49 безплатни аудиофайлове за "Triton"

Tritonic scale on E.

Crisp snare 1 - korg triton drum.

interval tritone melodic

ii7-V7-IM7, for comparison with a tritone substitution (ii7-Vb7/V-IM7).

Tritone substitution. ii7-Vb7/V-IM7 instead of ii7-V7-IM7.

Tridecimal narrow tritone on C. F♯+ = 18/13 = 563.38 cents.

Dominant seventh tritone resolution chords, As MIDI

Tritone scale on C.

A raucous tritone trill on the alto sax.

Tritone scale on C.

Tritone substitution (for V), without (with V). Created by Hyacinth (talk) 04:48, 10 May 2010 using Sibelius 5.

Sound of steel chisel (tritone)

Tritone substitution (for V) notated as Italian sixth.

Tritone substitution (for V). Created by Hyacinth (talk) 04:49, 10 May 2010 using Sibelius 5.

Tritone substitution and altered chord as, "nearly identical". Chords: C7, F♯7, and C7 +9 +5: Root 3rd 5th 7th 9th 11th 13th C

Tritone substitution. F♯7 may substitute for C7, and vice versa, because they both share E♮ and B♭/A♯ and due to voice leading considerations.

Four-semitone tritone scale on C

Tritone substitution: I-V-I. First in F: F-C7-F, F-F♯7-F; then in B♮: B-F♯7-B, B-C7-B.

Symmetrical four-semitone tritone scale on C

This tri-tone chime can be heard on some airbus aircraft. It is used when the crew is about to make an announcement.

Tritone on C = F♯/G♭. Equal-tempered: 26/12:1 = 600 cents. MIDI pitch bend: 0,64 Midi created in Sibelius.

Sliding sounds on a high pitched tritone (scary interval). A scary sliding sound, or a curious/confusing sound. Recorded on a violin using my tascam dr-05.

Funny loop made with a korg triton.

Just me on a korg triton le.

*Lesser septimal tritone on C = G♭ (Ben Johnston's notation). 7:5 = 582.51 cents. Limit: 7-limit.

An upward glissando, of about a tritone, on the alto sax.

A creeping binaural loop made on a korg triton.

*Diminished fifth tritone (Pythagorean diminished fifth) on C = G♭-. 1024:729 = 588.27 cents. Limit: 3-limit. MIDI pitch bend: 32,92 on P4

From my personal library, a packet of kick samples processed with tube input and triton extreme filters. All samples are normalized to 0 db and ready to use.

En I-ii7-V7-I-progression, sedan samma med V7 tritonussubstituerad.

*Just tritone on C = G♭- (Ben Johnston's notation). 64/45 = 609.78 cents. Limit: 5-limit. MIDI pitch bend: 16,67

En I-ii7-V7-I-progression, sedan med V7 tritonussubstituerad

Weird harmonic spacey loop made with korg triton.

Bass sample mono (right of the stereo), created with triton le 2 step bass with lfo.

*Bohlen-Pierce scale: interval between C and F, lesser septimal tritone on C = F. Just: 7/5 = 582.51 cents. Limit: 7-limit. MIDI pitch bend: 52,58

Hungarian major scale on C

Descending enigmatic scale on C is distinguished by F♮, a lowered fourth degree.

Electronic phone ringer sound, uses a tritone plus an octave for the two notes. Distinctive "double ring" format, like what is used in the uk, and some offices for out-of-area calls.

Recorded at around 4pm sat down with a zoom h5, no processing although cut using garage band. Originally recorded as a wav file. The ride : the fury of triton can be heard in the background.

*Hundred-eighty-seventh harmonic on C = F♯↑. Just: 187:128 = 656.27 cents. Limit: 17-limit. MIDI pitch bend: 0,82 on TT

*Eleventh harmonic on C = F↑ (Ben Johnston's notation). 11:8 = 551.32 cents. Limit: 11-limit. MIDI pitch bend: 54,80

*Hundred-seventy-fifth harmonic on C = F♯+ (Ben Johnston's notation). Just: 175:128 = 541.45 cents. Limit: 7-limit. MIDI pitch bend: 33,45

John Philip Sousa's "The Triton" (1892) as performed by the United States Marine Band. Track 46 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Triton" (1892) as performed by the United States Marine Band. Track 46 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

An alarm inspired by the utsuho reiuji one in touhou 11/12. 3! this might have been done with a vst called ice cream but that's only because i hear some suggestions of a tritone in there. (i made this a while ago. ) in any case, it appears to be the result of noodling around in mixcraft 6!.

A sting / stab (or stinger) to use for an accent, transition, or fx. Good for horror, science fiction, etc. Gear: pro tools 10. 3. 9, korg triton, concert bass drumcreated on: april 26, 2015. Please feel free to leave feedback and ratings. I would love to hear how you put the sound to work.

Typing (real words!) on a kinesis advantage keyboard with cherry mx brown mechanical switches. Recorded at my desk with rode procaster, triton fethead, focusrite scarlett 2i2 into audacity. Untreated room (hence dynamic mic) but noise remoived with audacity. I needed this for my own purposes so i thought i'd upload it. I hope someone finds it useful :).

Mystic chord on C as the 7th, 10th, 13th, 9th, 12th, and 8th harmonics. 7 = B♭ = C = 0 cents = 1/1 = unison 8 = C = D- = 231.17 cents = 8/7 = septimal major second 9 = D = E = 435.08 cents = 9/7 = septimal major third 10 = E = F♯ = 617.49 cents = 10/7 = greater septimal tritone (11 = F↑ = G↑- = 782.49 cents = 11/7 = undecimal minor sixth) 12 = G = A = 933.13 cents = 12/7 = greater just minor seventh 13 = A♭ = B♭- = 1071.70 cents = 13/7 = ?