51 безплатни аудиофайлове за "Mangled"

Guitar tracked thru multiple fx recorded in logic 8 with a sm 57.

Cut up mangled sound recording.

In the "word association game" (on this forum) i wrote mangle, as word no 2795. I zoomed in to my post. Made a screen dump. Cropped out “2795 – mangle”. Saved as a monochrome bitmap. Opened in audacity as raw data. Applied paulstretch. Got this swoosh-sound. Let me know if you use it :-).

A collection of heavily processed drums (mangled, reverb, hi-contoured).

Cp80 piano goes through a daisy-chain of fx, resulting in a shredded screaming sfx. Electric piano thru fx chain.

A dark pad with not much on it's mind.

Five instances and a load of plugins resulted in this remix.

Used the vcv rack grains of wrath module to mangle a sample.

The sound of me plugging an audio cord into my synthesizer while recording it in audacity. Un-mangled.

Something for glitch artists to take bits and pieces of. Created by mangling a sample in reaper's js scripting language.

Something for glitch artists to take bits and pieces of. Created by mangling a sample with reaper's js scripting language.

Something for glitch artists to take bits and pieces of. Created by mangling a sample in reaper's js scripting language.

A dissonant little guitar riff mangled a bit with distortion and a wha.

Something for glitch artists to take bits and pieces of. Created by mangling a sample in reaper's js scripting language.

A sound i created from a speech file which i mangled and effected.

Mangled drum loop from a circuit bent kid's keyboard. Only slightly crunchy.

Heavily processed outdoor cafetaria recording.

Not only do chicken carcasses make a tasty stock they also make great sounds when you mangle them about a bit!. Various squelching and squishing sounds with the occasional bone snap. No processing except small fade in/out. This one has a really annoying breath noise on the mic at the best bit unfortunately.

I mangled the sound of someone walking on a wood floor and thought it sounded like a distant gun shot. A very nice sound. Made with audacity.

This originally was a crow, but it's a bit mangled.

A longish synth arp for anyone to use, pitch shift or mangle if you will, done using a vst called "easy jupit8r" and waves abbey road tape simulator.

They told me it was okay, so i took some time and cut a tiny snippet outta every track and assembled it into a reel for the pleasure of all to mangle.

Recorded and heavy manipulated drum rythm. Made with the ipad app "rectable" and than sampled and processed with the app "samplr" using "audiobus". Date: august 4th, 2014.

A pitch mangled chunk of drums. No loops, but good for single hits. Recorded from a circuit bent casio pt-1 (called et-1).

The hinges went bad; might be useful for mangled sound fx or ambience.

A bit of pulsing ambience for further mangling. . .

This sound was made by importing a picture into audacity, no mangling used. You may do so as much as you like. Made with audacity.

Part of a pack of source recordings i created to use as part of the sound design for the ios/android game 'hipster zombies'. This is the sound of a toy skull type thing my girlfriend found, which has a lid you can open and then there's a gooey brain inside which makes awesome squelchy sounds.

I mangled the sound of some sirens going off. I put them all together and thought they sounded like massive sirens going off, perhaps because it was the beginning of the end. Made with audacity.

This is the sound-signature of many of the problems with digital audio equipment, a source sound of now-unidentifiable character was mangled using a selection of iterative granular resampling, timestretching and recombination techniques, almost all of which produce noisy artefacts, intermodulation artefacts and a particuarly weird sort of very noisy geomtetric comb filtering.

One of a series of heavily processed sounds of me ripping various objects off a sticky surface. I ran the original recordings through s-layer, the sample-mangling plugin from twisted tools, combining and mulching everything into new, dynamic sounds with lots of movement and texture.

One snare out of a bunch of custom snares made by me, combined samples, multi-band compressed and hit to tape. Custom to the point that i layered and re-sampled, layered and resampled. So much mangling and layering and resampling that its impossible to tell you the source to these snares.

One sample run through lots of effects, but a large part of the sound is made by running the sample at really fast repetitions, so fast it just becomes a tone. That and making the sound repeat in fractions (?) or something like that. Like one trigger is 5 times and then the next is 3 times in the same space of time. Etc. Created by mangling a sample in reaper's js scripting language.

Generative modular acid line sequenced with my own custom script that is specialized for non-quantized sort of strings of notes. I mangled the envelope quite a bit though so it just sounds more swingy than anything i guess. Not sure what the bpm would be. Would be better if it were cut up for one-shot sounds maybe.

One of a series of heavily processed sounds of me ripping various objects off a sticky surface. I ran the original recordings through s-layer, the sample-mangling plugin from twisted tools, using the granular synthesis features to generate a range of distorted, robotic tones.

Crikey the cricket was chirping in a leafy bush in portland, oregon, around 11 p. M. In early september. The original recording had some ambient noise, but it has been cleaned up for use in. . . A film?. . . A song?. . . Or raw material for mangling into a sound design element? this is the. Wav version; there's also an. Aif should you prefer that. It has not been down-sampled.

One of a series of heavily processed sounds of me ripping various objects off a sticky surface. I ran the original recordings through s-layer, the sample-mangling plugin from twisted tools, layering and sculpting the sounds into short impulses that are suitable for ui sound design.

File contains a second collection of 4 or 5 creepy, clichéd "hypno-tones" in the theremin's lowest ranges, each separated with 5 seconds of silence. Each hypnotone in the file uses a different waveform/tonal setting to give you various textural choices. As always, these sounds are recorded "dry" so that you can tweak and tweeze, add effects, overdub and mangle them any way you like.

