33 безплатни аудиофайлове за "Amateur Recording"

A young ham-radio operator communicating via short-wave. Recorded with dummy head microphone. It was a public event where ham radio was presented to the public, thus the loud ambience.

Taken from one of my own phone recordings from 2014 lol.

Very amateur guitar play of a tune of my own doing, up and down fret board mainly on one string. From an old cassette (memorex 120) recorded in 1984 when i was 15. This was an experimental recording session, using two tape recording machines. This is take - 1 or track - 1 of 3, with the end result making a 3 track recording. .

A short recording of an improvised ukelele tune by an amateur ukelele player. .

Evil haunting laugh, recorded in studio. Recording of amateur student at open window school of visual design.

Very amateur guitar play of a tune of my own doing, up and down fret board mainly on one string. From an old cassette (memorex 120) recorded in 1984 when i was 15. This was an experimental recording session, using two tape recording machines. This is take - 1 or track - 1 of 3, with the end result making a 3 track recording.

Recording in los angeles of amateur radio from sweden. The voices in usa could not be recorded, due to only by "short wave", instead of long wave from europe. This was sent by a cassette by jack in woodland hills who came to me twice in the summers, -71 and -73.

Six second amateur quality recording of an adorable baby sneeze, followed by cooing. Normalized to -5db. No rights reserved. All wrongs reversed. Boost no ills.

Recording of someone reading psalm 118:1 on the hams for christ net on the 40m amateur radio band.

Amateur guitar play from an old cassette (memorex 120, 1 of 2) recorded in 1984 when i was 15. Plucking 1 or 2 strings to a tune of my own making. This was an experimental recording session, using two tape recording machines. (ghetto blaster & hi-fi tower) take - 3 with takes 1 & 2 impositions playing, creating a final 3 track recording. Two previous takes (two track recording) playing, while recording a third track.

This is a collection of old recordings, and i was admittedly pretty trash at playing, recording, and engineering bass. That said, maybe you'll find something you can do with it. Knock yourself out comrades!. Gec gecgec gecgec gecgggeeeeeeeeeeeecc.

Mid/side recording of birdsong on a drizzly surrey morning. I hate to say it but i just don't want to hear any more lousy field recordings from portable devices with those dreadful 90,120 degree built in mics. If you're truly honest with yourself, they stink of amateur.

Clip of me practicing bass guitar from a while ago. Sorry the recording isn't the best, sorry my playing isn't the best.

Recording of someone wishing someone a merry christmas and a happy new year over the saudi-oscar 50 amateur radio satellite.

This is a recording of the audio transmission of the digital mode jt-65 through a yaesu ft-950 amateur radio on the 20m band. Information on jt-65 can be found at http://physics. Princeton. Edu/pulsar/k1jt/wsjtx-doc/wsjtx-main. Html. The recording was made by a zoom h6 with one input connected to the radio's monitoring output. Recording was made at -12db. The file was trimmed with audacity and exported as a wav 96khz file.

A (rather rough) recording of stockholm's tunnelbana jingle, accompanying station announcements and messages from the driver. Recorded using a samsung galaxy gear, and edited in rather amateur fashion.

Some amateur bands playing in the park across the street. A man nearby suddenly starts his motorbike and goes away. Recorded with sony md walkman and a pair of mics.

Me eating potato chips. Recorded in an amateur recording studio(box with a flat sheet as padding), with a sentey usb gaming headset microphone, and edited in audacity. Feel free to use this in video/video games, it's royalty free.

Recording of someone reading john 3:16-18 on the 40m amateur radio band. This was recorded on 7. 263 during the hams for christ net. Recorded using a xeigu g1m connected to an old imac.

Using a mfj electonic keyer paddle. . The "sos" code is repeated at about 20 words per minute seven times. Interior recording - stereo 44. 1khz at 16bits with sony mini-disc recorder 2005.

Rode my bicycle to the creek and recorded this on a zoom h4 at 44100 hzthere may be a few disturbances such as from myself (i am an amateur)this was recorded at a creek in colorado.

Amateur guitar plucking of a tune of my own making, mainly on one string up and down the fret board. Recorded august or september 1984 when i was 15/16. Cassette is a basf cr2-90 (1 of 3). Recorded on my fidelity hi-fi tower, with microphones jacked in. The extra guitar strums near the end were actually unrelated, a technical glitch made an impression of the previous recording to bleed through. Audio has been uploaded using alesis usb tape deck link to audacity, no editing or noise removal was utilised.

A crowd of about 20 people gasp - reacting in surprise or horror to the scene before them. Interior recording in small hall (somerset, uk). Part of a series of recordings made for an amateur show featuring a football match. Recorded with a rode videomic pro onto a panasonic hcx-900 (camcorder), top and tailed in audacity on 17/02/2015.

This is a recording of a lot of morse code conversations on the 40 meter band of amateur radio. Mainly between 7 - 7. 012 mhz using lsb, usb, cw wide, cw narrow, and am filters. I used a yeasu ft-757gx transceiveri mainly recorded this because i thought the am filter on the morse code sounded very unique and space like. Feel free to cut out whatever you like and modify. Also the buzz is from the computer's sound card impurity being amplified through the transceiver, this is not easy to fix. Recorded on 3:50 utc 2013-11-2.

It is a recording made with the following instrument´s: 1. Pianito toy model n88e / hk-6015c from china; 2. A steren brand microphone, steren amateur model, was used; 3. The recording was done using the pure data adc code, and the necessary code to make a sampler with [tabwrite ~]; 4. The recording was made with the audio interface provided by the tb-03 monophonic synthesizer and with the arduor 5 digital audio station; the processing instruments used to perform equalization, mixing and mastering, the so-called “eq arduor team” and “compressor arduor team” virtual instruments.

