3 613 zvukové soubory bez licenčních poplatků pro "3"

Place of recording: London (United Kingdom) Performer(s): London Philharmonic Orchestra Conductor: Serge Koussevitzky (1874-1951) Vocal range: instrumental Title/Work: Symphony No. 3 in E-flat major, Op. 55 Content: 3rd Movement - Scherzo (Allegro Vivace) and Trio Genre(s): Symphonic

Three variations on a short choral "aah" 1. Dry. 2. With reverb. 3. With organ and reverb. Upon refelection, i reckon should've hit this a simple a#3. :(. Resynthesis achieved with imageline morphine additive vsti synth. The morphine spectrum was multilayered, fattened by adding flchorus, flreverb2 and soundgoodizer. Flstudio equo and fruity parametric eq2 used as notch filters to eliminate ringing.

I have been working on my twelve-tone program (in chuck). 1 - random 12 tones with random note-length for prime. 2 - then retorograde is played. 3 - after that prime and retrograde at the same time (3 times). Here the note-length is a average value.

Sound effect for a person running away (3 of 3). Two other, similar sound effects and a full recording of many types of running and walking are also available. Recorded with a samson q7 microphone through a phonic am85 analogue mixer. Cc0, so no hassle with giving credit.

John Philip Sousa's "The Thunderer" (1889) as performed by the United States Marine Band. Track 37 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Beau Ideal" (1893) as performed by the United States Marine Band. Track 47 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Quilting Party" (1889) as performed by the United States Marine Band. Track 36 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Charlatan" (1898) as performed by the United States Marine Band. Track 55 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Triton" (1892) as performed by the United States Marine Band. Track 46 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Belle of Chicago" (1892) as performed by the United States Marine Band. Track 43 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Quilting Party" (1889) as performed by the United States Marine Band. Track 36 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Loyal Legion" (1890) as performed by the United States Marine Band. Track 41 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Liberty Bell" (1893) as performed by the United States Marine Band. Track 48 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

Gentle rain pouring on the hood of a car recorded from the inside, with ntg-3.

3 modified bicycles going by with kids playing aside. We mounted a plastic sheet to the frame so it rattles on the spokes.

Linear sine sweep from 10hz to 22000hz over 3 seconds.

Ac 3 phace motor 220v 50hz for pump water. Zoom h1 2014. 03. 03 8:00.

10. 005 second. Aif sound normalized to -3db with 3 sec fade in and out.

Using a magic bullet or blender 3-4 times. Suitable for background kitchen sounds.

A 2/3 full plastic ballpoint pen writes in blue on a blanco a4 paper. Recorded with a zoom h5n.

Deep & dark drone. Created with 3 synths, layered sounds.

Drum beats , 3 low pitch, deep booming drum hits close together. Zoom h1 microphone. Sounds slightly tribal.

Image for describing cambiata as nonchord tone pattern. Created by Hyacinth (talk) 18:41, 3 November 2011 (UTC) using Sibelius.

Pt. 1: Footbridge Shifts Pt. 2: Photon Gasification Pt. 3: Lounging, Hiding, Offing

A spray bottle squirting slowly 2 then 3 times.

A 3 minute clip i recorded at faro airport, portugal.

I mashed together 3 sounds, water, outside and some bass via a synth then filtered.

Starting volkswagen 3-cylinder car engine.

My first music uploaded. I used 11 different segments of the music to make a 3-minute piece.

Imitating of bane from batman 3 - the dark knight rises by d3x5n1p3r.

Gear used:. Schoeps cmc54schoeps cmc68sd mixpre-3.

3 mature ladys talking each other in a beuty salon. Verry funny!.

Recorded in heathrow airport terminal 3 departure lounge with a canon d550.

I took 3 small bells and shook each one separately, then mixed them into one.

George Frideric Handel: Messiah

Microphone sound with woman's voice (australian accent) saying testing, testing 1-2-3 a couple of times.

Recording of music written by Frederic Chopin

A song from The Remains of Tom Lehrer