38 безплатни аудиофайлове за "Vowels"

The vowel “a" ordered within a standard scale of one octave starting with root. Made with supercollider formant class.

The vowel “e" ordered within a standard scale of one octave starting with root. Made with supercollider formant class.

Male voice singing the vowel "o" at a1, 110hz.

Catalan vowel.

This is la. South indian semi-vowel.

The vowel "o" ordered within a standard scale of one octave starting with root. Made with supercollider formant class.

The vowel “i" ordered within a standard scale of one octave starting with root. Made with supercollider formant class.

A person who pronounces the close-mid back rounded vowel, [o].

Me pronouncing vowel a in catalan.

Vowel used in boat.

It is a speech of the vowel "a". It was edited by the recorder: edirol(by roland)the 24bit 96khz wave/mp3 recorder r-09hr.

Young man singing vowels with hall reverb.

Vocales pronunciadas por hombres y mujeres de distintas edades. Vowels pronounced by women and men.

Male voice, untrained singer, unforced, mf, vowels [a e i o u], g#. Recorded with built-in mac microphone to amadeus pro.

Short i sound.

Análisis de señales y sistemasadult woman vowelsvocales mujer adulta 8bits 8khz wav.

Meditation and vowel sounds.

6 announcers doing the phoneme of the vowels in the spanish language.

A 90s trance / chillout vowel pad. Several layers recorded from various vst synths stacked, resanpled and seasoned in the sampler. No hardware involved and all materials are neither vintage nor rare ;-).

Using a wet rubber sandal to produce a range of different rubber squeaks. Intended for foley but possibly useful for more abstract sound design & creatures.

Using a wet rubber sandal to produce a range of different rubber squeaks. Intended for foley but possibly useful for more abstract sound design & creatures.

Using a wet rubber sandal to produce a range of different rubber squeaks. Intended for foley but possibly useful for more abstract sound design & creatures.

Using a wet rubber sandal to produce a range of different rubber squeaks. Intended for foley but possibly useful for more abstract sound design & creatures.

Audio de una mujer joven (23 años) diciendo las 5 vocales. Frecuencia de muestreo: 8 khz8 bits de cuantificación. Universidad de el salvadoranalisis de señales y sistemas 2020ca17036op17001. [young woman (23 year-old) saying the vowels. Sampling rate: 8 khz. Bitdepth: 8 bits. Recorded on 06/2020, with phone microphone. Pre edited in audacity. ].

Using a wet rubber sandal to produce a range of different rubber squeaks. Intended for foley but possibly useful for more abstract sound design & creatures.

Using a wet rubber sandal to produce a range of different rubber squeaks. Intended for foley but possibly useful for more abstract sound design & creatures.

Vocoded version of http://freesound. Org/people/newagesoup/sounds/399087/. Sounds much better when downloaded.

Using a wet rubber sandal to produce a range of different rubber squeaks. Intended for foley but possibly useful for more abstract sound design & creatures.

Using a wet rubber sandal to produce a range of different rubber squeaks. Intended for foley but possibly useful for more abstract sound design & creatures.

Audio de 6 personas diciendo las vocales. Ordenado de menor edad a mayor edad (mujeres primero). Edades entre los 5 a 10 años, 20 a 25 años y 40 a 50 años. Frecuencia de muestreo: 8 khzbits de cuantificación: 8 bits. Universidad de el salvadorca17036op17001. [6 people saying the vowels. Ages between 5 to 10, 20 to 25, and 40 to 50. Sampling rate: 8 khz. Bitdepth: 8 bits. Recorded on 06/2020, with phone microphone. Pre edited in audacity. ].

Various exclamations and electronic speech patterns, improvised using wavetable synthesis and envelope modifcations, with random pitch shifts and vowel/consonant/exclamatory sounds coming through the droid speak.

Made in a program called garageband, an ensemble singing the "aa" vowel in an e major chord at a low velocity and lots of reverb and ambience. Intended to notify me or you of a voice mail. Free to use in any video, project, music, etc.

Audio where you can hear the sound produced by people of different ages (childhood, youth, adulthood) where you can see the difference in the tone of those ages between men and women. The equipment used to capture the cell phone audio recorder, software used for the camtasia edition, edition date 06/19/2020.

Volume 1 of a new series, 5 minute recordings of me doing stuff with a certain effect/synth, or alternatively playing on my keyboard. Sample/modify/use however you want. Made with fl studio 12, edison, and xfer deltamodulator. If you use this in anything, please put it in the comments, me and other people may want to check it out!. .

Estudiantes:jafet alberto,chavez corderochristian rodrigo,sanchez moralesvoz de joven masculino de 28 años de edad pronunciando las vocalesfrecuencia de muestreo=8khz; bit de profundidad=8bit ;canal mono ; dispositivo de grabacion "samsung galaxy a20" ; software "gnu octave"; fecha:20 junio 2020 : ubicacion: el salvador,san salvador[students:jafet alberto, chavez corderochristian rodrigo, sanchez morales28-year-old male voice speaking the vowelssampling frequency = 8khz; depth bit = 8bit; mono channel; recording device "samsung galaxy a20"; "gnu octave" software ; date: june 20, 2020: location: el salvador, san salvador ].

