22 zvukové soubory bez licenčních poplatků pro "Akt"

Before you die by Stereo Akt

Close recording of a fountain. Akt.

Distant recording of a fountain. Akt.

A water sprinkler shooting water in short percussive pulses. Akt.

Sound of an oboist sharpening her reed knife. Akt.

Sounds of a construction site with distant train sound in the background. Akt.

Close recording of a cellist turning the pegs on her instrument in a hallway. Akt.

The sound of three russians exiting the men's restroom and being greeted by a a female. Akt.

Lydfil fra Ruben-samlingen, Valentins bøn; scene 2, akt 2, sunget af Niels Juel Simonsen, ophav Charles Gounod, rolle: Valentin Sound file from Ruben collection

Lydfil fra Ruben-samlingen, Der var engang, "Prinsesse, jeg er fra et land, som ligger -" ; akt 1, fremført af Emil Poulsen, ophav Holger Drachmann, rolle: Prinsen ad Danmark Sound file from Ruben collection

Lydfil fra Ruben-samlingen, La Sonnambula, Sovra il sen la man mi posa ; akt 1, af Vincenzo Bellini Sound file from Ruben collection

Władysław Tarnowski ps. Ernest Buława (1836-1878) opera "Achmed oder der Pilger der Liebe", „Clavier variante” i następujący po nim „Galopp” z II Aktu, str. 92-93. Opera ta jest oparta na opowiadaniu Washingtona Irvinga opublikowanym w "Tales of the Alhambra', autorem libretta był Władysław Tarnowski, który także przetłumaczył opowiadanie (Powieść o księciu Ahmedzie al Kamel albo o pielgrzymie miłości.). Akcja opery dzieje się na terenie dzisiejszej Hiszpanii a głównym bohaterem jest syn władcy Grenady. Partytura: Władysław Tarnowski ps. Ernest Buława, Hofmeister podaje jako czas publikacji październik 1877, str. 306. Wykonanie: Marcin Tarnowski, (M.Tarnowski (talk) 13:21, 4 February 2017 (UTC)) styczeń 2017, publikacja luty 2017.

Lydfil fra Ruben-samlingen, 1) Der Trompeter von Säkkingen,Behüt’ dich Gott!; akt 2 af Victor Ernst Nessler, 2) Ikke-identificeret melodi, 3) Santa Lucia, traditionel Sound file from Ruben collection

Lydfil fra Ruben-samlingen, "Sjælden penge, prygl des fler" ; akt 1, scene 1, sunget af Peter Schram, ophav Wolfgang Amadeus Mozart, rolle Leporello Sound file from Ruben collection: Leoporello's opening aria "Notte e giorno fatica" from Mozart's Don Giovanni

Cavatina from La Favorita, arranged and played by alto saxist H. Benne Henton. It is originally from the fourth act of Gaetano Donizetti’s opera La favorite. Die Cavatine aus Die Favoritin, arrangiert und eingespielt vom Altsaxophonisten H. Benne Henton. Es ist ursprünglich die Cavatine des Fernando aus dem vierten Akt der Oper Die Favoritin von Gaetano Donizetti.

The song Fantasie on scenes that are brightest, arranged and played by alto saxist H. Benne Henton. It is originally from the third act of William Vincent Wallace’s grand opéra Maritana. Das Lied Fantasie on scenes that are brightest, arrangiert und eingespielt vom Altsaxophonisten H. Benne Henton. Es stammt ursprünglich aus dem dritten Akt von William Vincent Wallaces Grand opéra Maritana.

nothing to wear. it's a phrase used sometimes by those wishing to make a point, and some, like me, wouldn't see any risk involved. Really was nothing, maybe a bad habit. Once again, not even socks. A huge hand clenching a bottom cheek and i was through the front door. Underestimated partner. Bluff called. No quarter. No turning back. . .

I get annoyed easily when i hear someone telling me what to do. It gets me in trouble. This was a while ago. I hadn't ever been caught at that point, and he was the one recording. He actually got me started on that. Of course, i had taken off the offending articles of clothing and kicked off my sneakers, and was locked outside my own front door that way. Of course i couldn't go anywhere, and the only unlocked window had an air conditioner in it. Yes i did. Right over the top of it, might have looked pretty clumsy, at least…i know it was risky but not as bad as standing out there. Luckily it was a back window. Unluckily, it was raining. Hard. Should have let him build that fence.