173 безплатни аудиофайлове за "Edison"

Edison Phonograph: Iola by the Edison Military Band, Edison Record #9417, augusti 1906

Phonograph A Picture no Artist can paint by Florrie Forde, Edison Record #13544, september 1906

Walter Van Brunt sings My Melancholy Baby. Recorded in 1915. (Edison Blue Amberol 2542) (Edison Record 3387)

The Lost Chord (1877) by Arthur Sullivan and Adelaide Anne Procter, sung by Reed Miller for Edison Records in 1913 This is Edison Blue Amberol #2106, which is a reissue of Edison 4-minute Amberol #202

Pleurez, pleurez, mes yeux from Jules Massenet's Le Cid (1885) sung by Marguerita Sylva for Edison Records in 1910. This recording is Edison Amberol #40021.

The Lost Chord (1877) by Arthur Sullivan and Adelaide Anne Procter, sung by Reed Miller for Edison Records in 1913 This is Edison Blue Amberol #2106, which is a reissue of Edison 4-minute Amberol #202

That International Rag by Irving Berlin, sung by Billy Murray for Edison Records in 1913.

written by Ernest Hogan, Sung by Arthur Collins, accompanied on banjo by Vess L Ossman, Edison Record 7317, 1902.

God rest you merry, gentlemen (or "God rest ye merry, gentlemen") is an ancient Christmas carol, believed to date from about the 15th century. Edison Blue Amberol #3346, Edison Diamond Disc matrix #5677

Rule, Britannia! by James Thomson (lyrics) and Thomas Arne (music). Sung by Albert Farrington in 1914 for Edison Records. This is Edison Blue Amberol #2486. I'm afraid the restoration is incomplete, but this is a right royal headache to clean, and it at least has a decent first verse now.

Edison Mixed Quartet, 1913 recording of Rock of Ages. Original recording on a Edison cylinder.

Arthur Fields performs I far Down An' Go Boom with his Assassinators, 1929 probably for Edison Records. Arthur Fields singt I far Down An' Go Boom mit seinen Assassinators, 1929 wahrscheinlich für Edison Records.

Stopped in a tiny museum in kansas and the curator turned on the 1900s edison photograph for me and let me record the classic humming, scratchy sound of a turntable turning. The steady rhythm had a very "bioshock infinite" feel to me, and i loved it. Nice to put under music to make it sound old. Recorded on my cellphone and cleaned up in audacity. Production-now. Com - shout-outs welcome.

A recording of a full orchestra playing the William Tell Overture by Gioachino Rossini

An Edison "Perfected" Phonograph cylinder recording of The Lost Chord (composed 1877) by Arthur Sullivan (1842-1900), played on piano and cornet. One of the earliest surviving recordings of music; was played at the press conference that introduced the phonograph to London on August 14 1888. Cuts off slightly before the ending of the song. The recorded version is somewhat abridged (a middle section has been cut, possibly due to time constraints). Overall a well-preserved example of wax cylinder recording technology. Length: 2:07

A selection of music from Gilbert and Sullivan's The Mikado (1885), as recorded by the Edison Light Opera Company for Edison Records in 1914. The cast is not given, but in the 1913 recording of Pinafore, the following singers were featured: Elizabeth Spencer, Mary Jordan, Harry Anthony, Walter Van Brunt, James F. Harrison, and William F. Hooley

Ah! fuyez, douce image from Jules Massenet's Manon (1884). Sung in Italian by Aristodemo Giorgini in 1910 for Edison Records. This recording is Edison Grand Opera Amberol Record #30031.

Sound i recorded of screwing a lightbulb into a lamp. Edison base.

Hail Smiling Morn, sung by the Edison Quartet and digitized from a wax cylinder

The Preislied, "Morgenlich leuchtend im rosigen Schein" from Die Meistersinger von Nürnberg (1868). Sung by Leo Slezak for Edison Records in 1910 This is Edison Amberol #40038

Edison yellow paraffin cylinder recording of Arthur Sullivan giving an after-dinner speech at the "Little Menlo" in London. George Gouraud had come to London to demonstrate Edison's "Perfected" Phonograph. Gouraud demonstrated the phonograph to various celebrities in a series of Phonograph Parties in the autumn of 1888 and made recordings of their reactions as messages for delivery to Thomas Edison. Arthur Sullivan (1842-1900) was one of these guests, and it is his speech to Edison that appears here. Length: 1:34 Transcription: “

