58 безплатни аудиофайлове за "Sinusoidal"

9956. 06 hz.

6644. 88 hz.

A simple 440hz sinusoïde.

This tone was generated using audacity. In the base there is a 45hz sinusoid. Then a new sinusoid tone of 207hz is added for about 5s. After a pause of about 5s a second sinusoid of 208hz is added for 5s.

This kind of noise generates sinusoidally interpolated random values at a certain frequency. In this example the frequency is 100hz. The algorithm for this noise was created two years ago by myself in c++, as an imitation of noise generators in supercollider 2.

8869. 84 hz.

5919. 91 hz.

Short, three-field example of stochastic generation of clouds of sound using only sinusoids. Done with blue (of steven yi) as an environment for csound, and pmask (a replacement for cmask done in python) from inside blue.

I first generated a sinusoid at 440 hz with audacity, i then changed the pitch to f#/gb low and i applied a tremolo effect wetness 40% and a frequency of 4. 0 hz. We can also ear crossfades in and out.

Sinusoidal sound (800 hz) with melt closure, repeated 6 times.

Atmosphere with horn very low pitch make it. Mutated synthetic sounds with pro tools tdm plugins.

To create this sound, i created a sinusoid of 500 hz and an amplitude of 0. 8. I then multiplied the speed of 0. 750. To get this final sound is to duplicate the sinusoid several times.

Generate a sinusoid at 150hz and a whistle repeat once which is inverted. Modification of the envelope to create a fade in and fade out. Between the 2 whistle, modification to have no jump. Then generate a tone and placed it like the gradation with the whistle.

Sinusoidal sound (440 hz) with melt opens, echo and cross fade in.

Sinusoidal sound (500 hz) with melt closure, repeated 11 times.

Irregular phasor in sinusoid tone at 500hz.

La sinusoideffect phaser :phases : 6original / modified : 130frequency (hz) : 0. 7deepness : 150. .

Created as:amp(t)=sin(kt^2)some constant k.

I have generated a sound ( sinusoidal, 300hz) and i have altered it with the level tool. Then, i have added a pluck ( pitch 114) and reversed it. I have created a “white noise” which i have stuck after the pluck. Finally, i have generated a sound ( sinusoidal, 1000hz). I have put it at the end and altered it with the level tool. I used audacity.

Sinusoidal sound (800 hz) with melt closure / opens, decreasing speed of 40%, repeted 6 times, and tremolo.

A sound made with csound using impulse generators modified by sinusoidal envelopes.

Generated sound in audacity as sinusoid 558hz - 0,8db for 5 sec. 2 effects applied on the sound: decreasing the speed at the beginningand changing the amplification at the end.

This sound of alarm clock was entirely made with audacity. First, i generated a sinusoïdal key at 575 hz with an amplitude of 0. 11 during 3 seconds. Then i deselect my track and i generated an other sinusoïdal key at 1500 hz with an amplitude of 0. 33 during 3 seconds too. I deselected the track and i generated a final sinusoïdal key at 2800 hz with an amplitude of 0. 56 during 3 seconds. Next i selected my 3 tracks and i clicked on track - mix and render to a new track. I added a tremolo effect with a reverse serrated and a degree of 0, a level of 100 and a frequence at 25,0 hz. The wave must looks like stuck triangles.

Warning- lots of loud upper frequenciy critical band content (digital fork on chalkboard more spear experiments for the upcoming pincushioned album. . . "enjoy".

Use hps to analyis speech-female. Wav.

A sound used for gui accept button clicks. Created using audacity with two sinusoids with fade-in fade-out effect.

This sound is a sinusoid. I have modified my sound with several phases and a crescendo.

Fully synthetic plane sound, has been made from a single sinusoidal tone.

Noise drone with high frequency sinusoidal sounds.

A sound used for gui cancel button clicks. Created using audacity with two sinusoids (in inverted order, compared to the original sound) with fade-in fade-out effect.

This sound is a reproduction of a steps throught a large corridor in tallers. It is a repetitive sound with different pitch in each step, it seems sinusoidal sound.

The different creation steps. - creation of a sinusoidal sound of 3s with a frequency of 440hz (la)- creation of an other sinusoidal sound of 1s at the end of the first one, with a frequency of 493,9hz (si)- fade-out effect to gradually decrease the sound volume between 3,80 and 4,00s- modification of the envelope at the end of the sound- wahwah effect with the following parameters :lfo frequency - 1,5hzstart-up phase - 0 degdepth - 30%resonance - 4. 0wha frequency lag - 30%- modification of the sound's envelope to obtain a crescendo effect.

I created a sinusoidal sound of frequency 200 hz and amplitude 0. 4. I played with the sound envelope on the sides and the middle then i repeated it to create a radioactive sound.

Generated sound as sinusoid 440hz - 0,8db for 0,1 secrepeat the sound for 10 timeschanging the pitch : a to g#/abrepeat one timechanging the pitch for the second half: c to b.

This sound was made only with audacity effects. I used 2 risset drum effects, followed by a sinusoidal sound at 220 hz with a fade in, and finally one 10ms beat of a click track with a reverberation effect.

I generated 3 tracks. The first is a noise brown 2 seconds, where i added the effect gverb (first second) and the effect wahwah (second second). The second is a sound of sinusoid d 2 seconds, where i put a nivelleur to increase sound. I generated silences to get a metronome. For the third, i generate the same sound as the sinusoid second track, then i added the effects wahwah and nivelleur. Finally, i do repeat all tracks and i remove any noise.

