39 pistas de audio libre de derechos para "Cantantes"

Song: "El carretero".- Author: Arturo de Nava (1876-1932).- Interpreter: Singers: Carlos Gardel & José Razzano; Guitars: José Ricardo y Guillermo Barbieri.- Record: Disco Nacional, Odeón, E757, Side A, matrix 18047, Buenos Aires 1922. Tema: "El carretero".- Autor: Arturo de Nava (1876-1932).- Interprete: Cantantes: Carlos Gardel & José Razzano; Guitarras: José Ricardo y Guillermo Barbieri.- Grab.: Disco Nacional, Odeón, E757, Side A, matrix 18047, Buenos Aires 1922.

This is a guided relaxation recording for singers and musicians who are suffering from anxiety or stage-fright before performances. It was created by sarah kulaga-yoskovitz who is a voice instructor for musiprof. For more info on her and her coaching please visit: https://musiprof. Com/voice-lessons-montreal/sarah-k-voice/.

A combination of couple of train sounds here on freesound, combined into something more instantly usable and cinematic.

Morning call to prayer in cairo, egypt. Zoom h1 hand-held recorder.

This is a guided relaxation audio to help singers work with performance anxiety. The audio was created by sarah k. A voice teacher and coach with https://musiprof. Com/. To read the related blog post, please visit:. Https://musiprof. Com/blog/performance-anxiety-a-bodys-betrayal/.

It's an inuit song by the throat singers.

A french musician recording a song with her bass.

A song in spanish for all the world yonkies from a free rebeld.

In my bathroom, a new melodie came up to my mind. Hear it fesh recorded. Imagin the melodie infront of an live audiance.

Chicago transit, green linesuddenly there appeared a musician and started to sing this great song.

Singer telling someone they don't want to hear anymore. Background to heartbeat tones and different rhythms. Sound manually recorded directly into arbhar. Morphagene plays the loop. Rendered @48khz 32-bit fp for morphagene fans out there. Enjoy the say no!.

I recorded this on the streets of congo brazzaville. It is a small church choir singing and playing drums at low volume in their little courtyard. Recorded on my zoom h5.

Dramatic female transition sfx.

A singer is warming-up his voice before the rehearsal of a musical. He uses a piano to tune-up and does all sort of vocal exercises. Recorded in a theatre near paris using a zoom h2n recorder in stereo m/s mode (90 degrees).

Cave tribal song (cinematic). Vocal recorded yellofier, cave background sound iphone + rode micedited: adobe + fxs.

Song: "Flor de fango" (tango). Author: Lyrics: Pascual Contursi (1898-1932) Music: Augusto Gentile (1891-1932), Interpreter: Orq Francisco Canaro; Singer: Charlo; Rec: Odeon 4735 B, Buenos Aires, Buenos Aires, 14 Apr 1931 Tema: "Flor de fango" (tango). Autor: Letra: Pascual Contursi (1898-1932) Musica: Augusto Gentile (1891-1932), Interprete: Orq Francisco Canaro; Cantante: Charlo; Grab: Odeon 4735 B, Buenos Aires, Buenos Aires, 14 Apr 1931 Italiano: Tema: "Flor de fango" (tango). Autori: Testo: Pascual Contursi (1898-1932) Musica: Augusto Gentile (1891-1932), Interprete: Orq Francisco Canaro; Cantante: Charlo; Registrazione: Odeon 4735 B, Buenos Aires, Buenos Aires, 14 Apr 1931

Song: "Reíte mujercita" (tango).- Author: Juan Rodríguez (1895-1928).- Interpreter: Orq Juan D'Arienzo; Singer: Carlos Dante.- Rec: RCA, 782, Buenos Aires, 1928 Tema: "Reíte mujercita" (tango).- Autor: Juan Rodríguez (1895-1928).- Interprete: Orq Juan D'Arienzo; Cantante: Carlos Dante.- Grab: RCA, 782, Buenos Aires, 1928

Song: "Pobre mi madre".- Author: José Betinoti (1878-1915).- Interpreter: Singer: Carlos Gardel.- Record: Columbia, T595, Side A, Buenos Aires, 1913. Tema: "Pobre mi madre".- Autor: José Betinoti (1878-1915).- Interprete: Cantante: Carlos Gardel.- Grab.: Columbia, T595, Lado A, Buenos Aires, 1913.

La Morocha, tango composed by Ángel Villoldo (lyrics) and Pedro Saborido (music) in 1905. This record is from 1909. The singer is Lola Membrives, the pianist Antonio Reynoso. "La Morocha", tango compuesto por Ángel Villoldo (letra) y Pedro Saborido (musica) en 1905. Esta grabación es de 1909. La cantante es Lola Membrives, el pianista es Antonio Reynoso.

