622 lizenzfrei Audiodateien für "Still"

His sound was created using "surge" synthesizer bpm 100key: d d# dcheck it out: https://presetshare. Com/preset/view?id=3477.

Autumn is a time for slowing down and allowing yourself time for reflection and contemplation. The accomplishments and mistakes from the previous year. Especially if you make it a habit of getting out all year long and exploring nature, autumn can be a much-needed change in sensory soundscape. . . . After a busy spring listening to the many different warblers which come to visit and a busy summer immersed in the busy sounds of life----both human and natural----autumn's subtle, quiet muted soundscape can be almost like a re-birth for the ears and the soul. The insects, which had taken over center stage since august, are still singing---though now with a quieter volume and a more even sleep and though-inducing tempo. . . . . . . . Brisk winds from the north can be heard more clearly now----swishing, rustling the weedy, tan edges of fields. . . . . Hinting at the bite of much colder masses of canadian air waiting on deck for their turn in the months of november, december and january. . . I made this recording on the evening of october 4th 2014 at the edge of a field which was bordered by thick stands of oaks and pines of a major national forest. . . . . I couldn't help but pretend i was linus waiting in the pumpkin patch for the great pumpkin to arrive!. Recording made with my marantz pmd661 and a rode ntg-2 shotgun microphone on a tripod about 3 feet above the ground. My input volume was 6. I hope you enjoy this soundscape as much as i do.

An actual new production instead of old stuff! made in june of 2020. A dark intro implies the humming engines of the spaceship you're in as you're traveling at speeds unimaginable. Slowly the ship starts to spring to life. As you open your eyes, slow but huge bands of light sweeps across your cryogenic sleeping pod, as if being scanned. The pod starts to move while you're still in it, going through chambers filled with machinery and bleeping computer stations, until it stops in front of a huge closed door. Suddenly, your pod opens up as well as the door. Your eyes are greeted with the majestic sight of a gigantic control room with windows as far as the eyes can see, galaxies fills your field of view, a beautiful synergetic view of the grandeur of space and the hundreds of lights of the control room, welcoming you to a new adventure. 2 simple chords form the basis of a textural composition supplied with sound effects. Plugins used: ni kontakt 5 with atom hub's the planet, doom by sampletraxx, space by rigid audio, ni absynth, and massive vst synths. Extra sound effects: shocking signal and ui designer by sampletraxx, heavily sampled and mangled. Effects: izotope mastering plugins, a bunch of fl studio stock reverb and eq, guitar rig 5, blackhole reverb, replika xt, raum reverb.

4-channel hq record of a sudden and heavy thunderstrike (nearly) without rain in the afternoon of a hot summerday. The recording equipment was prepared for recording thunder, so there is no distortion, no compression or (auto)gain reduction done by a limiter in the zoom f8, means the whole dynamic is still there and will be audible by a adequate monitor/audio equipment. ;-)the sound was not edited or otherwise enhanced with effects. This file can be used as a intro followed by my other track (link below), which has soft rain at the beginning, before the thunder comes. . . ;-https://freesound. Org/people/bluedelta/sounds/367222/. The 4 channels are recorded in irt-cross technique (microphone distance 25cm) so it is a 360° (4x90°) record. Http://irt-cross. Mozello. De_________________________________________________________used recording gear:zoom f84 x rode nt1 (without "a" = the black ones). Ch1 = flch2 = frch3 = rlch4 = rr. The download-file is a polywav. If you need to split the file (e. G. To make a stereo file), you can use the easy to use"wave agent beta"(free)from sound devices for example. Https://www. Sounddevices. Com/product/wave-agent/. Comments about this atmo-record are welcome! ;-). . . And you can help others to find this sound easier by (star)rating this track.

So you liked surprising her. Here's what it feels like, dude bahahaalso, what it sounds like. A first foray into educational response, the subject slowly awakened in handcuffs, barely aware he was rapidly losing his shorts. Totally unsympathetic cohorts then lashed ankles quickly to both ends of a broomstick. Free to do as they please, unplanned things can happen, and did. Oh, dear. 😯 well he was completely vulnerable. You mean. . . Yeah. They did. 😼 at that point i think he was awake. His victim had selected the broadest and longest, high-output motorized appliance to be found, complete with bulging veins. . . Eventually, at her hands and from her “deep” feminine resolve and with considerable force, the nautilus made port. Ta-daa!! lubricant sure wasn’t needed anymore but had spent the night in the fridge. So she used it😬 end published audio, but not the still-expanding asshole, um, event. Take-away: if you cannot be respectful, at least be careful where you sleep. In fact just a bit later, the enhanced vibrators and integral power-stroking were switched on. Gracious. He didn’t know it had an “on” 🙀 and just about went wild. A lovely, cohort-induced stiffy relaxed and then, any semblance of bladder control did too - oh, oh my 😸 😹then we left.

