182 безплатни аудиофайлове за "Indian"

Eastern vibe instrumental loop that i worked on a few years back. Could be cool remixed and chopped up etc. . . Or as is. . . Do whatever you like with iiiiit! peace and biscuits.

Sound of deformation of a metal shelf. Sounds like a spring. I use all the sounds in the music of my band electric indians, pre-transforming, so i pass the baton to the next one =).

A long atmo taken in the indian restaurant at the "scheune" culture center in dresden. Very useful for film and radio work as there is no background music. Recorded with a zoom h2 with 90° dispersion.

Melodic snippets from recordings of me playing the swar sangam. This wonderful instrument is a combination of the swarmandal and the tampura. 15 harp strings and 4 drone/bass strings. In these recordings i am only using the swarmandal (harp) part. It is tuned to c sharp, but i have dropped the fourth note (f sharp) out of the scale. There are four packs with lots of recordings in them, strums, plucks, short improvisations. "short melodic statements" are 1-2 bars. "riffs" are 2-4 bars. "melodies" are about 30 seconds and "runs and flutters" speaks for itself. There is recording of tuning up the swarmandal in the melodies pack. The snippets were taken from recordings done on three different days so you may notice a slight difference in volume and background noise. A couple of the recordings have some ambient noise (bird tweets, wind chimes,)some of the melodies are based around a similar theme but have enough variation to be interesting/useful. Credit is not required but always appreciated. Linking to the sound allows others to find this amazing website. :-)i love to hear what you have used my sounds for!.

Melodic snippets from recordings of me playing the swar sangam. This wonderful instrument is a combination of the swarmandal and the tampura. 15 harp strings and 4 drone/bass strings. In these recordings i am only using the swarmandal (harp) part. It is tuned to c sharp, but i have dropped the fourth note (f sharp) out of the scale. There are four packs with lots of recordings in them, strums, plucks, short improvisations. "short melodic statements" are 1-2 bars. "riffs" are 2-4 bars. "melodies" are about 30 seconds and "runs and flutters" speaks for itself. There is recording of tuning up the swarmandal in the melodies pack. The snippets were taken from recordings done on three different days so you may notice a slight difference in volume and background noise. A couple of the recordings have some ambient noise (bird tweets, wind chimes,)some of the melodies are based around a similar theme but have enough variation to be interesting/useful. Credit is not required but always appreciated. Linking to the sound allows others to find this amazing website. :-)i love to hear what you have used my sounds for!.

A 34 second manipulation of two different sound clips. One is a man speaking in cherokee and the other is a rainstick. Both sounds came from the examples provided with cycling74's max/msp.

It was recorded for an indian feature film named "oraalppokkam". You can hear the footsteps and the sound of a flock of sheep passing by and indistinct voice of the shepherd.

*** please rate this sound if you download and like :-) ***. Tabla loop built with boulanger's free library on ableton's drum rack and mastered. -3 db level.

Recorded by athul prrecorded on zoom h6 with stereo xy mic. Place : alichuvadu jn,vennala,kerala. Sound includedauto rickshawmalayali talkingcar horntruck passbike pass.

The sound of a few bees recorded in Yosemite National Park. One bee can be heard louder than the others. Great for a beekeeper or similar sound effect.

Traditional Indian music. Disc 17 of the set Musik des Orients compiled by E.M. Von Hornbostel and published in Berlin by Lindström A.G. [1] [2]

Inside the plain during the flight to maldives around indian oceanzoom h2.

A crowd of young men speaking in telegu in hyderabad, as vehicles pass by occasionally. Presented as recorded, a bit of editing will need to be done as required by your project.

My aunt has some bells that sound light, delicate, and ethereal. She said they are from india. There are two strands of brass bells about the size of an acorn each. You are hearing only one single strand sounding in this recording.

Snippets from recordings of me playing the tanpura. The strings are tuned to b, d, g and e, so would work well in the keys of g or e minor. I noticed that my first pack of tanpura samples has a bit of fuzzy white noise so in this pack i have equalized - i reduced all the very high frequencies which got rid of most of the white noise without affecting the low frequency sounds of the tanpura itself. Please note this is the tanpura part of an instrument called the swar sangam which combines the swarmandal (indian harp) and the tanpura, it is not a traditional tanpura and does sound slightly different.

A short example of a short theka in adi taala (a cycle of 8 beats) on mridangam and konnakol (oral percussion). The mridangam strokes are played along with the corresponding solkattu (onomatopoeic syllables of the mridangam strokes) said aloud.

Midi recorded at the keyboard and processed through music maker's virtual drum synth. One of ten electronic drum loops with a tribal beat and human sound.

A crowd of indian children, praying at night with their teacher in the catholic cathedral of dibrughar (assam state, india). Recorded during the making of the documentary film i was directing (february 2006), on a dvcam tape, using a sony video camera pd170, and a neumann kmr 81 microphone.

This is part of a piece that originally lasted for just over eighteenminutes! because the group i'm in decided not to use it, but instead towork on something similar in the future, i thought i'd split some partsup for people to use. Electro-acoustic guitar plugged straight into four track tape recorder.

Bengali movie song from Mukti. PD-India as per sections 26 and 27 of the Indian Copyright Act. PD-India on URAA date (copyright limit was 50 years at that time).

