3 613 zvukové soubory bez licenčních poplatků pro "3"

Recorded with a zomm h1 and edited with audacity. Playing and listening with various drum sets (set #3).

My son at about 3 months in the kik n play. Some ambient sound from the house located in the country.

My son at about 3 months in the kik n play. Some ambient sound from the house located in the country.

Girl's voice singing. Microphone: c-3 behringeredirol ua-4fxsoftware: cubase 5.

Microphones 2x rode nt5 (ortf) and rode ntg-3.

Nothing,but an acid like sound designed randomly using modular synth,on caustic 3.

This is a sound of bathwater filling a bathtub. 10. 005 seconds long faded 3 seconds in and out.

Only the popular squeak sound that appears in future bass genre <3.

Variation 3 des dritten Satzes aus Beethovens Klaviersonate Opus 109

George Frideric Handel: Messiah

One explosion sound i created using wavepad sound editor, adobe audition 3 and my high quality microphone. Sounds used to get this explosion, in case you want to replicate it;. -kicked rocks (recorded by me)-throwing rocks from a distance (recorded by me)-edited and stretched beer hiss (recorded by me)-edited chambagne pop sound (recorded by me)-rocket hiss (replica by me). Applied effects;. Mastering (in adobe audition 3), increased "exciter" up to 11. 5%. High-pass filter (in adobe audition 3). Stretch (in adobe audition 3), in "high precision" mode. Reverb (in wavepad sound editor pro). The sound sounds very common, because most people use this method. In case you want to use it, please give me credits.

Phonograph cylinder recording from Filaret Kolessa collection. Duma Pro Oleksiya Popovycha without accompaniment (fragment no. 3). Performed by Hnat Honcharenko. Phonograph operated by Lesia Ukrainka, Klyment Kvitka. Date: 1908. Instrument: none Українська: Фонографічний запис із колекції Філарета Колесси. Дума «Про Олексія Поповича», без акомпанементу (фрагмент № 3). Виконує Гнат Гончаренко. Записувач(-і): Леся Українка, Климент Квітка. Рік запису: 1908. Інструмент: немає

Place of recording: London (United Kingdom) Performer(s): London Philharmonic Orchestra Conductor: Serge Koussevitzky (1874-1951) Vocal range: instrumental Title/Work: Symphony No. 3 in E-flat major, Op. 55 Content: 3rd Movement - Scherzo (Allegro Vivace) and Trio Genre(s): Symphonic

I have been working on my twelve-tone program (in chuck). 1 - random 12 tones with random note-length for prime. 2 - then retorograde is played. 3 - after that prime and retrograde at the same time (3 times). Here the note-length is a average value.

Three variations on a short choral "aah" 1. Dry. 2. With reverb. 3. With organ and reverb. Upon refelection, i reckon should've hit this a simple a#3. :(. Resynthesis achieved with imageline morphine additive vsti synth. The morphine spectrum was multilayered, fattened by adding flchorus, flreverb2 and soundgoodizer. Flstudio equo and fruity parametric eq2 used as notch filters to eliminate ringing.

Sound effect for a person running away (3 of 3). Two other, similar sound effects and a full recording of many types of running and walking are also available. Recorded with a samson q7 microphone through a phonic am85 analogue mixer. Cc0, so no hassle with giving credit.

John Philip Sousa's "The Loyal Legion" (1890) as performed by the United States Marine Band. Track 41 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Liberty Bell" (1893) as performed by the United States Marine Band. Track 48 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Quilting Party" (1889) as performed by the United States Marine Band. Track 36 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Charlatan" (1898) as performed by the United States Marine Band. Track 55 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Triton" (1892) as performed by the United States Marine Band. Track 46 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Belle of Chicago" (1892) as performed by the United States Marine Band. Track 43 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Quilting Party" (1889) as performed by the United States Marine Band. Track 36 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Thunderer" (1889) as performed by the United States Marine Band. Track 37 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Beau Ideal" (1893) as performed by the United States Marine Band. Track 47 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Loyal Legion" (1890) as performed by the United States Marine Band. Track 41 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Belle of Chicago" (1892) as performed by the United States Marine Band. Track 43 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Manhattan Beach" (1893) as performed by the United States Marine Band. Track 49 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Washington Post" (1889) as performed by the United States Marine Band. Track 38 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "On Parade" (1892) as performed by the United States Marine Band. Track 45 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Manhattan Beach" (1893) as performed by the United States Marine Band. Track 49 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "El Capitan" (1896) as performed by the United States Marine Band. Track 52 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Directorate" (1894) as performed by the United States Marine Band. Track 50 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Directorate" (1894) as performed by the United States Marine Band. Track 50 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

Robert Schumann - Concerto for Piano and Orchestra in A minor, op. 54 - 3. Allegro vivace (Sviatoslav Richter, Witold Rowicki, Warsaw National Philharmonic Orchestra, 1959)

John Philip Sousa's "The Beau Ideal" (1893) as performed by the United States Marine Band. Track 47 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

Drum beats , 3 low pitch, deep booming drum hits close together. Zoom h1 microphone. Sounds slightly tribal.

Ac 3 phace motor 220v 50hz for pump water. Zoom h1 2014. 03. 03 8:00.

Using a magic bullet or blender 3-4 times. Suitable for background kitchen sounds.

A spray bottle squirting slowly 2 then 3 times.

10. 005 second. Aif sound normalized to -3db with 3 sec fade in and out.