285 безплатни аудиофайлове за "Lfo"

While i was playing around with some "extreme settings" on my technosaurus micron, this rhythmic structure came out. The bleeps are from the resonance of the 12 pole filter, driven by the lfo. Recorded directly into audacity through my macbook internal soundcard. Info on this synthesizer: http://www. Vintagesynth. Com/misc/microcon. Php.

While i was playing around with some "extreme settings" on my technosaurus micron, this rhythmic structure came out. The bleeps are from the resonance of the 12 pole filter, driven by the lfo. Recorded directly into audacity through my macbook internal soundcard. Info on this synthesizer: http://www. Vintagesynth. Com/misc/microcon. Php.

Trying to recreate an old patch. This was totally wrong way. . .

A synth line inspired by a day in the boiling thermal pools of the termas del dayman in salto uruguay.

A continuous sweep between 1khz en approximately 2khz of a saw-wave, like an lfo. Sound like an alarm, made with reaper.

Weird noise thingy that pans. From a song that i am making, but use it however you want.

Designed in serum using lfo and cutoff manipulation24bit 44. 1khz wav. No reverb, i have uploaded a variation with reverb.

Three sounds. 1) bastle instruments tromsø samples from 25hz bipolar lfo (doepfer a-147-2)2) bastle instruments tromsø samples from 25hz looping envelope (intellijel quadra)3) bastle instruments tromsø samples from noise generated by barton musical circuits bmc23 decaying analog noise).

Same patch 3 drones. I let chaotic lfos control pwm and filter.

A wobble created with ableton live native instruments and effects.

This was made days in sunvox. I used a lfo, flanger and used a filter to make it sound muffles. Made in 10/25/20.

Sound effect created using percussion and strings session. It has reverb and lfo. Recording settings:24-bit48 [khz].

Recording in my home-studio with an analogue synth. Really fat, according to me it's good for dark dubstep or d'n'b. Good fun.

An acid loop produced in jeskola buzz using vsti alchemy.

A synth chord with a resonant filter that erupts rhythmically due to an lfo sequence routed to the filter. Made with native instrument's massive digital synth.

Three sounds. 1) analog systems rs-40 samples from 25hz bipolar lfo (doepfer a-147-2)2) analog systems rs-40 samples from 25hz looping envelope (intellijel quadra)3) analog systems rs-40 samples from noise generated by barton musical circuits bmc23 decaying analog noise).

I use a voltage controlled lfo (vclfo) for this experiment. When i send a trigger to the lfo it resets and start over again. In this example i'm using a sinus wave output. I send the output, the sinus wave, to1 - a sample and hold (s/h) module2 - a quantizer3 - straight to vco. The s/h and the quantizer are triggered at the same time. Even an envelope a generated with the same trigger. All three sounds are controlled by this envelope. First out we have s/h (left)second straight to vco (right)third the quantized (center). As usual its fun to take a real close look at the wave!.

Sound of an insect. Synthesized in "reaper" from a noise generator and lfo modulation. Can be used as a character's sound in a video game ;).

Noise heavily processed with chorus and delay. Slight lfo to lp filter cutoff. Recorded at 130bpm.

A slowly detuning arp with lfo filter effects sequenced on the kawai k4 synthesiser. Use any way you like!.

A heavily automated and processed bass sound. Lots of phasing and movement.

X and y comes from the nonlinearcircuits sloth lfo (regular version). X is the high sinus c, left channel. Y is the low triangle c, right channel. X and y goes to comparator resulting in a note when crossing the threshold. At the same time x and y goes to cv in on jupiter storm generating two glissando paths. The two used osc's on jupiter storm are tuned to the same pitch.

Zlob diode chaos - selection from an hour long recording, 54min and 45sec in. The chaotic lfo has 4 outputs x, y, z and trig (trig-ich. . . ). Center sound: x to pitch cv in on vco, y to filter cut of. To the right: z to a wave folder (osc static pitch). To the left: trig to cv in on a self oscillating filter. There are peaks (hz) beyond my hearing. I hope you can manage. . .

A cheesy laser gun sound. Generated using ableton live's operator using a pitch envelope and a variety of filtering and lfos.

