1427 безплатни аудиофайлове за "Second"

A rubber nut shaker "roll" recorded for about 7 secnods on a fairly cheap mic, noise removed, and amplified to max volume without distortion.

This is an updated (improved is debatable) version of my previous electric contact stun gun firing sound, except longer and without peaking. Oh and higher sampling rate so you can hear all the higher frequencies better when you pitch it down. You'll immediately notice it sounds like the boring buzz of a bee. Oh well, not like you'll get a lightning storm. That's about it. Don't forget to have fun. Copy pasta---also commonly and incorrectly referred to as a "taser" which is on the same level as calling a magazine a "clip". See google for more info. I can't help that it sounds like a bee. Also if it's too short, you'll have to make it longer in your daw. Uses (apart from videos that involve a stun gun or maybe a real taser brand taser): magic lighting zaps? a game show buzzer?. Possible vst modifications. Reverb: sound impulses for speakers. Distortion (guitar style): military style radio noise. Chorus/flange: science sounding things. Pitch: at -30 semitones you get some low pitched sound similar to a airsoft aeg which may be ideal for montage airsoft videos where piles of tokyo marui m4s traditionally muffled by the gopro waterproof case. // at -45 semitones you resemble gun fire at a distance. Mathematically at 10 rps (600 rpm) you could use this as a sit in for a distant fired ak-47 rifle ideal for video games, war movies, mods, etc. Apply a resonant filter and some reverb for appropriate outdoor acoustics. And nobody will know your distant machine gun sound was a civilian stun gun except for us semi colon right parenthesis. Or you could also apply ringmod at ~9000 hz to simulate ear ringing for those ptsd scenes. Or some gau-8 avenger. Trimming + looping + pitch: if you can loop this properly in a daw you could even create a saw style bass for electronic dance music.

The sounds you would expect to hear for a heist. I created it using fl studio and the east-west composer's cloud.

The file is three second fade in. Three second fade out. 10. 005 seconds long.

Major triad on F in second inversion

Major triad on C in second inversion.

Predominant chord: i64.

Ticking clock, 10 seconds.

3 second click countdown.

Passamezzo moderno/"Gregory Walker" chord progression in C major, beginning with tonic chord in second inversion and continuing using minimal-change and "closest-packing" rules (minimizing each voice's change from previous note and keeping each chord's notes as close to each other as possible; resulting order of inversions is second-first-second-root/second-first-second-root-second)

Second sound made in fl studio, more are coming!.

Ravel Quartet, second movement

*Major second on C = D. Equal-tempered: 22/12:1 = 200 cents. MIDI pitch bend: 0,64

How to resolve problems of native and second languageby: maqsood hasniabuzar barqi kutab'khana dec. 2019.

10. 005-second audio clip of waves on the seashore, edited. 3-second fade-in and 3-second fade-out.

A plastic bag, paper wrapper and other materials were recorded individually being rubbed. I then layered them in audacity to be played over each other. From the resulting layered sound i generated this 10 second loop. Sounds like a mellow rain upon the ground or a slow crackling fire. Recorded using a blue yeti microphone at 16-bit 44100hz in audacity. Attribution appreciated but not required.

Background noise in the second floor bathroom of the university of arizona school of theatre. Loopable.

Performed by Fannie Brice

Second Hungarian Rhapsody

Opening measures of Chopin's "wrong note" etude Op. 25 No. 5, demonstrating a humorous use of the minor second. The original work is public domain, image created by the uploader.

44100, wav, organ, classics.

Sound of a canon rebel t3i's shutter with a 1/100 shutter speed. Recorded with a tascam dr-07 mk. Ii microphone.

*Minor second on C = D♭. Equal-tempered: 21/12:1 = 100 cents. MIDI pitch bend: 0,64

Just augmented second in just C scale: A♭ and B.

*Neutral second/three-quarter tone on C = D. Equal-tempered: 21/8=3/24:1 = 150 cents. MIDI pitch bend: 0,48 Preceded by:File:Quarter tone on C.mid

This is 10 seconds of ocean sounds normalized to -3db, and has a 3-second fade-in and a 3-second fade-out.

A 10. 005 second long cut of a recording of a river. 3 second fade in, and 3 second fade out.

A 1000hz -18dbfs 30 second line up toneus.

A ~2 second buzzer for use in whatever you may want.

I generated 3 tracks. The first is a noise brown 2 seconds, where i added the effect gverb (first second) and the effect wahwah (second second). The second is a sound of sinusoid d 2 seconds, where i put a nivelleur to increase sound. I generated silences to get a metronome. For the third, i generate the same sound as the sinusoid second track, then i added the effects wahwah and nivelleur. Finally, i do repeat all tracks and i remove any noise.

10 second sound, with a -3db, and 3-second fade in and out.

A 10 second maximized to -3 and a 3-second fade-in and out.

10 second edit, normalized to -3 db, 3 second fade in and out.

10 second sound, with a -3db, 3 second fade in and out.

A 10. 005 second clip normalized to -3 db with 3 second fade in and fade out.

10. 005 second clip of ocean. Normalized -3db, 3 second fade in and out.

10 second audio clip normalized at -3 db with a 3 second fade in and out.

10 second edit, 3 second fade in and out, and normalized to -3db.

Second movement of Gustav Holst's Second Suite in F for Military Band, an arrangement of "I'll Love My Love".

A 10. 005 second clip normalized to -3db, with a 3 second fade in and fade out.

10 second audio of creek normalized to -3db and a 3 second fade in and fade out.

10. 005 second sound normalized to -3db with a 3 second fade in and out.

My second snare.

Major second on D.

A 10. 005 second long sound of waves normalized and 3 second faded in and out.

Me literally chewing the mic and panting.

Haydn, Symphony 94, second movement bars 150-156

My second version of my audio project extended to meet the criteria of the module.