40 zvukové soubory bez licenčních poplatků pro "Pastor"

Härn Pastoor sien Kauh Kennt ji all dat nige Leed, nige Leed, nige Leed, wat dat ganze Dörp all weet, von Herrn Pastor sien Kauh?     Sing man tau, sing man tau,     von Herrn Pastor sien Kauh, jau, jau,     sing man tau, sing man tau, von Herrn Pastor sien Kauh! Ostern weer se dick un drall, dick un drall, dick un drall, Pingsten leeg se dod in’n Stall, den Herrn Pastor sien Kauh!     Sing man tau, sing man tau,     von Herrn Pastor sien Kauh, jau, jau,     sing man tau, sing man tau, von Herrn Pastor sien Kauh! As se weer in Stücken sneeden, Stücken sneeden, Stücken sneeden, het dat ganze Dörp wat kreegen, von Herrn Pastor sien Kauh!     Sing man tau, sing man tau,     von Herrn Pastor sien Kauh, jau, jau,     sing man tau, sing man tau, von Herrn Pastor sien Kauh!

A remix of nicstages' pastor steve recording.

A remix of nicstages' pastor steve recording.

The line "you may ask me, 'pastor, why are you playing this?' but remember christians are to be aware of what satan is doing, of his wiles and of his ways. ".

A remix of nicstages' pastor steve recording.

Piano Sonata no. 15 in D major op.28 "Pastoral" - I. allegro by Karine Gilanyan

Piano Sonata nr.15 in D major op.28 "Pastoral" - II. Andante by Karine Gilanyan

Beethoven - Piano Sonata no. 15 in D major op.28 "Pastoral" - III. Scherzo. Allegro Vivace

Claude-Paul Taffanel's Andante Pastoral et Scherzettino (1907), the competition piece for the 1907 Paris Conservatory Flute Concours. Performed by Alex Murray (flute) and Martha Goldstein (piano) for Pandora Records, c. 1980, and released on Pan 110.

Symphony no. 6 in f major 'pastoral', op. 68 - ii. Andante molto mosso (Szene am Bach)

Beethoven - Piano Sonata no. 15 in D major op. 28 "Pastoral" - IV. Rondo. Allegro ma non troppo by Karine Gilanyan

George Frideric Handel: Messiah

Musical exercise composed by Pastor Jean-Georges Stuber (late 18th c.).

Beethoven Symphony No 6, fourth movement, bars 3-8

Retrobem la nostra música CD nº 20

Crickets, insects & a few roosters: sound of rural countryside close to ubud, bali in indonesia.

Den die Hirten lobeten sehre, Evang. Gesangbuch 29

Ort: Umbyn (sameby) / Stensele (socken)

Garageband-made music. Cheerful, relaxing. Great background for games, videos, animations, etc.

Urban ambience recorded at bon pastor's underground in april 2019 using a zoom h-1 for calidoscopi 2019.

Symphony No. 6 in F major (Op. 68) - 3rd movement

This sound was made for the project besos: a noble ecosystem. The sound was recorded on the gangway of the molinet bridge in the district of bon pastor, on the banks of the besos river. This is the sound taken from a video.

Symphony No. 6 in F major (Op. 68) - 5th movement, composed by Ludwig van Beethoven. Symphonie Nr. 6 in F-Dur (Op. 68) - 5. Satz.

Symphony No. 6 in F major (Op. 68) - 4th movement, composed by Ludwig van Beethoven. Symphonie Nr. 6 in F-Dur (Op. 68) - 4. Satz, komponiert von Ludwig van Beethoven.

Kommt und lasst uns Christus ehren; Evang. Gesangbuch 39 Hört, es singt und klingt mit Schalle; Gotteslob (1975) 139; Gotteslob (2013) 240

Symphony No. 6 in F major (Op. 68) - 1st movement, composed by Ludwig van Beethoven. Symphonie Nr. 6 in F-Dur (Op. 68) - 1. Satz, komponiert von Ludwig van Beethoven.

Johann Sebastian Bach (1685-1750) Cantata BWV 125: Mit Fried und Freud ich fahr dahin (2 February 1725) 1. Mit Fried und Freud ich fahr dahin (Chorus) 2. Ich will auch mit gebrochnen Augen (Aria: A) 05:27 3. O Wunder, daß ein Herz (Recitative: B) 13:19 4. Ein unbegreiflich Licht erfüllt den ganzen Kreis der Erden (Duet: T, B) 15:36 5. O unerschöpfter Schatz der Güte (Recitative: A) 20:55 6. Er ist das Heil und selig Licht (Chorale) 21:37 Soloists: Alto: Ingeborg Danz Tenor: Mark Padmore Bass: Peter Kooy Performed by Collegium Vocale Gent under the direction of Philippe Herreweghe. Recorded by Harmonia Mundi France in 1998. "Bach composed the cantata 'Mit Fried und Freud' for the feast of the Purification on 2 February 1725. Here, the opening chorus is in 12/8 time, which is almost always associated with a peaceful, pastoral mood. Here it is the expressive key of E minor, which, raised to monumental heights, will re-appear in the opening chorus of the St. Matthew Passion. The chorale is sung in long note values by the soprano accompanied by the lower voices of the chorus in densely textured imitation, and which takes up the serenely elegiac movement of the instrumental ritornello theme. Only twice does Bach interrupt the pattern: at the words 'sanft und stille' all the voices drop into a sudden 'piano' and even the lively rhythm of the vocal part gives way to a more tranquil measure. The contrast of the 'forte' on the next words, 'wie Gott mir verheißen hat' is all the more convincing in relation to the preceding words. Once again Bach leads the vocal part into a quiet, even tenor for the final line of the chorale, 'der Tod ist mein Schlaf worden.' " - Thomas Seedorf Painting: Still Life with Three Medlars, Adriaen Coorte