182 безплатни аудиофайлове за "Indian"

Dancers in india wear anklets made of little brass bells. This is a stereo recording of that sound. You can create interesting loops with various portions of this file. Recorded in stereo with marantz pmd 661 mk ii and rode nt4.

An excerpt from The Indian Queen performed by the 561st Air National Guard Band of the West Coast and the 562nd Air National Guard Band of the Southwest. Track 1 from Flag of Stars (2010).

Recorded in the campground of indian springs state park at around 9pm on march 21st 2017.

A variation of the indian 4x4 beat performed on a plastic container.

Hyderabad street ambience, recorder with zoom h6 from 4th floor, 24-bit, 48khz sample rate. Includes, hvmc sweeping, vehicles passing by, construction work, vehicles honking etc.

Late afternoon recording on a hot indian summer day by a meadow, with crickets and birds. Recorded in 32bit float on a zoom f6, and a ms-stereo setup with one sennheiser mkh 416 shotgun, and a ambient ate 308 "emesser" in a røde blimp.

This sound is produced by tanpura, a drone instrument used in indian classical music. The recording was done at tapan music center during a demonstration on how to tune a tanpura. More about this instrument: http://en. Wikipedia. Org/wiki/tambura. Details: big tanpura, thread inserted, tuning (pa sa sa sa).

This is a voice sample of me reading part of a poem by amitav ghosh.

This is a synthesized melodic contour of a short excerpt of carnatic music. This sound is basically used for a demonstration of the importance of loudness and timbre in melody. The original excerpt from where the pitch was extracted and the monotonized version of this sound will be soon linked here in the description.

Little loop with some soloing over it about halfway through, chop the beginning for an intro or use the wacky melody that comes in about halfway through. Its basically in lydian mode, so suitable for indian or just for fun.

Chinese sound loop. Indian veena synthesizer arpeggio and chinese drum loops.

Recording the atmosphere of my local wok place that has great samosas.

Free arabic lead 97 bpm.

Recorded with only a small digital video camera at a cafe in pushkar, india. As i sat by the lake one afternoon, two indians sat down on the ground in front of me and began playing this and singing. There is background cafe noises and the odd motorbike going by and beeps, people talking and its not great quality but, someome may like it. . . It is as natural as you can get, raw sounds of india!(unfortunately, i have no idea what they are saying, id love to know if anyone could translate it?)recorded september, 2012.

This sound was recorded by me with my tower chromatic harmonica in c scale using audacity. The sound was recorded in barcelona.

From indian music school , kerala. Recited by mr. Mohanan.

A short theka in khanda nade (pentuple meter) on the mridangam.

Recorded on an iphonein mumbai, india. Love,p.

This short excerpt illustrates a characteristic melodic movement in raga bhimpalasi.

A short meditation theme for games, movies or whatever you want. Enjoy.

Quirky pattern rhythm groove morphagene and makenoise friendly. 48khz 32 bit fp. Enjoy the beat!.

All the music is generated with audacity! toda la música fue hecha con audacity!.

This short excerpt illustrates a characteristic melodic movement in raga bhimpalasi.

Train horn, train approaches, slows down then passes and silence at the crossing.

Sample recorded with zoom h4 at night on montparnasse metro station in paris.

Recorded mobile phone radio signal, which can be heard with a very simple antenna & amplifier. Creative commons zero. From this example, it may look like goa-trance-x is based on radio science. But i assure that it is only the coincidence (or scientists of gsm are secret goa-trance-x fans).

Authentic recording from within a hindu temple in udaipur, india. People chanting, drumming, chatting.

This file has no description, and may be lacking other information. Please provide a meaningful description of this file.

Recording of me gently moving the bells on an indian brass anklet. Recorded on an akg d5 through audacity, no post-production.

A short on the fly rhythmic improvisation on ghatam and morsing. It starts out on a duple meter and slowly moves to a triple meter.