An ambient thing i did.

This sound was created using the "synplant" synthesizer. Check it out: https://presetshare. Com/preset/view?id=1251.

Field recording of distant industrial mine / factory, with birds nearby. Lazy summer noon.

Calm ambient track. Winter woods / pinewood february 12. 41 pm (noon) in the netherlands near village giersbergen. Bram’s admin request-text and my answer in audio. Hello freesounders,it happens very infrequently that i post requests. However, i have an extraordinary sad reason to do so today. I don't want to go into detail in this public forum, but someone incredibly important and incredibly young in my life and my wife's just passed away. I am thus looking for an extra long recording of a peaceful "forrest ambience" to play during the good-bye ceremony. Something with some birds and perhaps some wind through the leaves,. . . . Currently the ceremony is planned for april 6th so i would need this before then. I know i can look through freesound, but i would like something specifically recorded with this in mind, something we will be able to listen to later as well, remembering this important and sad time in our life. . . Yours in grief,- bram & familywhat you hear;general-noise; soft wind in woods, sometime a bit increasing. A far kid at the edge of hamlet giersbergen. Far hum of the woods. Remark that the far high altitude planes are on a very lo noise level. Off and on craws and woodpeckers. 00. 00-02. 18 clean background-sound02. 18-06. 57 far high altitude plane- 04. 08-05. 42 people passing06. 05- 08. 13 clean background-sound- 07. 15-08. 12 woodpecker08. 16-10. 33 far high altitude plane10. 33-11. 44 clean background-sound- 10. 44-11. 32 (far) woodpeckers11. 33-12. 53 far police serine12. 55-14. 11 clean with some far yelling kids and woodpeckers14. 15-16. 14 far high altitude plane16. 14-26. 11 clean background-sound with some friendly increasing wind gusts- 23. 06-23. 56 woodpeckers- 25. 53-26. 08 woodpecker26. 08-end far high altitude plane and people. More recordings here search: giersbergen. About the area, national park loonse en drunense duinen. (text by irma de potter,ranger of this area) dutch website: https://www. Natuurmonumenten. Nl/natuurgebieden/nationaal-park-loonse-en-drunense-duinen. In the loonse en drunense duinen you will find forest, heathland and especially a lot of sand. It is one of the largest shifting sand areas in western europe. The wind can blow undisturbed in many places, resulting in an ever-changing landscape. By purchasing it in 1921, it has been protected for 100 years and we can still enjoy this brabant sahara today. You can roam freely on the sand plain. So there is plenty of room to explore extensively. Marvel at the submerged trees, enjoy the chirping field crickets and quench your thirst at one of the many cafes or restaurants on the edge of this nature reserve. Walking, cycling or on horseback: it's all possible here. With the wind in your hair and the sand in your shoes. You may even come across the sheep herd. The sheep keep the heath short and eat away saplings. This is how they keep the area open. The loonse en drunense duinen still has 270 hectares of shifting sand. That sand creates rather extreme conditions: the soil is dry and nutrient-poor. The difference in temperature between day and night can be as much as 50 degrees celsius. This ensures a unique flora and fauna. The animals and plants have adapted or feel at home in drought, aridity and temperature fluctuations. Sand sedge and various lichens, for example. And the viviparous lizard, sandpit beetles and sand bees. All species that love sand. In the last ice age, the polar winds blew sand from the north to brabant, where it remained in thick packages. For a long time this sandy plain was covered with primeval forests. Until the fourteenth century the trees were felled by people. They used the wood as fuel. The bare plain was filled with heather, where the farmers grazed their cattle. This intensive grazing and the sod cutting of the soil depleted the soil. This gave the sand free play. For a long time, the sand was a major problem for the residents. Villages and fields threatened to disappear under it. Trees were planted to stop the advancing sand. You can still see the traces of this today: find the submerged trees that only peak above the sand hills with their crowns. Date/time: february 15th tuesday 2017, start 12. 44 pm. Weather: 13c, clear sky, wind se 2-3bft , 1023 hpa. Mic pointed ne. Location; soft-wood-forest giersbergen (drunen), national park “loonse en drunense duinen”, drunen, noord-brabant, netherlands (holland), europe geo 51. 65566 5. 15774. Gear chain: sennheiser mkh30/50 ms, in rycote cyclone small, windjammer > sound devices 302 >tascam dr-100 mk2. Low cut 140hz 6db/octave. Level around -33db for background. Decoded mid-side to stereo.

Silent busy city fantasy atmosphere.

Impact/piercing/stabbing sound effect in anime-style. Arrow, swung weapon or dart hits a person.

