302 zvukové soubory bez licenčních poplatků pro "Generátor"

Sound generated from an image.

Generative modular acid line sequenced with my own custom script that is specialized for non-quantized sort of strings of notes. I mangled the envelope quite a bit though so it just sounds more swingy than anything i guess. Not sure what the bpm would be. Would be better if it were cut up for one-shot sounds maybe.

This is simple "ding"-sound created with audacity.

An example of an ugly generation to supplement the paper, transformer neural networks for automated rhythm generation.

An example of an bad generation to supplement the paper, transformer neural networks for automated rhythm generation.

Text-to-speech sound | for a school project.

I generated a sort of a bassdrum with https://donald82. Kapsi. Fi/services/wave_generator. Cgi i used this formula: cos(200000/(x+1117)). Not going to use that anywhere but i figured someone else might want to. Or maybe someone else want to generate their own bassdrum :).

Generated in audition via it's tone generator plug-in.

Startup, run and shutdown of 400kw diesel generac generator at my work.

I'm rebuilding and downsizing my synth. Which modules should i keep. Doepfer a-124 is that a keeper or not? maybe i keep it, but not in the starting eleven?.

I've decided to experiment with random frequencies slowly filling canvas and blending into a single timbre. For this piece they emerge with quite an amount of time and there is no distinct frequency to form a tone. This experimentation produces quite a hauinting sound consisting of small parts.

A sort of massive mechanical energy field generator, maybe good for some kind of jump node or massive forcefield generator or mining beam in a science fiction movie or game. Made with surge xt and audacity.

Vcv-rack and a machine composition patch - or generative patch. Minimal but some of the voices are constantly "doing things". . . I tried to add some sort of steady beat to this one. Wanted to make it less wild/wierd. Quantizer? what is that. Let the virtual synth decide.

Testing ff-chaos as a techno trigger. . .

Don't know what to call this patch jet. . .

More work with vclfos and lopping envelopes. And i'm using a one component rectifier. . .

Machine composed electronic music. The result made me think of a pedestrian crossing. I desired to mix my sound with a field recording of a swedish crossing. A recording madeby dobroide. Thanks. Stockholm » 20100806. Stockholm. Traffic. Light. Flachttps://freesound. Org/people/dobroide/sounds/102873/machine composed electronic music - or experimental generative atonal electronic music made with an analog modular synth. I give my synth the prerequisites to create music - and it does - endlessly. I record and pick out some created songs.

Machine composed electronic music. Searched for a sound to mix it with. Found this lovely sound recorded by unfa. Noise » intel got crazy - psychedelic soundcard buzzing noiseshttps://freesound. Org/people/unfa/sounds/274221/machine composed electronic music - or experimental generative atonal electronic music made with an analog modular synth. I give my synth the prerequisites to create music - and it does - endlessly. I record and pick out some created songs.

Machine composition with modular synth.

5 quantussy cells controlling 2 oscillators, 1 wave folder, 1 filter and 1 drum module (bmc analog drum). Even the pitch of the drum is controlled by one of the quantussy cells. The drum sound to fed to the feedback in on doepfer a-199 spring reverb.

I'm trying to find a place for "rnd modul logistische gleichung" in my modular. Okay this is a to long sequence. . . ? and unstable. But interesting. Makes it a little generative.

A cool sound generated with code (c#)!.

Really simple patch. Cv from nlc sloth to quantizer (doepfer a-156), via attenuverter. Triggers from doepfer a-160(161). But a tone is only generated if there is a change in cv from sloth. Its not 100% generative :-) first there is no cv connected to the oscillators. I connect them one at a time. The noise is also controlled by the same sloth. The analog delay is connected to barton musical circuits (bmc) 4 quadrant multiplier and panner acting as a panner, controlled by nlc jerk off (still a sick name on a great module). The ehh drum sound is generated by bmc decaying analog noise.

Simple patch. Two oscillators, ring modulation, lfos, vcas and digital effects. No spring reverb this time. Important module is the clock divider. Result a generative ambient patch and sound.

Simple patch. Two oscillators, ring modulation, lfos, vcas and digital effects. No spring reverb this time. Important module is the clock divider. The oscillators where tuned to the same tone one octave apart. Well. . . Not exactly. After having recorded i measured the frequencies 228,8 hz and 117,7 hz. . . But that made the output from the ring modulator interesting. What is generative with this? i modulate amplitude of the sounds and the decay for all thee sounds. This also affects the rhythm sound.

A small piece of music made a sunny day in november.

A small piece of music made a sunny day in november.

A small piece of music made a sunny day in november.

Example of a good, from scratch generation to supplement the paper, transformer neural networks for automated rhythm generation.

I've taken a spectrogram of the keyboard trying to create a similar timbre in supercollider. For each part of the spectrogram, i've created a randomly generated envelope. However, due to the fact that sc capabilities are limited and the spectrogram is discrete, i've got a funny unusual sound.

Chaos by feeding a square through a filter and back to its own fm input.

Random generated sound effects using vcv rack.

Time for electronic minute no 301. A relatively structured sound and patch. It's not exact, not exactly repeating. Sometimes an electronic high-hat sound i heard.

Deep eerie alien laugh.

Machine composition for 3 voices and colored noise. Composers: zlob diode chaos, nlc jerkoff, nlc ff chaos and nlc genie.

Intended to do some sort of tape echo, but. . .

This sample is of me starting our power washer. There are several cranks with no effect, one with it catching then dying, then another with it catching and running a few moments before sputtering out. Good for any larger-engine effect like a pull-to-start generator. Recorded with a zoom h6 with mics set at 90 degrees field.

The sound of a large fan being switched on.

The sound heard while the fan runs.

A reproduction of a windows beep, take one.

Another attempt of making a windows-esque sound, take two.

A synthesized sound that sounds like an alarm.

A generator failing.

Air compressor turning on, idling, then off.

Sounds like a laser charging or some machine booting up. Made in hybrid3.

The sound from a blow-up santa in a store.

Modular synth generative feedback patch driven by feedback between flip-flop chaos (nlc), a vclfo and logistische gleichung (klangbau köln). Two simple voices and filtered noise. Some reverb from spring reverb.

24 bit 44. 1 10+ minutes of mono modular noise maddness. I particularly like 9:57 to the end. Excellent for wavetable creation, cutting up for sound design, or just listening to fm synthesis noise based mostly in zerocillator.

An old school 8/16-bit styled swishing sound.

Polyrhythmic synth sequence. Exploring with ring modulation.