273 zvukové soubory bez licenčních poplatků pro "16bit"

A farm in portalegre, portugal. You can hear sheeps, a dog in the distance, birds. . . Recorded with a zoom h1n. 48khz, 16bits. A donation would be very kind, and i would wholeheartedly appreciate it :). Paypal : https://www. Paypal. Com/donate/?hosted_button_id=auhmwwzbnje3n.

Sheeps eating straw and a chainsaw in the distance. Recorded with a zoom h1n. 48khz, 16bits. A donation would be very kind, and i would wholeheartedly appreciate it :). Paypal : https://www. Paypal. Com/donate/?hosted_button_id=auhmwwzbnje3n.

Download and loop. Boom break at 128 bpm 44khz 16bit wav produced in fruity loops using freesound samples and on board generators with customized effects. Freesounds used:. 131770 - bertroff - sub kick169788 - bliss - snaps173164 - bliss - kicks173163 - bliss - snares. All ran through effect chamber, amplitube classic 80's reverb.

Download and loop. This break beat was made from freesound percussion hits, with some percussive hits from sound generators in fruity loops studio which was used to sequence and then quite heavily compressed in realtime, with seperate effects applied to the kicks and snares. Recorded out wav at 44khz 16bit stereo ~ 140bpm.

Plate rotating on the floor. Wave, 44. 1khz, 16bit, stereorecording device: zoom h4n with xy-capsulelow-cut: yes (80hz)normalized to -1dbfslocation: campus volgershall leuphana university old building in the entrance area. Lat: 53. 25016472286296lon: 10. 382777452468872date: 2013-12-09, 16:53h. Recorded and edited by: claudio vater. This recording was created in the framework of the seminar "soundscape leuphana (ws13/14)".

Recording up on a hill in anzac park near the memorial. Lots of sounds picked up off in the distance like children playing, planes, traffic, etc. Klankbeeld hit me up about adding geotags and more info to my sounds so i got the information. Edirol 24bit recorder, recorded at 16bits wav. March 2007.

Recorded using the ms mic on the zoom h644. 1khz/16bit wav recording. No effects added. Marine drive (south mumbai) at 9pm during high tide right after raining for a short time. Recorded whilst standing on a pavement across the street; facing towards the sea. Volume is initially low, but i increased the input level after about the 1 minute mark.

I went to a spot where traffic will slow down, stop and take off and drive at 60kms during peak. The part where the motorbike pulls right up sounds great. -27. 475671053071856, 152. 99294742384907 7th march 2007. Edirol 24bit sound recorder. Probably just 16bit wav, 2304kbps. Klankbeeld hit me up to add geolocations so i am doing that along with dates, etc.

Field recording from sault ste marie, mi. Noon-hour traffic on a 25 mph street cars passing over a bridge. Little or no wind noise. Recorded on a tascam 4-track with a sure hi-z mic, onto a maxell cassette. Circa 1990'sconverted to ; 16bit 44. 1 dual mono (not true stereo).

Electric sparkle sound made in harmor in flstudio. Sound is made of harmor generating dark, unison, subbas oscilation with three partials with fundamental frequency of 50hz. Partials got decaying amplitude along frequencies. Bass is put into wave shaper with smooth, negative peak distortion at 50% of positive range. Then falls into parametric equalizer boosting 3khz, forming wide parabolic shape. Bass frequencies are cut off. 44. 1khz, 16bit.

Field recording captured on february 19, 2022 at 21 hs local time. Located in tolhuin tierra del fuego argentina, lago khami is a big body of water situated in the middle of the island, it extends past the frontier with chile and its home of a great biodiversity, here you can hear it in its most calm form. Recorded by jauke (matias aguilar)in a rode ntg4on a zoom h6original recording in 48khz 16bits. Grabación de campo hecha el 19 de febrero de 2022 a las 21 hs tiempo local. Ubicado en tolhuin tierra del fuego argentina, el lago khami es un gran cumulo de agua situado en el medio de la isla, se extiende pasando la frontera con chile y es hogar de una gran biodiversidad, aquí pueden apreciarlo es su estado mas calmo. Grabado por jauke (matías aguilar)con un rode ntg4en una zoom h6grabación original en 48khz 16bits.

