140 безплатни аудиофайлове за "Waveform"

08. 02. 16: a waveform made of three sizzling pans.

Kick drum i created by processing a white noise waveform recorded from moog minimoog synth.

Kick drum i created by processing a white noise waveform recorded from moog minimoog synth.

Created in waveform-10 using 1 instance of zynaddsubfx with 3 layers of hi pass filtered oscillators which were tweaked in detail to sound more like noise. Theres a little reverb, delay and distortion in there. The other oscillator was white noise created in 4osc ( native waveform-10 plugin ).

This sound file is only 10 microseconds long! one sample of audio. Created in audacity at 100 khz.

This field recording recorded with iphone 5s,in rode app using waveform. Recorded in istanbul,besiktas's seaport.

An error/cancel sound, made by adding a bitcrushing effect to a beep with a sine waveform using a plugin in audacity.

This sound is recorded in my friends wood workshop @loffism. When electric table saw was turning down.

It used to say hi! i am an a. I. I recorded it using waveform for android. It is a distorted a. I. Voice.

This sound came from a finite difference 1-dimensional wave simulation with the friedlander waveform as the force acting in its middle.

Longer version of drumroll for request. Shure sm57, fp24, and korg mr-1. Waveform is a bit tuned by apple logic pro.

A basis for an alarm, made in native instruments massive, using the roughmath ii waveform and modifying it using effects built into massive and into the daw.

(preview is inaudible). One cycle of a 20 hz sawtooth-esque wave, derived from the top half of the upswing of a 5 hz circle wave.

(preview is inaudible). One cycle of a 20 hz sawtooth-esque wave, derived from the top half of the upswing of a 5 hz sine wave.

Comp-master 1. 7 band eq-telephone. Effector-lo fi. Delay-short analog. C4. Tempo140.

This is a ufo sound created by a waveform generator and manipulated by an audio editor ( i believe i used audacity) to create an eerie sound of a ufo. I think i was trying to achieve the sound of a ufo hovering over a house. Then flying away. However, if you decide to use this in a movie, video or podcast send me a note, thx.

Something made in waveform, originally me saying "hello" edited so heavily that i found it sorta catchy, (all traces of "hello" have been lost) so there you go.

A small fanfare with chimes in the background. Made for a character who did a cool pose and needed a fanfare for it.

Waveform recorded from the basic vst wavesimd (an emulator of the ppg wave 2. 2) with a rich harmonic spectrum. This sound is heavily influenced by a bass.

Tuning fork 440 hz recorder using hp omen laptop's native microphone - stereo recording with one of the channels having bigger magnitude, was put to mono using audacity.

A powerfull super saw that you can use for your songs. Note :the key of this sound is actually f# min not f# maj my apologies :(.

Some sines i made in logic pro x with the es2 synthesizer. 1 chord notes: d f g a c d2 chord notes: a c d f g a.

We develop iphone app that perform musical analysis on recorded audio from the iphone. Our app implementation make use of the audio queue service to receive raw audio buffers from the audio queue callback. In the first version of our app we had the problem of too much clipping on the recording which degrade the accuracy of our analysis. We also suspected that the noise canceling algorithm in iphone 5 produce distorted sound, which is not much noticeable by human ear but distorted enough to affect our sensitive algorithm. We found that the solution to our problem is to set the audio session mode to kaudiosessionmode_measurement. This session mode is supposed to give maximum freedom for us to control the microphone input, which include turning off the automatic gain control and probably noise canceling as well. The solution works very well except that it introduce a strange waveform pattern in the beginning of all recordings in iphone 5. It is very hard to explain the waveform we get, so i made two recordings at freesound so that you can see it visually. The first recording is made in an almost quite environment, and you can see the weird spike in the beginning of the recording. The second recording (this recording) is made with constant background noise, and you can see that the actual sound wave is offset from the strange curve and gradually increase to its original volume. This waveform only happens on iphone 5 devices that we tested, and there is no problem at all for iphone 4s and older generations. We have tried various settings and the glitch is still unavoidable as long as we set the audio session mode to kaudiosessionmode_measurement. We also find similar glitch in one of our iphone 5 devices, in which the glitch happens even if we try to set just the input gain level without changing the session mode. We are not sure if this is a hardware-related bug in iphone 5, or if it is fixable software glitch in the future version of ios. For the moment we are looking for workaround that can avoid this glitch while automatic gain control and noise canceling are disabled.

Since there is an abundance of am'd square wave sounds everywhere, why not turn it into triangle waves? generated and then heavily edited using caustic 3. 2.

Output waveform from the assessed lab for speech processing (lasc11065). The wave was created using the festival speech synthesis system version 1. 96 beta (july 2004), with one of their own available voices (male, scottish english).

Do not compromise with your hart. Let the modular play. Not for someone, but for you. A waveform exploration led to this graphic piece sound/music/thought.

Sounds like a power on sound. Made from a beep with a sine waveform (the hz of which increases), and bitcrushing it at 4 bits per sample and a sample rate of 40khz.

This is a processed waveform of an engine. I made it with fruity loops granulizer. Enjoy :).

