285 безплатни аудиофайлове за "Lfo"

Created using lmms and its triple-oscillator plugin, and lfo automation used on the formant filter (new in lmms 0. 4. 13).

Vacuum pro vst plugin thru a reverb chain with a easy multicrusher and ariesverb with freeclip plugin on the end.

Created in ableton live 11 suite. Used:- tone generator by socalabs (free)- lfos (max for live device)- bit crusher (ableton)- ruina by noise engineering (free).

This is an acid bass type lead created with jeskola buzz instrument ksynth, with added ohmboys delay lfo at 126 bpm.

Sound created by square wave lfos, attenuverters, hard synced vcos, delay, reverb and filter. I think it nice. Kraftwerkish. . .

Something for the acid generation. Loops perfectly, twisted in realtime, 113bpm, do what you want with it, enjoy ^_^.

Very weird and extraneous synth sound, basically a square wave with distortion and a high pass filter, have some lfos that modify different parameters such as amplitude, cutoff and resonance.

X and y comes from the nonlinearcircuits sloth lfo (regular version). X is the high sinus c, left channel. Y is the low triangle c, right channel. X and y goes to comparator resulting in a note when crossing the threshold. At the same time x and y goes to cv in on jupiter storm generating two glissando paths. The two used osc's on jupiter storm are tuned to the same pitch. The sloth have a potentiometer that is said to "alter frequency a little". . .

A small "wobwob" like sound created in fl using gms (default vst), please message me if you used it so i can be proud of myself. *x*.

This is te same sound of my excision bass version, on this one i included a lfo vibratoi dont think this sound will be useful but is a kind of funny sound to make.

Street pop tunez delivers a down syndrome type bass sound for your library. Works in all daws.

Presences midi instrument from studio one with moog synthesizer and various plug ins like lfo, delay, reverb and others. Distorted in whole spectrum. Recording settings:. 48[khz]24-bit.

A quirky digital noise type sound. The sound is played in different frequences and can be cut with ease. Can be used for all types of movie effects and in music. Enjoy!.

Monster bats come out of martian cave. V-station, 3 osc, phaser fx, delay, reverb, modulation of filter with lfo and modulation wheel,.

Constant arpeggiators rolling with the waves, shoulda added a panning lfo but o well. Added eq eleminate some frequencies.

The electrocardiogram of a dying man-machine. 2 synthesizers used: sample & hold lfo for pitching and filters, sine waves for electriocardiogram. Delay, chorus, eq. . .

Synth lead created on the minibrute, tweaking the kbd tracking and lfo rate dials. Was played above the 63 bpm synth loop which is also on my selection of freesounds. Enjoy!.

2 oscilators. One panned to the left the other to the right. Random pitch lfo bent on different rate speeds. With a bit cusher set to a certain amount, and mix to give both the crush and the original.

A patch with nonlinearcircuits jerkoff ("chaos circuit based on the jerk equation and its electronic implementation by jc sprott") in the center. I had a question that needed an answer. Is jerkoff a stable lfo when not using the input to disturb the rythm?my answer is. It can be relatively stable, but sometimes it is wobbling around. The recording is from a wobbly jerkoff. One output to osc cv in and another to a vcf vc in. The third output goes to a comparator. The comparator generates a trigger every time the cv is passing the threshold level.

Using moog synth c2 note and c2 session strings notes with a pizzicato and that same note reversed. Added distorsion, reverb, delay and three lfos. Recording settings:48 [khz]24-bit.

A dubstep wobble loop. Check out my tunes if you like this sound: http://soundcloud. Com/beverlyhillsboy/ cheers!.

A boomy break i made from a variety of free hits using jeskola buzz sequencer, with an ohm boys lfo effect applied.

Bass sound from my technosaurus microcon. Not exactly loopable. The lfo is driving the filter. Recorded directly into audacity through my macbook internal soundcard. Info on this synthesizer: http://www. Vintagesynth. Com/misc/microcon. Php.

The wolves howl under the moon at night. Synthesizer used: v-station, 3 sine vcos, filter: just a little bit resonance, pitch modulation with lfos and wheel, eq and delay.

Sub bass created by spt. This bass sound pounds your sub woofer. Works in all daws.

This is a bassline i made using alchemy vsti dancetrance/ leads/ mentasm instrument, run through ohm boys lfo delay at pitch a#3. Enjoy :).

Presences midi instrument from studio one with moog synthesizer and various plug ins like lfo, delay, reverb and others. Contains whole spectrum 20 [hz] to 20 [khz]. Recording settings:. 48[khz]24-bit.

Simple patch. Two oscillators, ring modulation, lfos, vcas and digital effects. No spring reverb this time. Important module is the clock divider. Result a generative ambient patch and sound.

