109 αρχεία ήχου χωρίς δικαιώματα για "Εθνικός"

Islamic State of Iraq and the Levant anthemΕλληνικά: Ο εθνικός ύμνος του Ισλαμικού Κράτους

Made in figure.

An eas test from 2011.

Jewharp recorded using mc-907 microphone.

This is an imitation of a female vocal recorded in a mountainous district of viet-nam. I made this with a synthesizer.

Acoustic tanpura in the key of d----------------------------------------------------------------------------------------------------------------------------------------------------------------rec by esa frosti.

Member request for 'reconcile our nation'.

Folk-stylish harmonica loop-----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------rec by jiipee nyman.

I found this sound somewhere in the net as a free sound for yamaha motif and converted it to wav,using three samples per octave.

Accordion intro wav.

Djembe recorded with samson q1u.

You can do/make whatever you want with this.

Four samples of a celtic harp. (d4-a4-d5-f#5)looplenghts: 150-100-75-119(59,5). My own production.

My own creation. Five samples of a celtic harp,which have the followingloop-length: 336-200-150-100-67 (c3-a3-d4-a4-e5).

All sounds are created with the pluck-. Function of audacity. I modified the attack phase, changed some harmonics with notch-filter andlowpass. For the pluck noise i used a bandpass- filtered white noise.

Clean notes played on a home-made diddley bow. Sampled with an electric pickup and a little added reverb to make up for lack of sustain. Seasick steve inspired me to construct a diddley bow (it ain't hard). All you need is a length of wire, 4 or 5 ft of two-by-four, some timber nails, an empty bottle and a hammer.

Seed shaker rattle.

Snippets from recordings of me playing the tanpura. Tuned to e flat, the notes from top to bottom are b flat, e flat, c, low e flat. In traditional indian tuning the root note in the scale is referred to as sa and is e flat in this scale the fifth note (b flat in this scale) is referred to as pa and the sixth note (c) is dha. I noticed that my first pack of tanpura samples has a bit of fuzzy white noise so in this pack i have equalized - i reduced all the very high frequencies which got rid of most of the white noise without affecting the low frequency sounds of the tanpura itself. Please note this is the tanpura part of an instrument called the swar sangam which combines the swarmandal (indian harp) and the tanpura, it is not a traditional tanpura and does sound slightly different.

Snippets from recordings of me playing the tanpura. Tuned to c sharp, the notes from top to bottom are g sharp, a sharp, c sharp, low c sharp. In traditional indian tuning the c sharp is the root note (first note in the scale) and referred to as sa. The fifth note (g sharp in this scale) is referred to as pa and the sixth note (a sharp) is dha. The pack contains recordings of the more traditional pa-sa-sa-sa type rythmns, as well as some experimenting with short bass lines, riffs and slap bass drones!. Before you say "a tanpura should not be played in such a way" please be comforted by the fact that this is not a traditional tanpura (and will never sound or be able to be played exactly like a traditional tanpura) it is part of the swar sangam, which combines the four drone strings of the tanpura with 15 harp strings. I am only playing the tanpura part in these recordings.

Snippets from recordings of me playing the tanpura. The strings are tuned to b, d, g and e, so would work well in the keys of g or e minor. I noticed that my first pack of tanpura samples has a bit of fuzzy white noise so in this pack i have equalized - i reduced all the very high frequencies which got rid of most of the white noise without affecting the low frequency sounds of the tanpura itself. Please note this is the tanpura part of an instrument called the swar sangam which combines the swarmandal (indian harp) and the tanpura, it is not a traditional tanpura and does sound slightly different.

Zoom h1. September 2019. Tashkent (uzbekistan). National traditional music.

Sample made by me.

Local malay guys playing ethnic music next door to my hotel in langkawi, malaysia.

A few lines from a one string phono fiddle. It is a very rare old instrument seldom found today. It is a single metal string, played with a horsehair bow. The sound is picked up through a phonogram diapraghm and then amplified through a brass horn. This is free for anyone to use as they wish.

Uc, traditional shout from ibiza.

Melodic snippets from recordings of me playing the swar sangam. This wonderful instrument is a combination of the swarmandal and the tampura. 15 harp strings and 4 drone/bass strings. In these recordings i am only using the swarmandal (harp) part. It is tuned to c sharp, but i have dropped the fourth note (f sharp) out of the scale. There are four packs with lots of recordings in them, strums, plucks, short improvisations. "short melodic statements" are 1-2 bars. "riffs" are 2-4 bars. "melodies" are about 30 seconds and "runs and flutters" speaks for itself. There is recording of tuning up the swarmandal in the melodies pack. The snippets were taken from recordings done on three different days so you may notice a slight difference in volume and background noise. A couple of the recordings have some ambient noise (bird tweets, wind chimes,)some of the melodies are based around a similar theme but have enough variation to be interesting/useful. Credit is not required but always appreciated. Linking to the sound allows others to find this amazing website. :-)i love to hear what you have used my sounds for!.