One of a series of heavily processed sounds of a squelchy stress reliever toy. I ran the original recordings through s-layer, the sample-mangling plugin from twisted tools, combining and mulching everything into new, dynamic sounds with lots of interesting, muddy contours.

Just some sample hits from my drum kit. I left them totally raw so you can add your own processing, reverbs, delays, whatever. The "just the room mic" could be especially fun to nuke, mangle and/or distort. I performed and recorded all of these samples in my studio. So slice & dice, hack & slash, scoop & loop, smash & bash. Make some noise!.

One of a series of heavily processed sounds of a squelchy stress reliever toy. I ran the original recordings through s-layer, the sample-mangling plugin from twisted tools, shaping them into short, sharp, and punchy impulses. These might be useful for some unusual ui sound design, or perhaps some gloopy weapon sounds!.

Created and formatted for the make noise morphagene, this reel is divided into three sections with like sounds clustered together for ease of navigation. The first group of splices are glitchy, percussive, experimental, modular snippets. The middle third consists of melodic and chordal washes. The final cluster is a series of field recordings taken from a recent trip to beirut, lebanon, with a cut up inspired splice at the very end. Collectively, i hope this sonic material will inspire the user to mangle, manipulate, and deconstruct to taste.

One of a series of heavily processed sounds i made using a small squeeze toy that just happens to be shaped like a cob of corn. I used s-layer, the sample-mangling plugin from twisted tools, to combine these swishy sounds with various other metallic and synthetic sounds from my own library. The results are dynamic and surprising, and might be useful for certain kinds of unusual ui sound design.

This is a recording i made for one of my songs. I found it nice to run the group's output through the ohmforce ohmicide and have some fun with the separate bands. The original loop consists of me, drumming on my metal kitchen-sink with drum-brushes. The snary accents are the brushes on the back of my acoustic guitar. All recorded with a neumann u87 and mangled through a ua solo610 with tube-gain cranked up. The bassdrumsound is also an handplayed sound from my nord lead. All recorded in 48/16.

One of a series of heavily processed recordings i made using a hikari monos cv. It's a small, highly tweakable synthesizer that's great for drones, resonant pings, and all manner of dynamic electronic sounds. ‘slayer’ refers to s-layer, the sample-mangling plugin made by twisted tools. By layering, blending, and mulching the original monos recordings, i was able to get a range of sounds the are dynamic, punchy, and unabashedly stereo. These might be useful for edgy-sounding ui elements.

One of a series of heavily processed recordings i made using a hikari monos cv. It's a small, highly tweakable synthesizer that's great for drones, resonant pings, and all manner of dynamic electronic sounds. Using s-layer, the sample-mangling plugin from twisted tools, i focused on generating short, punchy impulses that leaned into the resonant character of the original monos recordings. These sounds might be useful for ui buttons, as well as designing modern-retro sounds for games.

My friend's dog makes these strange and scary sounds, so i had to capture what i could. This is a small selection of up close recordings of a pug grunting, snoring, breathing into a sony m10. Great for mangling into monster sounds. Let me know what you come up with!and if my sounds have been useful, considering making a donation to say thanks and receive a 1. 6gb collection of recordings. Https://gum. Co/jfrzw.

Okay, i actually did make a rather horrorific sound, despite my slight dislike for the horror genre. I know. I contradict myself. Anyhow, this is actually the sound of me going up an escalator while i was at a conference. I came home later and didn't know what to do with the sound, so, out of boredom, i made this. By the way, that weird shriek at 1'46" was actually a young child who was running around somewhere in the building. This sound could be used for *contradiction!!* an atmosphere for a horror game or something like that. But don't try to make me play it, because i won't! okay, well maybe. Mangled with ableton live.

Created by anthony baldino for use in the make noise morphagene. "somehow making electronic music lead me to creating trailer music and sound design so it seemed fitting to make reel with a wide array of sounds from both types of music. This reel includes repurposed and re-mangled sounds that inspired music and sound design that have found their way into such trailers as interstellar, jurassic world , alien covenant, suicide squad, star wars: rogue one and others as well as glitchy beats and ambiences from upcoming electronic releases. In this reel you'll find impacts, processed orchestra, synth ambiences, modular beats and other noises that will hopefully inspire morphagene users to explore new music of their own. " - anthony baldino.

Pistol fired outdoors with ricochet. Single shot, fairly close, with fast fadeout. Narrow stereo image, no panning, almost monophonic. Wholly synthesized. No weapon was fired in the making of this sound. It's an emulated sound effect of a sidearm gunshot with a cliche ricochet sound, like in the vintage western movies and ww2 films that they showed on tv when i was a kid. Can be used in a game, perhaps, or a none-too-serious vidclip. The sound of the pistol cartridge explosion is default flstudio kick, clap and snare slowed right down. A single tap of delay is added to lend an impression of echo off a middle distance hard surface. The ricochet noise was made with sytrus running as a vsti inside flstudio. It took an entire day of head scratching, oscillator tweaking and envelope mangling to get something that reasonably resembles a sound that i recall from the old movies. I think i'll shoot myself before i try something like this again. :). Plus the usual flstudio compressors, eq, reverb and delay - nothing tricky, just standard stuff.