guitar recorded with my yamaha pocketrak and edited on sony vegas. This is only the first part of the tune. Please comment on what you will use it for. Thanks. :^).

I recorded this on a different guitar (1910 max amberger) and at a faster tempo. I'm still getting the hiss and tried to remove some in sony sound forge. Recorded on my yamaha pocketrak. Please comment on what you may use it for. Thanks. :^).

Quartal harmony in "Laideronnette" from Ravel's Ma mère l'oye. The top line uses the pentatonic scale. Created by Hyacinth (talk) 00:55, 11 November 2011 using Sibelius 5. Illustration of quartal harmony in "Laideronnette" from Maurice Ravel's (1875–1937) Ma Mère l'Oye (1910).

Choro (maxixe) "Corta jaca", composed in 1895[1] by Chiquinha Gonzaga and executed by the Grupo Chiquinha Gonzaga (Flute: Antonio Passos. Guitar: Tute. Cavaquinho: Nelson Alves. Recorded in 1910-1912) ↑ http://www.choromusic.com/compositores_chiquinha_titulos_in.htm

Pleurez, pleurez, mes yeux from Jules Massenet's Le Cid (1885) sung by Marguerita Sylva for Edison Records in 1910. This recording is Edison Amberol #40021.

John Philip Sousa's "The Federal" (1910) as performed by the United States Marine Band. Track 68 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Federal" (1910) as performed by the United States Marine Band. Track 68 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.