It is a recording made with the following instrument´s: 1. Tuperware plastic and spoon; 2. A steren brand microphone, steren amateur model, was used; 3. The recording was done using the pure data adc code, and the necessary code to make a sampler with [tabwrite ~]; 4. The recording was made with the audio interface provided by the tb-03 monophonic synthesizer and with the arduor 5 digital audio station; the processing instruments used to perform equalization, mixing and mastering, the so-called “eq arduor team” and “compressor arduor team” virtual instruments.

It is a recording made with the following instrument´s: 1. Glass cup and spoon; 2. A steren brand microphone, steren amateur model, was used; 3. The recording was done using the pure data adc code, and the necessary code to make a sampler with [tabwrite ~]; 4. The recording was made with the audio interface provided by roland tb-03 monophonic synthesizer and with the arduor 5 digital audio station; the processing instruments used to perform equalization, mixing and mastering, the so-called “eq arduor team” and “compressor arduor team” virtual instruments.

Trash drumming at sark roots permaculture festival 2016. Recording of a set of interesting recycled objects mounted on scaffolding in the middle of the festival site. Recorded whilst festival was in full swing around the wildly improvising (mostly) amateur drummers on saturday night. Recorded with a tascam dr-40 portable recorder. Processing: eq, c6 multi-band compression and l3 multi-band limiting.

Stereo recording incorporating 2 recordings made simultaneously on the web sdr (software defined radio) in north east pensylvania (fn21mh) at http://k3fef. Com:8901/and the one at raf hackgreen in nantwich in cheshire (io83ra) http://hackgreensdr. Org:8901/i used the filename of one of the recordings for part of this new dual receivers recording mixed in goldwave and time-synched by ear. Left channel is the pensylvania receiver, right channel is the uk receiver. Heard are various stations working or trying to work w1uuu in massachusetts including stations in the dominican republic, argentina, the ukraine, trinidad and tobago, colombia and florida. Some stations are heard better in pa, some better in the uk. Lots of static crashes heard from late spring lightning storms hundreds or thousands of kilometers away from both receivers. You can find over 100 receivers athttp://websdr. Org/most allow you to record, though some have a 15-minute timer.

Session 1, find more koto in this sound pack. The recorder wasn't optimally placed in the session 1 recording, so sometimes you might hear some low impact noises transitioning through the table to the recorder. Some eq (low cut) should be able to fix this. We went to my friend's father to record a koto, a traditional japanese zither-like (table harp) instrument, consisting of a large wooden base with long strings for plucking. The strings are tuned in the japanese pentatonic scale, allowing a mystic, mysterious, beautiful harmony. It was my first time ever playing this instrument, so don't expect wonders lol. But i tried to "feel" the instrument as well as i could, working from my limited keyboard and guitar playing skills. I improvised simple patterns, and also tried to work with call and response ideas, and bass notes, plucking the low strings with my fingers, and then plucking the high ones with a pick. Happy listening, chopping, and remixing!. In kashiwa, chiba, east of tokyo. Mid october 2016. Zoom h2n stereo ms recording in 96khz, 24bit.

Ice hockey game, amateur, no audience, indoors arena. I don't even like hockey :(.

Ringmodulated inversion of my speech from the file https://freesound. Org/people/kb7clx/sounds/648443/ invertedspeechcq. Wav. I took the raw recording and used goldwave's mechanize effect to translate my voice to a center frequency of 14khz. I then demodulated it first at 10. 6 and then 10. 2khz meaning that what comes out is essentially the opposite sideband, offset by 3. 4 and 3. 8khz respectively. 3khz just didn't sound as good. The first i filtered with a low pass of 2. 9khz, the second was filtered to below 3. 4khz to emulate a communications receiver passband. I am speaking upside down as described in this video. Https://www. Youtube. Com/watch?v=q_ykxzcbh-g beginning at 00:03:16. Being blind i can't see their diagram, but i've got my own by ear intuitive method, keeping in mind that oo and ee are farthest from each other, all other vowells get closer the closer they are to the middle of the human voice frequency range. I say: huhlay sue quee, sue quee, sue quee do ux. Cahlloong sue quee sue quee sue quee do ux. The ay in huhllay is like when a spanish speaker says béisbol (baseball). The a in cahlloong is like the a in cat if you're opening wide for the doctor. The oo is like the oo in book. Listen to the other file and you'll hear: hello cq cq cq dx. Calling cq cq cq dx.

Shortwave wide-band digital emission recorded on july 15, 2014 at 15:17 utc in am mode using 2 instances of the online remote controllable short-wave receiver located at the amateur radio club etgd at the university of twente the netherlands. Left channel was recorded below the central frequency, at a frequency of 10187khz, right channel was recorded above the central frequency, at 10191khz. This was an experiment to see if selective fading would create stereo effects, as the lower frequency part of the transmission would be heard better in the left channel, and the higher frequency component would be heard better on the right. I used goldwave to put the separate recordings into 2 channels of the same file, after i synched the recordings by ear at 1/16 playback speed using a set of 2 particularly strong lightning static crashes as a guide, trimming off everything that came before the first strike in both original recordings, then inserting silence in the range of a few milliseconds until the stereo separation was as close to zero as i could get it. I wasn't as successful at that as i've been with experiments with voice recordings from simultaneous broadcasts on 2 wavelengths that i haven't posted here.