Roland jx8p my own sound patch.

Screebly kinda noise - abrupt random panning version.

Presences midi instrument from studio one with moog synthesizer and various plug ins like lfo, delay, reverb and others. Recording settings:. 48[khz]24-bit.

A 100 bpm synth perc loop, first without and then with a bandpass with its cutoff on a 3-bar sine lfo.

A near chaotic experiment. Im mixing cycling envelopes and lfos to generate triggers. The four sounds are totally unrelated. > bass drum. > snare (or something. . . )> bass. The pitches for the bass are generated withthree mixed lfos. A trigger is generated from the quantizerwhen the cv changed enough to generate a new note inthe selected scale. > ear piercing and annoying sound. Three minutes of more than enough.

This is a dark ambience using a c1 piano note through a bunch of fx, distortion pedal, delays, rotors, lfos. It has 3 feedback loops.

C2 moog faded in and c2 pizzicato + reversed. All passing through effects of distortion, reverb, delay and lfo. Recording settings:48 [khz]24-bit.

I feed 2 lfo sqr-wavs to a vca. Now you can get 3 levels of cv.

An abstract electronic sound produced using oscillator/arpeggiator/lfo/delay vst´s and and edited in audition. Perhaps suitable for dark ambient industrial soundscapes / sound design.

An abstract electronic sound produced using oscillator/arpeggiator/lfo/delay vst´s and and edited in audition. Perhaps suitable for dark ambient industrial soundscapes / sound design.

An abstract electronic sound produced using oscillator/arpeggiator/lfo/delay vst´s and and edited in audition. Perhaps suitable for dark ambient industrial soundscapes / sound design.

An abstract electronic sound produced using oscillator/arpeggiator/lfo/delay vst´s and and edited in audition. Perhaps suitable for dark ambient industrial soundscapes / sound design.

An abstract electronic sound produced using oscillator/arpeggiator/lfo/delay vst´s and and edited in audition. Perhaps suitable for dark ambient industrial soundscapes / sound design.

This happened by accident: some stuck notes in a vitalum patch with alots delay and white & perlin noise lfos.

Drones made with an analog modular synth. The drones are generated by a generative patch.

Recording of an acid bassline i wrote being algorithmically deconstructed via an lfo-controlled scratcher module in buzz tracker.

An abstract electronic sound produced using oscillator/arpeggiator/lfo/delay vst´s and and edited in audition. Perhaps suitable for dark ambient industrial soundscapes / sound design.

An abstract electronic sound produced using oscillator/arpeggiator/lfo/delay vst´s and and edited in audition. Perhaps suitable for dark ambient industrial soundscapes / sound design.

An abstract electronic sound produced using oscillator/arpeggiator/lfo/delay vst´s and and edited in audition. Perhaps suitable for dark ambient industrial soundscapes / sound design.

Some synth wobble i've gone and done in caustic. Used the modular for this. ∆°. E# g# f#130 bpm.

Watched seasons, a urdu poemby maqsood hasniabuzar eletrictronic bok librarysept. 2017. آنکھوں دیکھے موسممقصود حسنیفری ابوزر برقی کتب خانہستمبر ٢٠١٧.

C2 moog notes mixed with c2 pizzicato + reversed. All passing through a distortion, reverb, delay and individual lfos. Recording settings:48 [khz]24-bit.

Moog synth c2 note mixed with c2 pizzicato and c2 reversed pizzicato. Uses reverb, delay, lfo, distortion, etc. Recording settings:48[khz]24-bit.

A wobbly vocal saying "roffat", "robbit", "raffy" or something like that. Did it whit a extension for the vocal in audacity and changed some lfo settings also bass and a little reverb.

Someone in my classroom is making some parodic tv game based on the french "questions pour un champion". He asked me to make the jingle and here's the result.

Testing/documening my bartonmusicalcircuits (bmc21) full wave dual rectifier. "this is an all analog synthesizer module used to alter the timbre and create new harmonic content. ". Sound:1. Sine wave not going throught rectifier2. Sine wave though rectifier3. Triangle though rectifier4. Square through rectifier5. Saw through rectifier. An lfo is modulating the bias.