160 αρχεία ήχου χωρίς δικαιώματα για "Εργαλειοθήκη"

A toolbox being snapped shut. Tascam dr100 mkiii.

From analog modular synth.

Includes on construction kit. Arp dubstep sound on 145 bpm, d#m note.

Dw drum kit, used: sennheiser e604 drum microphone, wavelab, fl, yamaha thr10, lenovo laptop.

Sounds made with modular synthesizers clouds texture synthesizer & marbles random sampler & semi modular synthesizer behringer crave. Recorded with audacity wav format mono, sampling rate 44100hz 16bits. The 64 wav files complete the 4 mb which supports the korg volca sample. Make noise ;=).

Dozy pilchard original hard kit.

This is the sound of a toolbox full of diverse tools at ubica lab (upf). Their research areas are enclosed within the general disciplines of ubiquitous computing, contextual intelligence and cognitive systems, using sensors and radiofrequency identificaiton (rfid).

Just playing along with the 'school of rock' soundtrack where freddy does the drum solo. Nothing fancy. Recorded on my roland td-9 module and edited with sony sound forge and sony vegas with 2 track duplications. Please comment on what you might use it on. Thanks. :-).

Made in korg gadget. Tokyo.

My original dw toms, mixed with themselves 1 octave up [the octave up is lowered -6db and the envelope reshaped to allow loud only the attack]. Then for that resulting mixdow again the same thing [so i used the same method two times]. At all steps i was using the simple compressor[not multiband] for not allowing overlimiting. For the two general mixdowns [because it was a double process] i used hard compressor at -0. 45 dbs. And for the two octavic parallel channels i used hard compressor -3. 60 dbsbecause the octave doesn't sound realistic if not well compressed. For all my dw octavic tomsed i used the same exact method. My original dw toms are here if you want to read data or mics. These toms do not sound realistic as stand alone sounds. These harmonics work better only in a complete mixdown, and have increased audibility than the original recordings [for silent music parts use the original because low velocity of parallel instruments will expose the supportive tom-harmonics].

Another snare.

Snare.

Cool for any project but. . . Can't remember the sound but the way it was processed was easy. . . Higher pitch, bit of eco delay, tiny reveerb, and the basic equalization.

909 drum kit emulation.

This loop has been created using program garageband 3 using a kit ofdrums asian to us.

This loop has been created using program garageband 3 using a drum kitharder of the same program.

This loop has been created using program garageband 3 using a drum kitharder of the same program.

Bongo drum.

Bongo drum.

Drum cymbal being hit.

Drum cymbal being hit.

Drum cymbal being hit.

Drum cymbal being hit.

Tom drum.

Tom drum.

Drum cymbal.

Drum cymbal.

Drum cymbal.

Drum cymbal.

Drum cymbal.

Drum cymbal.

Tom drum.

Tom drum.

Snare drum.

Snare drum.

Main description:first uploaded ever! i hope that this free sound can help you create some rock or others genres. Builds might be important to the music. Created using:soundtrap. Others:instrument types - drums - kitstempo - 124genres - rocks (most relatable), progressive rocks.

Korg kaossilator pro xmod drum kit.

Korg kaossilator pro zap drum kit perc synth.

Snare drum.

One more snare.

Audio cuando se coge una gasa.

Recording of a mid rack tom drum.

Sampled from song and mixed with other sampled sound and effect on audacity. Resampled with korg microsampler at 48khz-16bit.

Sound from figure app.

Sound from figure app.

Kick drum for ya.

Kick drum for ya.

These sounds were created with free stomper drumsynth. I tried to emulate the famous simmons sdsv drumsynth, but it is definetely not an emulation, but something similar. You can also download a kontakt instrument i made with those stoper sounds at https://synthnitz. Blogspot. Com/2020/05/simmons-like. Html. Have fun!.

Created in drum synth of logic pro x.

Took a drum loop and pitched out 3 different layers of itself, one at half speed an octave down, one at quarter speed 2 octaves down, and one on top that starts out chopped up into separated transients and returns to full speed at the end. I originally made this to be 3 different levels of progression for a backing drum-loop, with the first section being the buildup, the second as the transition/windup, and the third as the breakdown.