Woosh-impact i made using the clanging of a metal pole outside my house reversed and added to a kick-impact i made in sylenth. I'll admit its kind of loud so i apologize in advance.
Gt car racing at fuji international speedway. A bmw z4 attacks on the qualify session, which turned out to be the fastest, got the pole, and won in the race. At835st, pmd661.
The assorted sounds of rolling house paint onto a wall with a wood pole, lambswool shuck and plastic/metal frame, from a plastic pan. Some bumps and clanks but also a few sections of sticky latex application.
I recorded some more of the flag outside the country courthouse. Nice cloth flaps, birds and gusts of wind. Recorded with: fostex fr2le, audio technica bp 4025 stereo mic.
Two metal creaks/groans that could be used for a large swinging gate or haunted house effect. Recorded from a metal sign rotating on a pole during a lightly breezy day.
This is a nice recording of a flagpole in front of the country court house. Birds and wind, and the occasional clank of the rope on the pole. Recorded with: fostex fr2le, at bp 4025 stereo mic.
This is a nice recording of a flagpole in front of the country court house. Birds and wind, and the occasional clank of the rope on the pole. Recorded with: fostex fr2le, at bp 4025 stereo mic.
Medium thunder-storm, recorded in a beech grove near dur-dur village, north ossetia, russia. Gear: zoom h6 recorder, audio technica at835b shotgun with boom pole and zeppelin on it.
Field recording in rural serbia. Mid afternoon in august. Voices in the distance fade away, a light wind in the trees. Stereo shotgun mic on a boom pole, 2m50 up in the air. 48k/16 bitrecorded in 2010.
Smashing beer bottles and other glass objects on concrete floor. Recorded and performed by students of the animation and video games career from the national school of arts of uruguay, generation 2021, during the sound design workshop. Gear:oktava mk-12zoom h4nmanfrotto carbon fiber boom pole.
While i was playing around with some "extreme settings" on my technosaurus micron, this rhythmic structure came out. The bleeps are from the resonance of the 12 pole filter, driven by the lfo. Recorded directly into audacity through my macbook internal soundcard. Info on this synthesizer: http://www. Vintagesynth. Com/misc/microcon. Php.
While i was playing around with some "extreme settings" on my technosaurus micron, this rhythmic structure came out. The bleeps are from the resonance of the 12 pole filter, driven by the lfo. Recorded directly into audacity through my macbook internal soundcard. Info on this synthesizer: http://www. Vintagesynth. Com/misc/microcon. Php.
Santa's in a blizzard in the north pole! but you can still hear his bells! these bells were recorded on a windy day in the suburbs of michigan. These are your typical bronze bells being slammed against a glass window on a door as the door was being shut.
Loopable lead sound from my technosaurus microcon, obtained by multi tracking 3 slightly detuned and lightly off phase saw waves. 12 pole filter, fully opened, no resonance. Played in gate-trigger mode (no adsr whatsoever). Recorded directly into audacity through my macbook internal soundcard. Info on this synthesizer: http://www. Vintagesynth. Com/misc/microcon. Php.
Two-pole circuit breaker recorded held in my hand, also pressed against a wooden board for more resonance. And some rattling mechanical handling noises at the end. Useful as electrical switch click. 96 khz, 32-bit float. Tlm-103 mic straight into pro tools. The only processing is a mild gate. At least it has a good noise floor.
File i recorded while at work on a telephone pole. I found a span of the steel cable they string between the poles that hold phone lines or cable lines. But this was just the bare span and nothing touching it. If you hit them with a wrench they make weird laser gun sounds. Recorded with my phone and cleaned up a bit in audacity. Use as you please. If you use it for anything interesting and want to share what you used it on, sure let me know. Enjoy.
While i was playing around with some "extreme settings" on my technosaurus micron, this rhythmic structure came out. The bleeps are from the resonance of the 12 pole filter, driven by the lfo. Here, the lfo is driving also the oscillator pitch, resulting in a rhythm shift. Recorded directly into audacity through my macbook internal soundcard. Info on this synthesizer: http://www. Vintagesynth. Com/misc/microcon. Php.
While i was playing around with some "extreme settings" on my technosaurus micron, this rhythmic structure came out. The bleeps are from the resonance of the 12 pole filter, driven by the lfo. Here, the lfo is driving also the oscillator pitch, resulting in a rhythm shift. Recorded directly into audacity through my macbook internal soundcard. Info on this synthesizer: http://www. Vintagesynth. Com/misc/microcon. Php.
Et pourquoi je ne peux pas, nue avec toi nu, préparer ensuite le petit déjeuner, un déjeuner opulent et substantiel, en agitant mes tétons au dessus de la poêle à oeufs by PAS DANS LE CUL AUJOURD'HUI
A cute black dog waiting for its owner on the street while on a leash, tied to a street pole. Sad sad. Whimper whine. Recorded with zoom h2. Edited with audacity. This sound is cc0 but i highly recommend that you include a link to this page when using it, to avoid misunderstandings. Http://farm9. Staticflickr. Com/8070/8213683889_517a10ef52_o. Pngon flac and ogg vorbis audio file formats. Contact me if you have interest in specific sounds for open source or commercial purpose.
Sound of a million-dollar horse. A close-up shot of a dominican paso fino doing its tell-tale step, natural to the breed. The rhythm is near-perfect, we can clearly hear hoofs on dirt as well as the animals heavy breathing. Various segments are perfectly loopable. Recorded on an h-1 zoom on a pole astride the animal. As a side-note, the horse itself is from a price-winning blood-line and worth in the excess of $1. 5 million us. I know, right?.
I used 2 low frequency operators (lfo) on a low pass filter (24db) on a generic pink noise sound with medium resonance settings, one of these lfo's was manipulating the other one with a random ramp, to make it sound more diverse and realistic. I put an aditional long envelope on the q (resonance) also, not to mention some chorus at a low tempo to make it kinda binaural with a stereo delay at a short time setting. . . I hope you enjoy it!.
4ch field recording of an underpass below a german motorway, the a38 by leipzig. The recorder is located directly beneath an expansion joint on the edge of the underpass, the clonks and clanks of cars and trucks driving over the joint can clearly be heard, with the motorway noise reverberating in the underpass in the background. Recorded with a zoom h2 with a rycote windscreen, mounted on a boom pole. These are the rear channels, mics set to 120° dispersion.
Wind through reeds, some insects, mother chicken with chicks, chicken sounds close, rooster crows from time to time, sparrow chirps, chicken has laid an egg and announce it loudly. Recorded with zoomh2n, mallorca.