Audacity:. • file→new. Left track• tracks→add new→mono track• change become left channel. • generate→chirp. . . - waveform: sine- startfrequency: 1000amplitude: 0. 5- endfrequency: 3000amplitude: 0. 5- interpolation: linear- duration 00h 00m 01. 000s. • effect→tremolo- wavefrom type: sine- starting phase (degrees): 0- wet level (percent): 100- frequency (hz): 6. 0. Right track:• tracks→add new→mono track• change become right channel. • generate→chirp. . . - waveform: sine- startfrequency: 1500amplitude: 0. 5- endfrequency: 4500amplitude: 0. 5- interpolation: linear- duration 00h 00m 01. 000s. • effect→tremolo- wavefrom type: sine- starting phase (degrees): 0- wet level (percent): 100- frequency (hz): 6. 0. • make stereo track.

A 1khz wave, often used as an effect for a flatline, test pattern, censorship, etc. This one more for effect (such as a movie) than a test tone. This was built with a square waveform for maximum loudness.

Ambient sound of rain and thunder out of a berlin window. Crediting is not necessary but appreciated. Recorded with a zoom h2n. 24 bit/96 khz waveform-audio file (. Wav).

trance state. This sfx has been generated by my own secret private program using nyquist api to generate such randomness, using web random. Org pseudo-api to get random integers of tremolo effect, tone generation, it waveform and so on.

This is a waveform from a boobass(flstudio) with a highpass. I put it in sytrus and made a few things. Hard to explain. :dpitch it at least 1 octave down! 2 octaves down is better for a bass. Have fun with it!.

This sound was created off my black'n'white unfamusic waveform logo. A big (5300x1200) png image was saved as 32-bit uncompressed bmp, and then imported into audacity as raw data in stereo mode, 24-bit unsigned @ 192khz.

Exactly one complete wavelength of a 1-hertz sine wave. In audacity, you can use the repeat effect and then the change speed effect to generate any frequency. It is not meant to be a usable sound in its current form.

1st chord progression made with multisamples saw wave sampled from arturia minibrute loaded into a kontakt2nd one made with single waveform from the same samples loaded into serumjust for analyse the difference between the two signal. Donate: paypal. Me/rvone.

This is a recording of me walking with shoes on a very sticky floor. There is the sound of me opening a fob-operated door at the end of the waveform - might be useful for something, as well.

Create sci fi machine from cognito_perceptu's "helicopter-takeoff. Wav" sound: audacity (sound is stereo) - cut 29. 0s to 30. 0s. - effect→tremelo…waveform type: sinestarting phase: 0wet level: 50frequency: 10 hz- effect→echo. . Delay time: 0. 01decay factor: 0. 6. - effect→repeat. . . Number of repeats add: 22.

Sample of the doepfer a-110-1 sawtooth output. Here's a link to the module: http://www. Doepfer. De/a110. Htm. Captured using a rme babyface and cubase.

A quick jingle made in milkytracker, using a sine wave with reverb added. -----------------------------------------------------------------------. This sound, like everything i upload here,is completely free for anyone to use. You may use it however you please. I hope it is useful. 🎶.

Do major scale in three system. Firstly one by one, then pythagoras + just intonation (5 limit), pythagoras + 12tet, just intonation + 12tet, and at the end pythagoras + just intonation + 12tet alltogether. Reference notes are la4 and their frequencies are 440hz each. Sinus waveform. Prepared using csound.

Still random frequency transformed with plugins. This time it's a saw waveform moduled by a sine lfo. Add a little of this and a little of that. Make me thing at a the sound of the rain on a strange planet!.

Summer rain falling at various levels of intensity. Occasional droplets hit a wooden porch. Audio has been denoised, equalized, and leveled to peak at no higher than -6 db. Waveform audio, 96000 sample rate, 24 bps, stereo.

18 people applauding. Recorded on a marantz pmd 661, 6 september 2019, with a rode nt4. Recording level okay, but the waveform is sometimes clipped due to the loud clapping overloading the pmd661’s input amp. The input attenuation for the pmd661 should have been set to -6db (or -12db).

A hq supersaw lead, sampled from the roland jd-xi. Ideal for playing with a sampler like an virtual instrument. Have fun.

I downloaded roper1911's heavy beam weapon and loved it except for the fact that it had some clicks. I modified the waveform to removed the clicks. Now its smooth as silk. Enjoy ropper1911's heavy beam weapon digitally remastered.

High e played on an acoustic gibson jumbo. The guitar was recorded with a single microphone (a brauner phantera) connected to an api pre-amp. The signal was fed into a digidesign a/d converter and recorded in protools 9 in waveform audio file format. All the samples were subsequently edited with the gpl software audacity. Location milano, italy. 2013.

Some c0 16. 35hz sine drawed in audacity with mouse hand free with no correction of the irregularities, looping, an envelope drawed manually as well, like for the original graphical pixel art obscur principles, except some slight eq filtering.

Chirp sound, 250hz - 800hz square waveform. Linear interpolation. Wet reverbed and compressed to 3:1 ratio. Equalized with riaa wave curve (top-left to bottom-right). Each chirp lasts 3. 750s. Repeats 4 times layered over itself, including the last chirp without any layered sounds on it.

Sample of the doepfer a-110-1 rectangle output. Pulse width is set to around 50%, so it should roughly be a square wave. Here's a link to the module: http://www. Doepfer. De/a110. Htm. Captured using a rme babyface and cubase.