From the eerie fx pack. See tags for some more detail. All sounds from eerie fx pack were actually ripped (using edison) from a highly modified version of my upload 'eerie fx full'.

This one actually contains a remix of one of clkk's loops. . But other than that is still the worset sample ever because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo.

This replica of my tinnitus was created using the free program called audacity. Http://audacityteam. Org/i had to generate 3 different 'tones' and combine them before i felt the high-ish noise was close to what i hear. I then had to search freesound for something that i only hear beneath the high pitch noise when my house is very quiet, which is something like the sound of strong wind outside a closed window or a power station a mile away. It took me a few hours, and even then i had to manipulate the sound considerably. Thanks to felix. Blume forhttp://freesound. Org/people/felix. Blume/sounds/167684/#commentsthis natural wind sound file was equalized and leveled several times, then the sound level was reduced to blend with the high pitch. But it still wasn't right. So, not being an expert with audacity, i just went down the list of 'effects', trying each one, until i found "paulstretch", which somehow increases the time length of your sound file, without stretching as in 'elastic', which would deepen the existing tones, and apparently, without copying and pasting. The sound does change somewhat, becoming just slightly ragged, but it's a very interesting effect for this application and actually got used on both elements to produce the final sound. . I hope no one enjoys this sound and can't imagine that anyone will. It makes me feel slightly sick. . Info edited 28 oct 2021: with my tinnitus at it's current level, i will never, now, be able to reproduce it again, primarily because i can't hear any sounds i create in a detailed way. And secondly, because hearing this version of the sound these days is just too uncomfortable. 🥲.

A recording of the peaceful mid-autumn woods here in the midwest usa. I recorded this on november 15 2022 using a sony pcm d-100. In the northern hemisphere now, days now are much shorter, and much colder. Which means all of our energetic summer warblers and other migrants have long gone south, and are no doubt lounging around in a palm tree or something just gorging on insects. Here is the midwest woods? sure the summer birds are gone, but, the beauty of this season is that now you can hear the birds that never leave us. No matter how brutal the winter is, the blue jays, the black-capped chickadees, the many species of woodpeckers and the belted kingfishers never leave. This creates a different, but beautiful soundscape in the woods. For this particular recording, since i've found through years of roaming the woods, birds have a tendancy to be near water, i placed the recorder on a creekbank about 15 feet from a shallow creek. Now of course i could have gotten closer to the creek but by now the entire woods is a carpet of leaves -- this very slow-moving creek included. Which means the leaves had accumulated on thevery still creek water itself and i was concerned if i stepped on the leaves--thinking it was solid ground underneath, i would instead be "treated" to an ice cold pair of shoes and socks!. Among the highlights of this recording are:00:00:00 starting off with the loud blue jays1:56 black-capped chickadees with their active musical trills3:55 the very large and very loud pileated woodpeckers8:41--8:56 then again starting at 10:05 and running through10:40 the beautiful belted kingfisher with it's staccato-likerasp. Enjoy this beautiful mid autumn woods soundscape in the midwest usa.

This is ambiance taken from the inside of a moving car. It captures accelerating, breaking, stopping, indicating and gear changing.

My first upload! this sound i made using the zmors synth on my ipad air2 - i used audiobus which is a great routing software allowing many of a lot of awesome sounding synths that are now on ipad and can be played professionally via a usb keyboard controller (very handy for gigging) okay this is getting too wordy. . . I used audiobus overall with zmors in the first slot being routed through the wonderful aufx eq app in the center (effects) slot then ran the most useful of all ---> audioshare app in the 3rd or output slot to record it all. . . Keep in mind that the number of devices you can run in these three slots is virtually limitless - as much as your device can handle so you can get really nuts with several synths, a drum machine, etc all routing to the middle (fx) stop in the chain and picking up a fat 3 or 4 nice sounding effects devices then on to output to audioshare or you can now use just audioshare as host and run zmors in it directly (and probably more smoothly). I chose zmors because on a couple of other ipads (ipad mini, ipad 2 especially, and ipad air a little bit) i was noticing that it was a resource hog and was not playing correctly or there was a huge lag in the latency so with the new(er) ipad air 2 i wanted to hear the zmors synth and it really is an underappreciated majestic sounding beast if you ask me. I am going to experiment further with it as the unique architecture and just the way it sounds is totally different from any other synth i've yet to hear on ipad or in general. It kind of reminds me of a fatter, more modern. Sequential circuits 6 track. Which i've had a couple of and have a thick layered sound - kind of like a really nice turkey sandwich with a good portion of swiss cheese then you notice that there's still some roast beef left and put a good amount of that between bread as well. Hell, that's a sandwich that's gonna be filling! thanks for reading.