I created a sound by playing with its envelope then i cut it and repeated. Then half the time i insert a linear sinusoid noise at 440 hz and 0. 8 amplitude.

I was playing around with spear (sinusoidal partial editing and resynthesis) after a long absence (still available for free download)and came up with some drones for the upcoming pincushioned album. "enjoy".

Generated sound as sinusoid 852hz - 0,8db for 0,5si modified the curve of the sound at the beginning and at end. I suppressed the unmodified part of the sound and i decrease the speed gettin' us some kind of friction.

A simple 440 hz tone (sine) created in audacity. Or at least that's what it's supposed to be. . . For some reason, when i uploaded it, it sounded all distorted.

Stochastic component obtained from the analysis of a sound of erhu : http://freesound. Org/people/ricemutt/sounds/23933/. This was done using the harmonic plus stochastic model implemented in the sms tools: http://mtg. Upf. Edu/technologies/sms. The parameters used for the analysis were:. - window: blackman- window size: 1601- fft size: 2048- magnitude threshold: -90- minimum duration of sinusoidal tracks: 0. 1- maximum number of harmonics: 20- minimum fundamental frequency: 100- maximum fundamental frequency: 2000- maximum error in f0 detection algorithm: 5- max frequency deviation in harmonic tracks: 10stochastic approximation factor: 0. 2.

Harmonic component obtained from the analysis of a sound of erhu : http://freesound. Org/people/ricemutt/sounds/23933/. This was done using the harmonic plus stochastic model implemented in the sms tools: http://mtg. Upf. Edu/technologies/sms. The parameters used for the analysis were:. - window: blackman- window size: 1601- fft size: 2048- magnitude threshold: -90- minimum duration of sinusoidal tracks: 0. 1- maximum number of harmonics: 20- minimum fundamental frequency: 100- maximum fundamental frequency: 2000- maximum error in f0 detection algorithm: 5- max frequency deviation in harmonic tracks: 10stochastic approximation factor: 0. 2.

Resynthesized output obtained from the analysis of a sound of erhu : http://freesound. Org/people/ricemutt/sounds/23933/. This was done using the harmonic plus stochastic model implemented in the sms tools: http://mtg. Upf. Edu/technologies/sms. The parameters used for the analysis were:. - window: blackman- window size: 1601- fft size: 2048- magnitude threshold: -90- minimum duration of sinusoidal tracks: 0. 1- maximum number of harmonics: 20- minimum fundamental frequency: 100- maximum fundamental frequency: 2000- maximum error in f0 detection algorithm: 5- max frequency deviation in harmonic tracks: 10stochastic approximation factor: 0. 2.

Sine signal of 1000hz generated to -20db of peak with a duration of 1 second to 25 frame/sec (pal (europe, uruguay, argentina, australia), secam, dvb, atsc).

This is a sine-wave that sweeps from low to high. Cassette emulator is added and some reverb. A long high pitched tail is at the end, which i forgot to remove. Inspired by the film "wavelength" by michael snow.

Harmonic component obtained from the analysis of a female speech sound: http://www. Freesound. Org/people/xserra/sounds/254374/. This was done using the harmonic plus stochastic model implemented in the sms tools: http://mtg. Upf. Edu/technologies/sms. The parameters used for the analysis were:. - window: blackman- window size: 2001- fft size: 2048- magnitude threshold: -100- minimum duration of sinusoidal tracks: 0. 05- maximum number of harmonics: 100- minimum fundamental frequency: 150- maximum fundamental frequency: 250- maximum error in f0 detection algorithm: 5- max frequency deviation in harmonic tracks: 0. 05stochastic approximation factor: 1.

Listen with secure stereo headphones. The first wave sounds mono; it should appear as though the sound is coming from the center of your head. In the second wave, the right channel has been inverted--otherwise identical. That should sound as though there are two distinct sounds coming from either ear.

Harmonic plus stochastic resynthesis of the female speech sound: http://www. Freesound. Org/people/xserra/sounds/254374/. This was done using the harmonic plus stochastic model implemented in the sms tools: http://mtg. Upf. Edu/technologies/sms. The parameters used for the analysis were:. - window: blackman- window size: 2001- fft size: 2048- magnitude threshold: -100- minimum duration of sinusoidal tracks: 0. 05- maximum number of harmonics: 100- minimum fundamental frequency: 150- maximum fundamental frequency: 250- maximum error in f0 detection algorithm: 5- max frequency deviation in harmonic tracks: 0. 05stochastic approximation factor: 1.

Stochastic approximation of the residual signal obtained after subtracting the harmonics from a female speech sound: http://www. Freesound. Org/people/xserra/sounds/254374/. This was done using the harmonic plus stochastic model implemented in the sms tools: http://mtg. Upf. Edu/technologies/sms. The parameters used for the analysis were:. - window: blackman- window size: 2001- fft size: 2048- magnitude threshold: -100- minimum duration of sinusoidal tracks: 0. 05- maximum number of harmonics: 100- minimum fundamental frequency: 150- maximum fundamental frequency: 250- maximum error in f0 detection algorithm: 5- max frequency deviation in harmonic tracks: 0. 05stochastic approximation factor: 1.

I generate 2 tracks. For the former, i have generated a wave whistle sinusoid, log on interpolating 3 seconds. Then i add silences and i put the echo effect. On the second track, i generated an a in 3 seconds, then i added the wah-wah effects, cross fade in and out. Finally, i deleted the sound on the 2 tracks.