125 lizenzfrei Audiodateien für "Demonstration"

Created and formatted by walker farrell for use in the make noise morphagene. Utilizing a make noise modular system to create short recordings of pulsar, glisson, and trainlet synthesis, and recorded into the morphagene for modulation, layering and re-sampling. Video demonstration here!.

Example of a sound at four levels of amplification: 0. 0, 0. 5, 1. 0, 1. 5includes clipping at the 1. 5 level. Sound generated using the go-sound golang programming library:https://github. Com/padster/go-sound. As part of the demonstration program:https://github. Com/padster/go-sound/blob/master/runthrough. Go.

Antifascist protest demo leipzig germany recorded with sony pcm d100 internal mic. Recording location you can see here: https://www. Instagram. Com/p/cckamookfya/?utm_source=ig_web_copy_link.

Example of producing a beat frequency - two seconds of 110hz tone, followed by two seconds of 118hz, to form an 8hz beat frequency. Sound generated using the go-sound golang programming library:https://github. Com/padster/go-sound. As part of the demonstration program:https://github. Com/padster/go-sound/blob/master/runthrough. Go.

A recorded walk during the day with an explanation to each sound that can be heard. Mostly all sounds were man made like a plane and car. Sounds were enhanced by other sounds used from this website. Made for a demonstration at loyola high school for a music appreciation course.

Coal coast nsw bush recording attempt with the kids. They struggle to keep still and i, the recordist, slowly lose my patience / belief that a recording is possible. Good demonstration, however of the 360 sound panorama of the hooke verse, binaural mics used. Stereo 24bit 48khz format.

Start-up sound of a u. S. Army m1a1 tank - gas turbine engine. Recorded during civilian parade, tanks for display. Us army testing and displaying m1a1 tank for public. Demonstration of turn on turbine ignition of the m1a1 tank. Originally recorded with accompanying video from device.

Stereo recording of people singing in a demostration. Cántico "no nos han vencido" afuera de comodoro py. Zoom h4n.

Completely free, no have to mention me. Just a little support, following or listen my music. I make triphop idm music, i think so. Https://dpath. Bandcamp. Com/. Https://www. Instagram. Com/dpath_wav. Https://soundcloud. Com/dpath. Https://www. Youtube. Com/channel/ucavxmkpekrascrkfkosrjdg. Donations: https://www. Paypal. Com/paypalme/dpathmusic.

A short clip of a (intentionally) low-skill trumpet player playing a simple warm-up tune. Could be used to demonstrate technique improvements or what-not-to-do. Trumpet played was a yamaha allegro with a yamaha 14b4 mouthpiece. Recorded using the internal microphones of a tascam dr-40x at a distance of approximately 3 feet.

This is a synthesized melodic contour of a short excerpt of carnatic music. This sound is basically used for a demonstration of the importance of loudness and timbre in melody. The original excerpt from where the pitch was extracted and the monotonized version of this sound will be soon linked here in the description.

Example of how the four major waveforms sound compared to eachother. Warning: loud! this is full amplitude, so sawtooth and square in particular will appear louder than your average sound. Sound generated using the go-sound golang programming library:https://github. Com/padster/go-sound. As part of the demonstration program:https://github. Com/padster/go-sound/blob/master/runthrough. Go.

A recording of the riots in leipzig, germany at the 12th of december, 2015. After a more or less peaceful protest against right-wing parties, neo-nazis and other right-wing extremist, the mood shifted. The policemen and the black bloc acted aggresive against each other. Armored water canon trucks,teargas grenates, stones. . . I also had to run often, stood in the middle with my microphone. I just cuttet out some hard knocks on the mic. . . Nothing more. .

Sennheiser mkh 8040/mkh 30 ms in a cinela pianissimo windshield into a sound devices 744t; limiters on, no hpf. Stereo-linked 50-50 blend. Normalized to 0dbfs with spot noise removal on birds during the drive-by in rx5, tail left unprocessed. No other processing of any kind. This sound effect acts as a demonstration of this stereo pair mic combination right out of the box.

This excerpt demonstrates a kind of gamaka (sphuritam) in carnatic music. Description-sphuritam: starting on a svara higher than its own position and quickly descending to its position which is repeated. This particular instance is sphuritam gamaka on m svara in raaga arabhi. Sung by: vignesh ishwar.

An example of a string sound synthesized using the karplus strong algorithm:https://en. Wikipedia. Org/wiki/karplus%e2%80%93strong_string_synthesis. Random noise is cycled at 325hz, and fed back into itself, with a simple filter to average two adjacent samples. Sound generated using the go-sound golang programming library:https://github. Com/padster/go-sound. As part of the demonstration program:https://github. Com/padster/go-sound/blob/master/runthrough. Go.

Field recording made at the occupy toronto demonstration which gathered in nathan phillips square in front of new city hall on 22 oct 2011. "human mic" technique is in use. The occupy toronto base-camp was at nearby st james park at this time. Roland r05 sound recorder and sennheiser mke400 stereo microphone.