We develop iphone app that perform musical analysis on recorded audio from the iphone. Our app implementation make use of the audio queue service to receive raw audio buffers from the audio queue callback. In the first version of our app we had the problem of too much clipping on the recording which degrade the accuracy of our analysis. We also suspected that the noise canceling algorithm in iphone 5 produce distorted sound, which is not much noticeable by human ear but distorted enough to affect our sensitive algorithm. We found that the solution to our problem is to set the audio session mode to kaudiosessionmode_measurement. This session mode is supposed to give maximum freedom for us to control the microphone input, which include turning off the automatic gain control and probably noise canceling as well. The solution works very well except that it introduce a strange waveform pattern in the beginning of all recordings in iphone 5. It is very hard to explain the waveform we get, so i made two recordings at freesound so that you can see it visually. The first recording is made in an almost quite environment, and you can see the weird spike in the beginning of the recording. The second recording (this recording) is made with constant background noise, and you can see that the actual sound wave is offset from the strange curve and gradually increase to its original volume. This waveform only happens on iphone 5 devices that we tested, and there is no problem at all for iphone 4s and older generations. We have tried various settings and the glitch is still unavoidable as long as we set the audio session mode to kaudiosessionmode_measurement. We also find similar glitch in one of our iphone 5 devices, in which the glitch happens even if we try to set just the input gain level without changing the session mode. We are not sure if this is a hardware-related bug in iphone 5, or if it is fixable software glitch in the future version of ios. For the moment we are looking for workaround that can avoid this glitch while automatic gain control and noise canceling are disabled.

I've recorded the first chapter of a story created in a manner called one-word-at-a-time in freesound forums. Read the original here:http://www. Freesound. Org/forum/off-topic/34658/. Captured using a zoom h2, edited with audacity. Compressed with sc4 and eqd with audacity's built in rich eq. The compiled text without commentary:. 1 - once. . . 2 - upon3 - a time4 - in a small town called pandora5 - there was a database. 6 - containing vital information7 - collected and controlled by the government. 8 - nobody knew what the database, called pandorabox, contained, yet the popularfolklore went thus:9 - that every word, written, spoken or thought was in the database. 10 - though the question still remains,. . . 11 - how does one12 - hack the database? more importantly, why does one, or who intends to, hackthe database?13 - the question puzzled many but one young outcast searched for the answer forhis special organization called the. . . . . 14 - chaos code. 15 - within this organisation one thing was certain. . . 16 - , they were all looking for the same thing. For all they knew pandoraboxcould hold vital information for there cause that they could use against thecapital or it could hold deep dark secrets about them and the capital that wouldneed to be destroyed and taken advantaged. 17 - but,18 - nothing is ever easy19 - for20 - the chaos code. 21 - now time is running short as few are left to face the enemy22 - , although without even knowing who the enemy really was, the "crusaders" -the hackers - knew they were against something big. . . And that something wasagainst them as well. The first step, then, was to know whom or what they wereup against. 23 - they set to prepare some reconnaissance - to better equip their knowledge. 24 - when they got there they secretly spied the territory and discovered thatit was worse then they predicted and it would be hard getting in and out withoutbeing noticed, they will probably have to fight there way in and out or sneak inand then fight there way out. 25 - since they knew that either outcome meant the destruction of their plansbefore even starting, they decided they'd have to retreat and find an insiderfirst.

Electro-magnetic interference from the colorino talking color identifier and light probe when held near the internal ferrite antenna on the back right of a 13-year-old boombox near the bottom of the am broadcast band, from 530 to 580 khz. You first hear the device inactive being brought near the radio. This gives a low buzz of stacato clicks. At about 00:23 the light probe button is briefly pushed, you hear a quick boop of the light probe with low light level combined with the beginning of the white noise of the device active. If you put your ear near it after you use it, you will hear a slight hiss from the audio amplifier carrier idling for about a minute after last use. On the am radio this translates to white noise. At 00:26 there is a double click and a distorted voice says black. The voice is being picked up by the am radio. 10 seconds of white noise and i press the color button again and it says black. I put something else over the color sensor and it says a few more things. At 00:51 i hold down the light probe button and try to point it at the light above my desk while still holding it close enough to the radio to pick up the emi signal. You hear a warbling tone at 00:59 as the light reaching the sensor increases and decreases in brightness depending on how it's pointed. The signal fades in and out as the device is moved around. This has all happened at 530 khz. At 01:37 i step the radio up to 580 khz where you get a stronger signal. Wibw from topeka competes with the noise throughout the rest of the file. At 01:51 you hear the distorted error beep as i press the color button without anything but air and light in front of the color sensor. It must be pressed up against the thing you want the color of, or it gets in too much ambient light and errors out with a loud protesting beep.