Melodic snippets from recordings of me playing the swar sangam. This wonderful instrument is a combination of the swarmandal and the tampura. 15 harp strings and 4 drone/bass strings. In these recordings i am only using the swarmandal (harp) part. It is tuned to c sharp, but i have dropped the fourth note (f sharp) out of the scale. There are four packs with lots of recordings in them, strums, plucks, short improvisations. "short melodic statements" are 1-2 bars. "riffs" are 2-4 bars. "melodies" are about 30 seconds and "runs and flutters" speaks for itself. There is recording of tuning up the swarmandal in the melodies pack. The snippets were taken from recordings done on three different days so you may notice a slight difference in volume and background noise. A couple of the recordings have some ambient noise (bird tweets, wind chimes,)some of the melodies are based around a similar theme but have enough variation to be interesting/useful. Credit is not required but always appreciated. Linking to the sound allows others to find this amazing website. :-)i love to hear what you have used my sounds for!.

Taken at about midnight on a saturday night / sunday morning while waiting at a bus stop on indian canyon drive in palm springs, ca. I used a tascam dr-07mk2 recorder.

Sveriges Radios folkmusikinspelningar. Dalaresan 1954 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: B/43.157-58:2:4

Recorded some messages from my phone into audacity and added effects such as phaser and delay. Improvised over top of the messages with distorted tr606 beats.

U-phoria umc22 behringermicrophone behringercubase 5. Woman simulating old woman doing shamanistic ritual of fire. Made in italy.

library of congress recording, and before 1911 -- public domain traditional Omaha Indian song. From here Notes This song was collected by Alice Cunningham Fletcher and Francis La Flesche. It is included on Omaha Indian Music: Historical Recordings from the Fletcher/La Flesche Collection (AFC L71). From the liner notes of the Omaha Indian Music album: Composers of love songs used melody and vocables to convey emotion (1893, pp. 53-54, 146-150; 1911, pp. 319-321). The true love-song, called by the Omaha Bethae waan, an old designation and not a descriptive name, is sung generally in the early morning, when the lover is keeping his tryst and watching for the maiden to emerge from the tent and go to the spring. They belong to the secret courtship and are sometimes called Me-the-g'thun wa-an - courting songs. . . . They were sung without drum, bell or rattle, to accent the rhythm, in which these songs is subordinated to tonality and is felt only in the musical phrases. . . . Vibrations for the purpose of giving greater expression were not only affected by the tremolo of the voice, but they were enhanced by waving the hand, or a spray of artemesia before the lips, while the body often swayed gently to the rhythm of the song (Fletcher, 1894, p. 156). George Miller's probable year of birth is 1852.

Title: indian poetrytopic: poetrylanguage: urdu / hindi. Words:maẕhab nahīṉ sikhātā āpas meṉ bair rakhnāhindī haiṉ ham, wat̤an hai hindositāṉ hamārā. Recorded using:focusrite scarlett 2i4 audio interfacebm-800 condenser microphonedouble-layer pop filter.

Took a violin bow to a chinese guzheng and the results were pretty great. Good for ambience, drones and creepy stuff. Recorded with blue spark and blue bluebird condenser mics through a scarlett 6i6 interface. Uncut with a small glue compressor to minimize spikes.

Traditional Indian song performed by Master Laloo. Recorded in Mumbai by Arthur James Twine. HMV record n° 2569. Matrix n°BX. 4884 [1].

Snippets from recordings of me playing the tanpura. Tuned to c sharp, the notes from top to bottom are g sharp, a sharp, c sharp, low c sharp. In traditional indian tuning the c sharp is the root note (first note in the scale) and referred to as sa. The fifth note (g sharp in this scale) is referred to as pa and the sixth note (a sharp) is dha. The pack contains recordings of the more traditional pa-sa-sa-sa type rythmns, as well as some experimenting with short bass lines, riffs and slap bass drones!. Before you say "a tanpura should not be played in such a way" please be comforted by the fact that this is not a traditional tanpura (and will never sound or be able to be played exactly like a traditional tanpura) it is part of the swar sangam, which combines the four drone strings of the tanpura with 15 harp strings. I am only playing the tanpura part in these recordings.

With zoomh4nrecorded in the evening, moroni, comoros island. Children playing in the indian ocean. The small beach is next to the main road of the island. Some traffic around. En fin de journée, à moroni, aux comores. Des enfants jouent dans l'océan. Ils sautent dans l'eau, s'interpellent. Le lieu de la baignade est à côté de la route nationale. Trafic de voitures en contrepoint.

Where we live the fireworks laws are pretty lax so people go crazy with them. Here is a recording from the day before independence day (yesterday) as people were blowing up part of their arsenal ahead of time. In a few hours i will be recording as things get really crazy. Our neighbors on three sides will light off the thousands of dollars of fireworks that they have purchased. Many of them are illegal (purchased from indian reservations) so there will be some big booms. Back to this recording. It is recorded with my "fake head" binaural setup, hanging from a tripod at the crest of the garage roof. There is a tree a few feet away and a light breeze is rustling the leaves. Here is a bit of a timeline:. 0:00 kids across the street light off a few fireworks4:05 the neighbors across the street were having a party, and the guests begin to leave. 6:30 the guest of honor honks and yells "love you" as she drives away. 8:00 the kids across the street go inside. Now all you hear are fireworks in the distance, all over town. 32:17 someone lights what must be a million firecrackers. They continue until 51:20 - 19 minutes!!!.