Melodic snippets from recordings of me playing the swar sangam. This wonderful instrument is a combination of the swarmandal and the tampura. 15 harp strings and 4 drone/bass strings. In these recordings i am only using the swarmandal (harp) part. It is tuned to c sharp, but i have dropped the fourth note (f sharp) out of the scale. There are four packs with lots of recordings in them, strums, plucks, short improvisations. "short melodic statements" are 1-2 bars. "riffs" are 2-4 bars. "melodies" are about 30 seconds and "runs and flutters" speaks for itself. There is recording of tuning up the swarmandal in the melodies pack. The snippets were taken from recordings done on three different days so you may notice a slight difference in volume and background noise. A couple of the recordings have some ambient noise (bird tweets, wind chimes,)some of the melodies are based around a similar theme but have enough variation to be interesting/useful. Credit is not required but always appreciated. Linking to the sound allows others to find this amazing website. :-)i love to hear what you have used my sounds for!.

Melodic snippets from recordings of me playing the swar sangam. This wonderful instrument is a combination of the swarmandal and the tampura. 15 harp strings and 4 drone/bass strings. In these recordings i am only using the swarmandal (harp) part. It is tuned to c sharp, but i have dropped the fourth note (f sharp) out of the scale. There are four packs with lots of recordings in them, strums, plucks, short improvisations. "short melodic statements" are 1-2 bars. "riffs" are 2-4 bars. "melodies" are about 30 seconds and "runs and flutters" speaks for itself. There is recording of tuning up the swarmandal in the melodies pack. The snippets were taken from recordings done on three different days so you may notice a slight difference in volume and background noise. A couple of the recordings have some ambient noise (bird tweets, wind chimes,)some of the melodies are based around a similar theme but have enough variation to be interesting/useful. Credit is not required but always appreciated. Linking to the sound allows others to find this amazing website. :-)i love to hear what you have used my sounds for!.

Cool.

Sing it at the back!i cant hear yall. . . . . . . . . Cmon gettintoo that rhythm.

A didge sound that i made with massive.

A ethnic percussion instrument, from africa, maybe.

A ethnic percussion instrument from africa, i think.

Chorusharp,created with audacity. Analysis and resynthesis of an electric harp sound. For the plucknoise i added a filtered white noise. No samples used,my own creation.

I used the `pluck`-function of audacity,to create this sound.

Congas, ethnic drums, grooves.

Based on the mexica's festivity (atlcahualo), in honor of the rain god tlaloc. Ionthis celebration included child sacrifice.

Me playing live famous old song from macedonia on keyboad.

The erhu is an chinese string instrument with two strings,which is playeda lot in china. The samples are recordings from a free vst-instrument.

This is a complete firework that i had the opportunity to record in 2016 during the belgian national day. I was almost entirely at the front of the line. Recorded with tascam dr-100mkii onboard microphones.

Melodic snippets from recordings of me playing the swar sangam. This wonderful instrument is a combination of the swarmandal and the tanpura. 15 harp strings and 4 drone/bass strings. In these recordings i am only using the swarmandal (harp) part. It is tuned to c sharp, but i have dropped the fourth note (f sharp) out of the scale. There are four packs with lots of recordings in them; strums, plucks, short improvisations. "short melodic statements" are 1-2 bars. "riffs" are 2-4 bars. "melodies" are about 30 seconds and "runs and flutters" is experimenting with running up and down the strings. There is recording of tuning up the swarmandal in the melodies pack. The snippets were taken from recordings done on three different days so you may notice a slight difference in volume and background noise. A couple of the recordings have some ambient noise (bird tweets, wind chimes,)some of the melodies are based around a similar theme but have enough variation to be interesting/useful. Credit is not required but always appreciated. Linking to the sound allows others to find this amazing website. :-)i love to hear what you have used my sounds for!.

Bending a rain stick over.

A recording of a kids choir singing the lebanese national anthem. Line level recording from the mixer board mixed with a stereo reverb from a hanging shotgun mic using logic pro. Nov 2014.

An indian like processed sound.

Bongos.

Me playing a small antique 14-string guitar tuned dadgad to make it sound like an ethnic instrument.

The putipu'ù is a percussion instrument used in neapolitan folk music and, generally speaking in the folk music of much of southern italy. (an alternative name is "caccavella". ) the name putipù is onomatopoeia for the "burping" sound the instrument makes when played. The instrument consists of a membrane stretched across a resonating chamber, like a drum. Instead of the membrane being stuck, however, a handle is used to compress air rhythmically within the chamber. The air then spurts audibly out of the not-quite-hermetic seal that fastens the membrane to the clay or metal body of the instrument.

I created this sound with additive synthesis ,using different eg`s and five different sounds for low ,middle and high harmonics. The pluck noise is a filtered noise at the resonance frequency of 523 hz.

Chinese sound loop. Indian veena synthesizer arpeggio and chinese drum loops.

A djembe drum sample library for your sequencing needs :).