Song: "La morocha" (tango).- Author: Angel Villoldo (1861-1919) - Enrique Saborido (1877-1941).- Interpreter: Singer: Ada Falcón, Orq: Francisco Canaro.- Rec. Odeon 165980B, Buenos Aires, 1929 Tema: "La morocha" (tango).- Autor: Angel Villoldo (1861-1919) - Enrique Saborido (1877-1941).- Interprete: Cantante: Ada Falcón, Orq: Francisco Canaro.- Grab. Odeon 165980B, Buenos Aires, 1929

Song: "Pordioseros".- Author: Guillermo Barbieri (1894-1935).- Interpreter: Singer: Carlos Gardel; guitars: José María Aguilar, Guillermo Barbieri (1rst guitar) and Angel Domingo Riverol.- Record: Odeon, 18823 5814, Buenos Aires, 28/JUN/1930. Tema: "Pordioseros".- Autor: Guillermo Barbieri (1894-1935).- Interprete: Cantante: Carlos Gardel; guitarras: José María Aguilar, Guillermo Barbieri (1ra guitarra) y Angel Domingo Riverol.- Record: Odeon, 18823 5814, Buenos Aires, 28/JUN/1930.

Song: "El día que me quieras".- Author: Carlos Gardel (1890-1935) & Alfredo Le Pera (1900-1935).- Interpreter: Singer: Carlos Gardel; Orq: Terig Tucci.- Record: Victor 32458 Bve89229, 19/MAR/1935. Tema: "El día que me quieras".- Autor: Carlos Gardel (1890-1935) & Alfredo Le Pera (1900-1935).- Interprete: Cantante: Carlos Gardel; Orq: Terig Tucci.- Grab.: Victor 32458 Bve89229, 19/MAR/1935.

Song: "Una rosa para mi rosa".- Author: Saúl Salinas (1882-1921).- Interpreter: Singer: Carlos Gardel; Guitars Guillermo Barbieri, Horacio Pettorossi, Domingo Riverol & Julio Vivas.- Record: Odeon, 18901, matrix E7552-1, Buenos Aires, 1933. Tema: "Una rosa para mi rosa".- Autor: Saúl Salinas (1882-1921).- Interprete: Cantante: Carlos Gardel; Guitarras: Guillermo Barbieri, Horacio Pettorossi, Domingo Riverol & Julio Vivas.- Grab.: Odeon, 18901, matrix E7552-1, Buenos Aires, 1933.

Song: "Recuerdo malevo".- Author: Carlos Gardel (1890-1935) & Alfredo Le Pera (1900-1935).- Interpreter: Singer: Carlos Gardel; Guitars Guillermo Barbieri, Horacio Pettorossi, Domingo Riverol & Julio Vivas.- Record: Odeon 18885 7350/1, 22/02/1933 Buenos Aires Tema: "Recuerdo malevo".- Autor: Carlos Gardel (1890-1935) & Alfredo Le Pera (1900-1935).- Interprete: Cantante: Carlos Gardel; Guitarras Guillermo Barbieri, Horacio Pettorossi, Domingo Riverol & Julio Vivas.- Grab.: Odeon 18885 7350/1, 22/02/1933 Buenos Aires

Recording of "Hostias Et Preces" by Eugenio Terziani (1824-1889), sung by the last surviving castrato of the Pope's choir, Alessandro Moreschi (1858-1922). Duration of recording: 2 minutes 9 seconds Català: Una gravació de "Hostias Et Preces" d'Eugenio Terziani (1824-1889), cantada per un dels últims castrato del Cor de la Capella Sixtina, Alessandro Moreschi (1858-1922). La gravació de Moreschi, és la única existent d'un cantant castrato, sent un testimoni sonor únic d'aquesta tradició musical. Una grabación de "Hostias Et Preces" de Eugenio Terziani (1824-1889), cantada por uno de los ultimos castrati de la historia, Alessandro Moreschi (1858-1922) del Coro de la Capilla Sixtina. La grabación de Moreschi, es la única existente de un cantante castrato, siendo un testimonio sonoro único de esta tradición musical Suomi: Eugenio Terzianin (1824-1889) tallenne viimeisen paavin kastraattikuoron jäsenen Alessandro Moreschin (1858-1922) laulamasta kappaleesta "Hostias Et Preces". Enregistrement de Hostias Et Preces par Eugenio Terziani (1824-1889), interprété par Alessandro Moreschi (1858-1922). Italiano: Una registrazione di "Hostias Et Preces" di Eugenio Terziani (1824-1889), cantata da uno degli ultimi castrati della storia, Alessandro Moreschi (1858-1922) del coro del Cappella Sistina. Le registrazioni di Moreschi, essendo le uniche esistenti di un cantante castrato, forniscono una testimonianza sonora unica di questa tradizione musicale Македонски: „Нафора и молитви“ (Hostias Et Preces) од Еугенио Терцијани (1824-1889), во изведба на кастрат на папскиот хор, Алесандро Морески (1858-1922). Морески е единствениот кастрат од кого постои снимка, и претставува единствен увид во оваа некогашна музичка традиција. Запись песни "Hostias Et Preces" Евгенио Терзиани (1824-1889), в исполнении последнего оставшихся в живых кастрата хора Папы, Алессандро Морески (1858-1922). Морески, как единственный записанный кастрат, воспитанный в старой традиции, даёт нам представлене о том, на что была похожа утерянная музыкальная традиция. Tiếng Việt: Một bản thu "Hostias Et Preces" của Eugenio Terziani (1824-1889), được hát bởi castrato cuối cùng trong ca đoàn của Giáo hoàng, Alessandro Moreschi (1858-1922). Moreschi, là castrato được huấn luyện duy nhất được thu âm lại, cho chúng ta một cái nhìn tổng quan về một truyền thống âm nhạc nay đã không còn.