Some fire for you;. What you hear here is me getting a match out the matchbox, and striking it, and then let burn the match, till it flickers off, i blow at the end, as if it was not out yet. You can credit me as: thecoffeehandi would like it if you leave a comment, so i know where this sound ends up. Mic: berhinger b2 prosoundcard: audient id4format: unmixed. Aif - 16bit.

soundscape_humfaksound description: kopierenwave, 44. 1khz, 16bitrecording device: zoom h2next with xy-capsulelocation: universität zu köln, humanwissenschaftliche fakultät, hf 216 (zwischen block a und c, ug)lat: 6°55'12''lon: 50°56'5''date recorded: 2014-11-18recorded by: camilla morrand editedby: hannah espelagethis recording was created during the seminar "gestaltung auditiver medien" (ws2014/2015) intermedia, bachelor of arts, university of cologne.

While i was on vacation, this two fellas just loved to bark almost all night long. Yeah, i know, some rest i got. . . :(so, at least i went out and recorded them with my zoom h6, xy mics, 44khz 16bit. They got pretty upset as you can see. There's some low frequency rumble at the beginning probably due to bad handling, sorry. Should be easily solved with a lo-cut, though.

Creation date: 13 - 06 - 2017. Details of this sound:. Subject of recording:- object : small waterfall- material : water. Place of capture:- type : in forest- resonance : very low- distance from source : 2 m / 2 yard. Recorder:- recorder : tascam dr-40 v2- type of microphone used : condenser microphone- wind shield : rycote dr-40mwj. Recording parameters:- capture type : stereo- resolution : 16bit 44khz- input level: 60. Software used:none.

Creation date: 16 - 06 - 2017. Details of this sound:. Subject of recording:- object : bedside lamp switch- material : plastic- peculiarity : button + sizzles of bulb. Place of capture:- type : inside- resonance : none- distance from source : 20 cm / 1 lien. Recorder:- recorder : tascam dr-40 v2- type of microphone used : condenser microphone- wind shield : none. Recording parameters:- capture type : mono- resolution : 16bit and 44,1khz. Software used:- fl studio 11. Fx added:- edison : to amplify the signal and to suppress parasites. _______.

Creation date: 14 - 60 - 2017. Details of this sound:. Subject of recording:- object : upright piano- material : wood and strings- peculiarity : quite high. Place of capture:- type : inside- resonance : none- distance from source : above. Recorder:- recorder : tascam dr-40 v2- type of microphone used : condenser microphone- wind shield : none. Recording parameters:- capture type : mono- resolution : 16bit 44,1khz. Software used:- fl studio 11. Fx added:- edison : remove noise, reverse spectrum and suppress reverb.

An experimental soundscape from space. This is my first texture sound, let me your feedbackand and share your usage with me!. File :- duration : 43 sec- type : wav- size : 7. 26 mo- resolution : hd 16bit 44,1khz stereo. Sound specification :- origin : sample recorded. - sujet of sample : electric switch. Production tools :- daw : fl studio 20- effects : experimental reverb, phaser, lfo filters, modulation, equalizer, compressor. For more information please, contact me by private message or by mail at : alayan@orchestral. Be.

## this sound is also available as a 44khz/16bit wav-file. ##. A thunderstorm in the night at 2:30 am. Starts calm with some crickets. At 1:02 a magpie can be heard, which seems to be startled by the first thunderclap. Recorded in south germany near heilbronn. (june 2015)original is a a 4-channel record in irt-cross arrangement by using 4xnt1 microphones from rode and a zoom h6 recorder. The spatial impression is best if headphones are used. For stereo the>left-front + left-rear<and the>right-front + right-rear<channel was mixed to a left and right file.