The Ride of the Valkyries from Richard Wagner's 1870 opera Die Walküre, the second opera in the sequence Der Ring des Nibelungen. Performed by the American Symphony Orchestra for Edison Records. This is Edison Diamond Disc 80638-R, Matrix 7846-B-1-6, NPS object catalog number: EDIS 41877 Català: La cavalcada de les valquíries, interpretada per l'American Symphony Orchestra per a Edison Records en 1921. Valkyrieridtet opført af American Symphony Orchestra for Edison Records i 1921. "Ritt der Walküren" aus Die Walküre, dem zweiten Teil des Hauptwerks Der Ring des Nibelungen von Richard Wagner, uraufgeführt im Jahr 1870. La chevauchée des Walkyries, interprété par l'American Symphony Orchestra pour Edison Records en 1921.

Edison Gold Moulded Record #9295. Performed by Bob Roberts.

Stopped in a tiny museum in kansas and the curator turned on the 1900s edison photograph for me and let me record the classic sound of music with all the hums and associated scratches. The music sounds like an old turn of the century carnival to me. Recorded on my cellphone and cleaned up in audacity. Production-now. Com - shout-outs welcome.

The Ride of the Valkyries from Richard Wagner's 1870 opera Die Walküre, the second opera in the sequence Der Ring des Nibelungen. Performed by the American Symphony Orchestra for Edison Records This is Edison Diamond Disc 80638-R, Matrix 7846-B-1-6, NPS object catalog number: EDIS 41877

1915 Edison recording of La sonnambula. Ah! Non credia mirarti, performed by Anna Case Ah! Non credia mirarti, air extrait de l'opéra La sonnambula de Vincenzo Bellini, interprété par Anna Case et enregistré par Edison en 1915.

This is considered the first Jazz recording. "This tune was issued on an Edison Blue Amberol wax cylinder in April of 1917 and on an Edison record in July of that year." Jazz band

|made with fl studio 12|extensions used: harmless; harmor; edison.

Inspired by thomas edison's first ever audio recording.

The Preislied, "Morgenlich leuchtend im rosigen Schein" from Die Meistersinger von Nürnberg (1868). Sung by Leo Slezak for Edison Records in 1910 Per a request, as this cylinder is in very good preservation, this version simply had the pops removed, and no other restoration. This is Edison Amberol #40038

My first one, used sytrus and edison.

Ah! fors'è lui and "Sempre libera" from Act I of Giuseppe Verdi's La traviata. Performed by Lucrezia Bori in around August 1910 for Edison Records. Matrix number: 180-1, NPS object catalog number: EDIS 87690-a "Ah! fors'è lui" и "Sempre libera", первый акт. Исполняет Lucrezia Bori, примерно август 1910 для Edison Records.

Stars and Stripes Forever March, by John Philip Sousa, performed by Sousa's Band for Edison Records in November 1909. This is Edison Amberol cylinder number 4M-285 (A- ..22). It is NPS object catalog number: EDIS 36682

Semper Fidelis March, by John Philip Sousa, performed by the United States Marine Band for Edison Records in June 1909. This is Edison Amberol cylinder number 4M-140 (A- ..7). It is NPS object catalog number: EDIS 35806

Semper Fidelis March, by John Philip Sousa, performed by the United States Marine Band for Edison Records in June 1909. This is Edison Amberol cylinder number 4M-140 (A- ..7). It is NPS object catalog number: EDIS 35806

|made with fl studio 12|extentions used: harmless|recorded with: edison.

1918 recording of "Love, Here Is My Heart" ("Mon Coeur est pour Toi") with violinist Herbert Soman and pianist F. Burckhardt. (Edison Blue Amberol 3409)

Hallelujah's chorus, from Handel's Messiah

1910 - Spanish by Victor Herbert Orchestra

1910 - L'Encore by Victor Herbert Orchestra

1910 - Fleurette by Victor Herbert Orchestra

Edison Blue Amberol #3727. Performed by Edward Meeker.

Oh! How I Hate to Get Up in the Morning, a song by Irving Berlin produced on U.S. Army time for the Army benefit show, Yip Yip Yaphank (1918). I believe the version used in the show used the opening verse from the Irving Kaufman recording; the opening verse here was probably made for publication. This is Edison Blue Amberol #3639, which was created using Edison Diamond Disc matrix #6287.

Written by Giuseppe Verdi (1813-1901). Performed by Marie Rappold.

1912 - The Ameer by Victor Herbert Orchestra

1911 - Naughty Marietta by Victor Herbert Orchestra

1913 - Chanson Triste by Victor Herbert Orchestra