185 lizenzfrei Audiodateien für "Modul"

A modulated bass guitar sound.

The name almost says it all. Some synth attuned a certain pitching way, with some amount and rate lfo speed up and down.

Great on subwoofer!.

I made this sound with my microkorg, making lfo1 and lfo2 hella fast, and made them modulate the pitch and amplitude, respectively, at full strength. The values for the frequencies i don't know, but it is fun to dive in to a synth and try to replicate the sounds that you're hearing.

An odd sounding voice saying "two weeks later" - kinda had a monty python-esque feel in mind when i made it.

A complex mono electronic sound/beat generated using granular synthesis.

Playing with lfos. 2 lfos are controlling the amplitude of the sample and hold generated blips. . . :-).

Samples i made with my korg volca fm.

Simple 4 quadrant multiplier done with a lm13700 and some components.

Triangle wave form from the noise reap bermuda oscillator. During the recording i'm turning the "self mod" knob cw and back.

| - description - |. Sine wave with pitch modulation. | - made with - |. 3xosc - fl studio. | - uses - |. For projects or whatever i wanted.

Had a short relaxing session with my modular. I wanted to use the "divide by 64" patch and make some generative sounds/music. I added some mixer feedback. This is a patch for 2 voices.

Battery jitter earthbound signal a-xx module dc solar chemical unit.

Battery jitter scalar signal a-xx module dc solar chemical unit neutron node.

X and y comes from the nonlinearcircuits sloth lfo (regular version). X is the high sinus c, left channel. Y is the low triangle c, right channel. X and y goes to comparator resulting in a note when crossing the threshold. At the same time x and y goes to cv in on jupiter storm generating two glissando paths. The two used osc's on jupiter storm are tuned to the same pitch.

X and y comes from the nonlinearcircuits sloth lfo (regular version). X is the high sinus c, left channel. Y is the low triangle c, right channel. X and y goes to comparator resulting in a note when crossing the threshold. At the same time x and y goes to cv in on jupiter storm generating two glissando paths. The two used osc's on jupiter storm are tuned to the same pitch. The sloth have a potentiometer that is said to "alter frequency a little". . .

This is a bassline of dnb, got 16 bars on 180 bpm or 8 bars on 90 bpm. I did it with a synth using abletondon't forget there is the possibility of you having to amplifier and compress for give more punch. Feel free for use it!. A tip from me to you is cut the bassline in pieces, explore all the locations where you can use for start a song. . . Use short parts of the bassline and use stretch and pitch techniques. Just explore and imagines freaky ways of change small samplers to a big and nice bassline! :d.

A more intense flip across the am radio dial in the united states, this time at night.

Sample was created by looping a "heavy metal" drum pattern with fills from a yamaha pss-480 keyboard. The drums were processed through various pedals and then looped on a boss dd-20 going into a boss me-30 multi-effect.

Just a sample of what my basses sound like :). This loop is free to use, as long as long as you check me out on soundcloud. You don't have to, but its the most you could do :). Https://soundcloud. Com/paul-stitz.

The interference picked up on the am band of the radio from a wireless mouse.

Korg polsix with a bad chip.

Korg polsix with a bad chip.

Korg polsix with a bad chip.

Korg polsix with a bad chip.

Korg polsix with a bad chip.

Korg polsix with a bad chip.

A wobble created with ableton live native instruments and effects.

Static with pops from dead air on a radio station. Starts with a drone which fades from the background.

A very harsh section of static with periodic interference (source unknown) from the far right-hand side of the fm radio dial, at 106. 7 mhz. Recorded from a digital tuner.

A less harsh, almost tickling of static pops from the right-hand side of the fm radio dial, interspersed with harsh interference (source unknown). Recorded from a digital tuner.

A 4 bars long heavy dubstep wobbler-line! leave a comment if you like it ;).

An ascending heavy wobbler! kicks you out of your socks ^^.

Another wobbler in c with variating triol-rythm, whab-whab-whab-whab-whab-whab whaaab-whaaab-whaaab describes it best :d.

The most heavy tune that i could create! enjoy your ear-gasm :d.

A chainsaw-wobbler in g#, fits perfectly between my c and my f wobbler ;).

Dead air on an a. M. Radio station while lightning in the area "tickles" the frequency to create static peaks. Perhaps similar to the sounds of a radiation or metal detector.

Strange radio interference picked up between radio channels at 3am one morning. (i'm reasonably sure this some sort of strange em phenomenon rather than someone else's composition being broadcast; if i am wrong, i will be happy to take it down. ).

Deep mad reese bass. Rendered at 170bpm.

A modulated high frequency synth created using eq and vol automation un-filtered.

Little melody. It is consisting of two sinewaves. I linked a sequenced ring-modulation to the high-pitched sinewave. If you like this sound you might also like my tunes: http://soundcloud. Com/beverlyhillsboy/ check them out! cheers. :).

Feeding some cv to nlc ffc. Okay. It affects the module.

Freq mod laugh synth 1 //cc0.

Synthesized soundit's a regular sine with a fast, chaotic pitch modulation9 notes, first note on each octavesurge xt synthesizer.

Som da água escorrendo da torneira, em um dia ensolarado, gravado em pontal do paraná, em fevereiro de 2023, por valéria mendes.

A post-industrial feeling created with a tone generator, layering and reverb.

Testing/documening my bartonmusicalcircuits (bmc21) full wave dual rectifier. "this is an all analog synthesizer module used to alter the timbre and create new harmonic content. ". Sound:1. Sine wave not going throught rectifier2. Sine wave though rectifier3. Triangle though rectifier4. Square through rectifier5. Saw through rectifier. An lfo is modulating the bias.

Old computer tape loading, pulse width modulation.

Buzzing modulated reverb.

Short bitcrushed sound effect distorted for whatever use. Corto bitcrushed efecto de sonido distorsionado para cualquier uso.