Several years back my older brother stumbled upon a bunch of old family reel to reel films and sat down one evening to project them on a wall and digitize them. This is the sound of that process. What you can hear, i imagine, is the noise of the projector in the left channel and the sound of the reels in the right channel. I've been obsessed with the sounds of the infinite variation in old analog hardware. As a sound designer, that infinite variation is often sought after but rarely, or accurately, reproduced through digital files in various libraries. Of if they are, they're often too short to cover whatever scene i am trying to fill. On the surface it's just noise but if you listen closer it's this wonderful cacophony of overlapping and repeating sounds that are always looping but never quite identical on each rotation. It was ripped from youtube using audio hijack at 48khz/16bit, but due to youtube re-encoding things as youtube does, it's nowhere near the source. It's still, in my opinion, a sound worth sharing. Enjoy!.

Non-functional tube radio warming up, making a loud 60hz hum with lots of harmonics. As a bonus it clicks off at the end. Zenith consoltone. Only because the faq says so: electro voice n/d 257a through impedance transformer into crappy gigabyte motherboard realtek high definition audio. 16bits, processed at 32bits. Audacity sound editor and/or driver wouldn't record mic level so it was very noisy after amplification. Filtered with a (mathematically equivalent) fft constructed whopping 64k length zero phase filter (blackman window) with 5 wavelength width bandpass at each harmonic from 60hz to 5,520hz. For some reason a fraction of some of the harmonics didn't get through so did another pass on the residual noise and mixed that in. Near the beginning there was a sort of brief duplicate signal that descended in pitch so it didn't make it through the filter. I added that bit in. Attenuated frequencies above 3. 6khz because they are pretty much noise, but removing them didn't sound right. Cleaned up the beginning a bit in various ways, cut it down to 15 sec and carefully appended the unfiltered "click" onto the end, which i denoised 12db with audacity's noise reduction.

I tried out some new gear and methods! more mountainside rain! a complete storm from beginning to end with swelling and then waning rainfall, occasional thunder. Ms stereo bar on mic stand projected through open second-floor window, just under the roof eaves. Recorded july 20th during one of the mid-afternoon brief intense storms we can seem to get frequently in the rocky mountain foothills beginning around june. If you were listening and wondering, the direct sound of the thunder is somewhat occluded as i believe the storm was behind the overhanging roof and house from the perspective of the microphone array. The mountainous terrain and other objects in the field reflected some of that thunderclap, as well as the exterior wall of the home, and so this is all a little bit funky. Mid-side stereo recording:large diaphragm condensers mounted on octavia stereo mic mounting bar:akg perception 220 mid (cardiod) (on top, upside-down)akg perception 400 side (in bidirectional mode) (on bottom, facing left)sound devices mixpre-6 preamp+mixer+recorder (ch1+2 paired to ms stereo, gain @ +21db, fader @ unity, balance at mid/side center) w/48vdc phantom power applied, on-board mid-side encoding and monitoring in l+r, 24/96khz stereo recording. Postprocessing:cooledit 2000: edited to excerpt from longer recording. Normalized recording to 0db. Downsampled to 16bit 48khz. Flac: encoded.

This is a reading from the second chapter of "nathaniel's nutmeg: or, the true and incredible adventures of the spice trader who changed the course of history", by giles milton. It is also intended for the freesound sound museum to represent books as what is fading rapidly into obsolescence. By the time you read this, you may not even know what a books is. Books are when the written word is compiled onto sheets of paper in a long-form volume. You may not know what paper is. Paper is commonly used to write on or make oregano cranes with, being flat and thin rectangles made from trees. You probably won't remember what a tree was. That is a very sad thing. They are all gone now, destroyed in feckless deference to paper. When the paper runs out, there will be nothing left to write our collective histories on, what we desperately need. When this occurs, it will stand as the moment our past was truly lost, leaving us lost the same, drifting in circles. Until another man or woman rises up to invent trees again, thus beginning the cycle anew. It's a beautiful idea. We should always be moving towards the future, not lost in syrupy memories of old forests not seen for what they really are: petrified wood and amber. Leave that with the other fossils and relics. Let it be the final page written on the last book until it crumbles to dust. Let it go. The file was recorded using a mid/side stereo technique at 24bits, downsampled to 16bits under the loving care of gaussian dither. The room was treated as best i could to be acoustically pleasing and quiet. I think you will find the noise floor to be particularly well balanced and textured, suitable for post-production tasks, or just for relaxing with at home. .