Sound from inside the car, someone comes and starts driving, drives a little, open the windows, start the alarm alert of the gasoline finishing, go to the gas station and then goes to the garage to park it off and closed.
I took my snare drum into the wonderfully echoey parking garage of my building to record the reverb. Included are samples recorded from varying distances and positions. Also included are dry versions, recorded in a living room and a super-dry elevator. When used in a production, try mixing in the heavily reverbed snares against the dry ones to fit your taste. Also the reverb snares work well mixed under even unrelated percussions to add a neat ambiance. The same goes for my "stairwell foot stomps" sample set. Recorded 24-bit stereo with a sony pcm-d50. Assisted by matt mcgowin.
Sound of a roll-up garage door opening. The garage is a standard glass roll-up door. Recorded with a tascam dr-1 with a wind filter. No post-production work was done to the file.
Recorded from inside the garage on a very quiet night. First is the sound of it opening, second is of it closing. No processing other than normalization. 16bit/44. 1k. Nady scm-2090 stereo condenser microphonefocusrite saffirepro 24 mic pre'spresonus studio one 2 for recordingsoundtrack pro for processing (normalize) and editing (cut off head and tail).
Ambient foley, recorded myself playing the piano on an old 80s cassette recorder. . . Stretched it and ran it through a convolution reverb. This is the result, almost sounds like the intro to a burial track. Would work great in ambient music.
A man is working with a jack in a truck shed, breathing. Large recording. France 2007. Recorded with schoeps ab ortfrecorded on tascam dap148khz, 16 bits.
This recording of crickets was captured in my garage in early morning. The chirping is a constant repetitive pattern with just a few temporary pauses. The recording could easily pass as cricket sounds in the open outdoors.
Garage door closing, electric motor, single garage. Edited with audacity. Recorded on shock-mounted zoom h1 mic, record level 62, autogain off, gain low. Record location, inside a car in a single garage (great sound room).