Bass sound from my technosaurus microcon. Not exactly loopable. The lfo is driving the filter. Recorded directly into audacity through my macbook internal soundcard. Info on this synthesizer: http://www. Vintagesynth. Com/misc/microcon. Php.

Bass sound from my technosaurus microcon. Not exactly loopable. The lfo is driving the filter. Recorded directly into audacity through my macbook internal soundcard. Info on this synthesizer: http://www. Vintagesynth. Com/misc/microcon. Php.

A patch with a changing sequence made on analog modular synth. Spring reverb and analog delay. The changes are made with an chaos lfo. Its 10 min loop!.

Cool sounds from filter. The two filters filter a tri-wave. The filters are almost self oscillating and are modulated by an lfo. Natural tones. And some spring reverb and analog delay.

I made the vcf self-oscillate at a frequency of ca 270hz then i connected a sinus wave vco to cv1 and swept all the frequencies.

In the right channel you hear uoki-toki polivoks vcf. In the left channel is the sound of intellijel μvcf. They are playing the same tones. The sounds have the same envelope but respectively vca are also affected by attenuated lfos.

This is an effects automated bassline or lead made in flstudio20 and loops perfectly at 130bpm. Enjoy in your creative productions.

A krell patch and short sample and hold tones. Okay even the krell gets pitch cv from a sample and hold. The short sample and hold tones are panned with help of chaos. I use two nlc sloth lfos to control the panning. The speed of the short sample and hold tones are controlled by two mixed lfos from bmc 2lfosh. Reverb from spring reverb and delay from an anlog delay stomp box. Please suggest some tags i should have used. . . !.

I'm trying to configure a simple techno rack in vcv-rack. Only free stuff. This is the first test recording. Hmmmm a sampler would bee nice to have in the rack.

A modular synth experiment. 1 - noise/vclfo/slew - the brighter sound2 - noise/vcf - the bassy soundx - the bass drum is very unrandom. 5 minutes of random. . .

This is a recorded sound of nails tapping a fence. The different modification steps :. - fade-out effect- wahwah effect with the following parameters :lfo frequency : 1,5hzstart-up phase : 0 degdepth : 100%resonance : 1. 0wha frequency lag : 10%.

Drone experimenti want sideband frequency 1 (s1) to be 110hzas fc (carrier) i use 164hzthen fm (modulator) must be 54hzcreated s2 will be 218hzslowly an lfo brings in the carrier frequency. This is mono. No fx. All analog. Listen to the electronics.

Alien xxx sent me a “cross modulation challenge”. I have tried to be true to his idea, but added automation, so to speak. Oscillator1 is constantly fm-modulating oscillator2. I vary the frequency of oscillator1 with an lfo. The output of oscillator1 is sent to a) left audio channel and b) in to oscillator2. The output of oscillator2 is fed to oscillator1. The degree of cross fm modulation is controlled by a vca controlled by another lfo. The output of oscillator2 is also sent to right audio channel. As i’m writing this i have just made a theoretical patch on a piece of paper. The result is what you hear. No effects added. Straight out of the modular for better or worse.

Had a patch. Changed speed, attack and delay time. Got this. A bubbly noisy landscape. At the end i dissconect the "main lfo". The one thats makes things advance. But beyond that i get sounds.

This started out as a really long jam session with synplant and a ton of randomized lfos and midi generators. I then resampled a snippet from it, drenched it in fx, threw ableton's resonator on it, then slapped on a utility that makes resonator play chords, which were generated from splash pro's ai keyboard.

This is a recording of an analogue bass synthesizer, made by focusrite saffire pro 26. It's a smooth sound with an instant attack and two final wobble created with an lfo. The sound has been equalized and compressed and some reverb mixed with an aux. 140 bpm. Good fun.

My roland jupiter 4 with resonance cranked up and filter modulated with lfo by a very low rate. The deep basses at the end of each sweet may be great for deep dub-basses. The sweep sounds great with effects and when gated. Have fun. . .

This is an acid loop i made with free vsti called rubber duck. I run it through various lfo type filters. I've tweaked it to make it a perfectly looping one shot hit at 112 bpm.

Before the break: some deliberate permutations of parameters while lfos scan sample phases. After the break: randomized value changes.

I made this sound with my microkorg, making lfo1 and lfo2 hella fast, and made them modulate the pitch and amplitude, respectively, at full strength. The values for the frequencies i don't know, but it is fun to dive in to a synth and try to replicate the sounds that you're hearing.

A single shot of what could be an electromagnetic pulse for some sci-fi videogame or video. Made in ableton with layers of synths, reverb, lfo and chorus. Completely free to use.

Space vehicle chase with sirens in scifi city. Imposcar & keysalpha2 patches, layered. Glideeffect in impocar used for pitching. The keysalpha (police sirens in the distance) is pitch-modulated with a fast lfo, and you'll find a fat chorus-effect there, an internal synth effect.