Thumari by Gauhar Jaan (1873–1930), Indian singer, recorded in 1905

This excerpt contain few examples of alankars in hindustani music. Detailed description along with the time stamps of these different alankars is coming soon. .

Sound of rolling wooden rolling pin (or belna) on marble surface (chakla) during making roti or chapati for indian cooking.

A short jati (phrase) played on the mridangam, a percussion instrument used in carnatic music of india. It is a part of a long mridangam solo. The mridangam is tuned to c#.

An oral rendition (konnakol) of mridangam solkattu. Comprises of a short theka in khanda nade (pentuple meter).

A weird atmosphere.

South india, goa state, sunrise. Every sunrise the hill tropical jungle is rich in sound. Slowly, the awaking of the village as added layer. Md recorder - pocket microphone.

A short theka, jathi and muktaayam in tishra nade (triple meter), adi taala (8 beats in a cycle) on a mridangam. (amateur playing).

Recordings of an indian santoor, especially rolls plaid on single notes; pitch is indicated in file name, recorded using multiple k&k; contact microphones.

Melodic snippets from recordings of me playing the swar sangam. This wonderful instrument is a combination of the swarmandal and the tanpura. 15 harp strings and 4 drone/bass strings. In these recordings i am only using the swarmandal (harp) part. It is tuned to c sharp, but i have dropped the fourth note (f sharp) out of the scale. There are four packs with lots of recordings in them; strums, plucks, short improvisations. "short melodic statements" are 1-2 bars. "riffs" are 2-4 bars. "melodies" are about 30 seconds and "runs and flutters" is experimenting with running up and down the strings. There is recording of tuning up the swarmandal in the melodies pack. The snippets were taken from recordings done on three different days so you may notice a slight difference in volume and background noise. A couple of the recordings have some ambient noise (bird tweets, wind chimes,)some of the melodies are based around a similar theme but have enough variation to be interesting/useful. Credit is not required but always appreciated. Linking to the sound allows others to find this amazing website. :-)i love to hear what you have used my sounds for!.

This file has no description, and may be lacking other information. Please provide a meaningful description of this file.

String instrument from india and nepal,been used for indian classical and folk music. This sound is composed of three parts:-attack phase (from emu emulator 3)-sustain phase- string noise (done with filtered noise).

A short theka followed by a muktaayam on morsing in adi taala, a rhythmic cycle of 8 beats with four notes/strokes in each beat. (amateur playing).

A sample i received from a person who went to india and recorded ambient sound there. This sample is of a man telling a children's story. It has been time stretched and edited for a more psychedelic effect.

Snippets from recordings of me playing the tanpura. Tuned to e flat, the notes from top to bottom are b flat, e flat, c, low e flat. In traditional indian tuning the root note in the scale is referred to as sa and is e flat in this scale the fifth note (b flat in this scale) is referred to as pa and the sixth note (c) is dha. I noticed that my first pack of tanpura samples has a bit of fuzzy white noise so in this pack i have equalized - i reduced all the very high frequencies which got rid of most of the white noise without affecting the low frequency sounds of the tanpura itself. Please note this is the tanpura part of an instrument called the swar sangam which combines the swarmandal (indian harp) and the tanpura, it is not a traditional tanpura and does sound slightly different.

Alam Ara (Hindi: à¤à¤²à¤® à¤à¤°à¤¾, Urdu: عاÙ٠آراء , translation: The Light of the World) is a 1931 film directed by Ardeshir Irani. It was the first Indian sound film.[1][2] Irani recognised the importance that sound would have on the cinema, and raced to complete Alam Ara before several contemporary sound films. Alam Ara debuted at the Majestic Cinema in Mumbai (then Bombay) on 14 March 1931. The first Indian talkie was so popular that "police aid had to be summoned to control the crowds.

This is a very short phrase for a hindustani raag that i recorded for my audio signal processing class. The notes are far from perfect but they should be the equivalents of f3 f# g# a# f# f.

Battle between Spaniards and Indians. Traditional music of Chiapa de Corzo.