This is my impression of a flatulent arachnid, or "spider fart" which if referenced by a woman in an old-timey southern mansion, might be pronounced as "spidah-faht". This seemingly odd spelling and like-wise pronunciation, perhaps worthy of explanation, would be on account of their ". . . Well known and often satirized dropping of "r's" in times when they precede another consonant or pause, which has the effect of elongating the pronounciation of the vowel before it. " as ray kooyenga explains it. Delving deeper, according to j. Fought who seems to agree, this was a originally a "southern english dialect associated with priveledge and prestigem" and in certain geographies of the southern and south eastern united states migrants "clung to such speech through its association with the influential proprietors of the southern plantation agricultural system. ". The use in "faht" has also another common southern linguistic trait of what the preceding gentleman might term a "confederate a". And so this, is the "spidah-faht" or "spider fart" if you prefer, as performed by ray anthony mimicking the fairly common species "arachnid flatulence gigantous".

Ringmodulated inversion of my speech from the file https://freesound. Org/people/kb7clx/sounds/648443/ invertedspeechcq. Wav. I took the raw recording and used goldwave's mechanize effect to translate my voice to a center frequency of 14khz. I then demodulated it first at 10. 6 and then 10. 2khz meaning that what comes out is essentially the opposite sideband, offset by 3. 4 and 3. 8khz respectively. 3khz just didn't sound as good. The first i filtered with a low pass of 2. 9khz, the second was filtered to below 3. 4khz to emulate a communications receiver passband. I am speaking upside down as described in this video. Https://www. Youtube. Com/watch?v=q_ykxzcbh-g beginning at 00:03:16. Being blind i can't see their diagram, but i've got my own by ear intuitive method, keeping in mind that oo and ee are farthest from each other, all other vowells get closer the closer they are to the middle of the human voice frequency range. I say: huhlay sue quee, sue quee, sue quee do ux. Cahlloong sue quee sue quee sue quee do ux. The ay in huhllay is like when a spanish speaker says béisbol (baseball). The a in cahlloong is like the a in cat if you're opening wide for the doctor. The oo is like the oo in book. Listen to the other file and you'll hear: hello cq cq cq dx. Calling cq cq cq dx.

guardians of limbo (spectral voices, ethereal sounds, odd vocals) sample of fx preset from magnus choir vsti software. Virtual choir (musical instrument). Software description:. Magnus choir is a vst, vst3 and audio unit virtual instrument which can be used to create natural and synthetic choirs. The male and female choruses combine to form a mixed choir, featuring the classic satb (soprano, alto, tenor, bass) structure: women sing soprano and alto, while men sing tenor and bass. Versatile to generate a wide spectrum of choirs, vocal textures, choral pads and voices with modulation capabilities for a new level of realism in digital sound creation. • 54 preset sounds ready to use, including a vast array of natural and synthetic sounds, from oohs, aahs, men and women in mixed choirs to the celestial choir of angels, reso pads, dark atmos, creepy voices, ambient ghostly and birdsong effects, as well as cinematic and soundscapes. 01. - abbey ghost02. - ad infinitum formant03. - ad libitum chorale04. - aeternus lux lucis05. - alchemical signals06. - angelic vox07. - angels between us08. - apocalyptic chamber09. - astral singers10. - aurum vox pad11. - birds sonic sweep12. - caelestis kingdom13. - celestial choir14. - choral ensemble15. - choralis pad16. - cinematic padilius17. - cosmic odyssey voice18. - cryogenic dimension19. - dark cantus20. - digital voice21. - dystopian chorus22. - elves land23. - enchanted goblins24. - ethereal voices25. - guardians of limbo26. - lost souls in the dark27. - male & female aahs28. - morph dreams29. - morphed vowels30. - mystical vowels31. - nebula dark atmos32. - necromancer summons33. - neo choir34. - octave aahs choir35. - octave vox pad36. - oniric sequences37. - oohs choir38. - psychedelic vox39. - psychomanteum reso40. - quasi spatial voices41. - relaxing paradise42. - restless spirits43. - sanctus holy chant44. - sonorous skies45. - sopranvox c4-c646. - spatiotemporal atmos47. - spectral hell48. - synthetic chorus49. - synthesized vocals50. - underworld embryos51. - vinyl chorus52. - voices in the mist53. - vowelled soundscape54. - vox vocis texture. • low frequency oscillator section: these knobs apply modulation to the selected instrument. By using the lfo to modulate various aspects of the audio signal, you can apply effects such as vibrato or tremolo. • adsr envelope generator with attack, sustain, decay and release parameters. • pitch bend: the pitch bend knob directly changes the pitch of the selected instrument. • reverb built-in: provides a spaciousness and depth to simulate the sound reflections from walls, floors and ceilings following a sound created in an acoustically reflective environment. Small rooms can be modeled as well as large spaces. • filter section: with filter type box for low pass filter and high pass filter. • amplitude range parameters: it controls the loudness, the way in which we perceive amplitude. The sensitivity level is set by the user. • panning potentiometer control. • midi cc automation: implementation of midi continuous controller parameters for use with external hardware control via daw.