Twitter https://twitter. Com/samples_simple@samples_simple. Demonstration of how the drum kit can be usedhttps://youtu. Be/ua5ibkhftte. Subscribe my youtube channel :-)for new samples. Https://youtu. Be/fzhu2rkaxvc?t=17. Facebook. Https://www. Facebook. Com/simplesamplesweb.

Demonstration of the impressive acoustics and natural reverb of the pisa baptistry http://en. Wikipedia. Org/wiki/baptistry_%28pisa%29, a few meters away from the world-famous leaning tower. Recorded with iphone 5, 44. 1 khz wav format, no post-processing whatsoever. Every hour a ticket inspector goes with this "a cappella" singing.

This is part of a set of samples demonstrating the capabilities of the diy version of the hexinverter mutant clap module (eurorack/modular synth). Of particular note is the noise bleed present in some hexinverter diy products as discussed on the muffwiggler forum. Except where noted as "with vca," all samples are recorded without added effects or processing. "with vca" samples have been tidied up with an envelope modulated vca. One may choose to see the bleed as a feature or flaw. . .

A sound demo of the register Violin, with modulation and sustain. You will hear random dual tones. This is the famous and well known sound of the Arp/Solina String Ensemble! Data of instrument: Series 76 (Manufacturing year) No. 0131202 Manufactured by B. V. Eminent - Bodegraven - Holland Démonstration audio du synthétiseur ARP Solina String Ensemble. Un effet de chorus est présent, caractéristique de cet instrument. Ce modèle date de 1976 et a été fabriqué par B.V. Eminent à Bodegraven aux Pays-Bas.

Piano Roll recording of Scott Joplin playing "Maple Leaf Rag" in 1916. The original Piano Roll had been scanned and converted to a MIDI file by PlayerRoll, but the work remains in the public domain. This is one of a number of rare recordings by Joplin. It also demonstrates the deterioration of his health, specifically its impact on his piano playing. Midi conversion by PlayerRoll, and found at: http://www.pianola.co.nz. Re-recorded as audio by Major Bloodnok using Cubase with a different piano sound. Slight echo added.

Piano Roll recording of Scott Joplin playing "Maple Leaf Rag" in 1916. Midi conversion by PlayerRoll, and found at: http://www.pianola.co.nz. Re-recorded as audio by Major Bloodnok using Cubase. The original Piano Roll had been scanned and converted to a MIDI file by PlayerRoll, but the work remains in the public domain. This is one of a number of rare recordings by Joplin. It also demonstrates the deterioration of his health, specifically its impact on his piano playing. Original UniRecord, 1916. Maple Leaf Rag published 1899. Українська: Скотт Джоплін грає композицію реґтайму «Maple Leaf Rag» у 1916 році.

A 1906 recording of American composer Scott Joplin's Maple Leaf Rag (1899) played by the United States Marine Band. This is one of the earliest known recordings of this work by Joplin (according to a discography of 78rpm recordings of Joplin works compiled by David A Jasen in "Scott Joplin - Collected Piano Works" 1981). Converted from MP3 to Ogg Vorbis with a slight trim of the beginning and end by Major Bloodnok. The discography of Joplin's work on 78 rpm records compiled by David A Jasen in "Complete works of Scott Joplin" indicates this is the third known recording of the Maple Leaf Rag. Edward A Berlin's book "King of Ragtime" in a note on p310 indicates that the recording of 1902 listed by Jasen is not infact the work by Joplin, making the 1906 recording the second existing record. Edwards's web-page and this page demonstrate that there are no known existing copies of the 1903 cylinder recording by Wilbur Sweatman and His Band.

Noise created by individual oscillators, using audio paint, with different height images, to demonstrate what happens with too few oscillators vs. Plenty. In the end, the result is not random enough to be noise. The first 2-second burst is pure white noise for comparison. Then we have multiple 1-second bursts from audio-paint in a sequence of different image sizes: 50,100,150,200,250,350, 500, 700, 1000, 1350, 1750, 2200, 2700, 3250, 3850, 4500, and 9999 (this corresponds to the number of oscillators). The last burst is longer, and there is 1/2 second gap of silence after the first (reference) burst and before that last (9999) burst. The images other dimension was 20. The spacing of frequencies was exponential, between 40 hz and 18 khz. This is not intended to be useful, just an illustration during a discussion in a forum (http://www. Freesound. Org/forum/sample-requests/35199/?page=2#post75605). As mentioned there, i realized only afterward that exponential spacing would be giving me an approximation to pink noise instead of white noise, so the reference burst at the start is not really a fair comparison. Ideally, i would go back and re-do all this using linear spacing, but that's a lot of trouble. :-) i did, however, change to linear to get a white approximation, but that's a different sound i'll upload separately (c. F. Http://www. Freesound. Org/people/zimbot/sounds/242053/). I don't believe you can get true white noise without at least something being random in your synthesis method.